Bian Zhilin: Appreciation out of context more than 300 words .

Broken Chapters is "Crescent Sect."

Poet Bian Zhilin.

According to the author's self-cloud, the poem was originally in a long poem, but only these four lines of the whole poem were satisfactory to him, so he drew out an independent chapter, from which the title came. The poem is one of the most widely read masterpieces in the history of Chinese poetry in the 20th century. So what is the original text of Bian Zhilin's "Broken Chapter"?

1. Original text: You stand on the bridge and look at the scenery, and the people watching the scenery look at you upstairs. Moon.

Decorate your windows, you decorate other people's dreams.

2. Creative background: "Broken Chapter" was created in October 1935. According to the author, Ziyun, these quatrains were originally in a long poem, but only these four lines of the whole poem were satisfactory to him, so he drew them out and formed an independent chapter, from which the title was derived.

The author once said: "This round or lyric poetry is to write the artistic conception of a moment with transcendent and cherished feelings." At that time, I loved to think that people and things in the world are closely related, interdependent, and interactive.

People ('you') can see the scenery, or they may consciously or unconsciously embellish the scenery;People ('you') can see the bright moon decorating their windows, or they may consciously or unconsciously become the decoration of other people's dreams. And he said, "I mean to focus on the relative."

It can be seen that the poet mainly wanted to show a relative relationship, so he wrote this poem.

1, "Broken Chapter".

Bian Zhilin. You stand on the bridge and look at the view, and the people watching the view are looking at you from upstairs.

The bright moon decorates your windows, and you decorate other people's dreams.

2. Appreciation. The poem was written in the thirties of the 20th century. The psalmist once said:

During this period, I borrowed more lyricism from scenes, objects, people, and things. ......In most poems, the 'I' can also be interchangeable with 'you' or 'he' ('she'), of course, with the situation of the whole poem, and the interchange is logical. These words of the poet are very helpful in understanding this very subtle little poem.

In fact, this poem uses a method of perspective transfer and name exchange, forming a kind of artistic conception that is resistant to the rise and collapse of people's taste. This artistic conception not only has the unique charm of classical Chinese poetry, but also has the modern color of being influenced by modernism. The formation of the former is due to the choice of artistic conception, while the formation of the latter is due to the change of perspective.

In the first and second sentences, there is a "you", and they are both "looking", taking each other as one of the people in the scene, which constitutes a three-dimensional intersecting perspective picture. Sullen laughter.

The "you" in sentences 3 and 4 are unified, but in meaning, they are indeed elastic. If "you" is in front of the window, it can be regarded as the same point of view as "the person who sees the scenery" in the second sentence, so "others" can refer to the "you" in the first sentence. In this way, the overall artistic conception is consistent, and the poetic realm is pushed from the real to the virtual.

However, we can also interpret it differently. Try to replace all the "you" in the poem with "I", then the core perspective of the poem is on the bridge, as if the poet is contemplating on the bridge, resulting in this feeling of self-contained dream. That is to say, the artistic composition of the poem can be explained in two directions.

The basic colors that make up the artistic conception are the hazy gaze and the dream. The subtlety of the poem is here, and the beauty of the poem is also here.