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Disgust with war Pity for the elderly
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Qiang Village is a series of three five-character poems written by the great poet Du Fu of the Tang Dynasty. This group of poems was composed by Du Fu in the second year of Tang Suzong's reign (757) when he was angry with Tang Suzong by writing a letter to rescue Fang Xuan, and was released to visit his family in Qiang Village, Yanzhou (in the south of present-day Fuxian County, Shaanxi). The content of the three poems is different, showing the fragments of Du Fu's life when he returned home to save his relatives from three different angles, and objectively and truly reproduces the tragic situation of the people of Li in the Anshi Rebellion of the Tang Dynasty, when they were hungry and cold, their wives were separated, and the situation was precarious.
These three poems have been successive generations, constituting the poet's "homecoming trilogy" and also constituting a "chaotic map of the Tang Dynasty".
Du Fu's three poems of "Qiang Village" are of high typical significance, just like the masterpieces such as "Three Officials" and "Three Farewells". Although the work only tells the personal experience of the poet returning to his hometown after the chaos, the scenes of relatives meeting in the poems, such as "my wife and children blame me, and I am shocked and wipe away tears", "the night is more candlelight, relatively like a dream", and the scene of "neighbors are full of walls, sighing and sighing", are by no means the unique life experience of the poet's family, it has universal significance. This group of poems truly reproduces part of the social reality after the "Anshi Rebellion" in the Tang Dynasty:
The world is in turmoil, the military revolution is not ending, the children are crusading, and the wives are separated, which has a strong sense of "poetry history".
In terms of art, the poet fuses narrative, lyricism, and scene writing in one furnace, with rigorous structure, simple language, and the use of techniques such as comparison between the present and the past, and a high degree of generalization, expressing the poet's lofty patriotic feelings, and embodying Du Fu's depressed and frustrated poetic style. The three chapters of the poems are not only continuous in form, but also well guide the reader to associate and imagine, making the meaning of this group of poems rich and profound beyond the words themselves. The three poems of Du Fu's "Qiang Village" reflect the serious harm of the Anshi Rebellion with the poet's personal experience and experience, and have a high degree of artistic generalization, reflecting the author's profound poetic skills.
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The author of "Three Songs of Qiang Village" is Du Fu. "Three Songs of Qiang Village" is a group of five-character poems created by the great poet Du Fu of the Tang Dynasty, this group of poems is the second year of Tang Suzong to Germany Du Fu in the left to save Fang Xuan and anger Tang Suzong, was released back to Qiang Village, Yanzhou, in the north of Fuxian County, Shaanxi Province, when visiting his home, the first poem focuses on the poet's first arrival at home surprise.
The second poem writes about the poet's contradictory feelings after returning home, and the third poem writes about the neighbors' condolences with wine, reflecting the lives of the people through the words of the fathers and elders.
It constitutes a group of homecoming trilogy, and also constitutes a picture of the chaos of the Tang Dynasty, the whole poem is narrative, lyrical, and written in one furnace, with a rigorous structure and simple language, which embodies Du Fu's depressed and frustrated poetic style.
"Three Songs of Qiang Village" is:1. One. The majestic red clouds are in the west, and the ground is flat under the feet of the sun.
The birds of Chaimen are noisy, and the guests are thousands of miles away.
My wife blamed me, and I was shocked to wipe my tears.
The world was in turmoil, and survival was accidental.
The neighbors filled the walls, sighing and sighing.
The night is more candlesticky, relatively like a dream.
2. Second. In his later years, he was forced to give birth to a child, and he had little fun at home.
Jiao'er does not leave her knees, afraid of me and will go back.
Reminiscing about the past is good to chase the cool, so go around the pond tree.
Xiao Xiao's north wind is strong, and he is worried about everything.
Lai Zhihe has harvested, and he has felt bad.
Now I have enough to consider, and I use comfort for the twilight.
3. Third. The chickens are crowing wildly, and the chickens are fighting.
Drive chickens to the trees, and start to hear firewood and wattles.
Four or five fathers and elders asked me about my long journey.
Each has something in his hand, and he pours turbidity and repurges.
The bitter wine tastes thin, and the millet land is uncultivated.
The military revolution has not ended, and the children have gone east.
Please sing for your father, and be ashamed of your affection.
The song looked up to the sky and sighed, and the four were in tears.
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The author of the three poems of Qiang Village was the Tang Dynasty poet Du Fu.
"Three Songs of Qiang Village" is a group of five-character poems created by the great poet Du Fu of the Tang Dynasty. This group of poems was written by Du Fu in the second year of Tang Suzong's reign when he was angry with Tang Suzong because he wrote to rescue Fang Xuan, and was released to visit his family in Qiang Village, Juzhou.
The first poem focuses on the poet's surprise when he first arrives home; The second poem describes the poet's ambivalence after returning home; The third poem writes about the condolences of the neighbors with wine, and through the words of the fathers and elders, it reflects the lives of the people at large.
The content of the three poems is different, showing the fragments of Du Fu's life when he returned home to save his relatives from three perspectives, and objectively and truly reproduces the tragic situation of Li Min's life and hunger, cold, and separation, and precariousness, constituting a group of "returning to the hometown trilogy" and also constituting a "chaotic and disorganized map of the Tang Dynasty". The whole poem is a fusion of narrative, lyricism, and scene writing, with a rigorous structure and simple language, which embodies Du Fu's depressed and frustrated poetic style.
Du Fu, the word Zimei, self-named Shaoling Ye Lao, known as "Du Gongbu", "Du Shaoling", etc., the great realist poet of the Tang Dynasty, Du Fu was respected by the world as the "poetry saint", and his poems were called "poetry history". He worries about the country and the people, has a noble personality, and more than 1,400 of his poems have been preserved, and his poetry is exquisite, and he is highly respected in classical Chinese poetry and has a far-reaching influence.
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Qiang Village is a great poet of the Tang Dynasty Du Fu composed three five-character poems. The content of the three poems is different, showing the fragments of Du Fu's life when he returned home to save his relatives from three different angles, and objectively and truly reproduces the tragic situation of the people of Li in the Anshi Rebellion of the Tang Dynasty, when they were hungry and cold, their wives were separated, and the day was precarious.
The first poem focuses on the poet's surprise family reunion when he first arrives at home, and the unique psychology of people who let the desperate thing appear in times of war.
The second poem writes about the poet's depressed and contradictory feelings after returning home, expressing the author's mentality of serving the country in troubled times and not being willing to live secretly.
The third poem recounts the scene of the neighbors bringing wine and expressing their condolences and the poet's thanks. Through the words of the fathers and elders, it reflects the lives of the broad masses of the people.
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Hello, the third poem of "Three Songs of Qiang Village" begins with an interesting overture of "chasing chickens and returning to the branches" to express the poet's joy at unexpectedly welcoming guests. The middle four sentences borrowed the mouths of the visiting fathers and elders to write that they still attached so much importance to love and etiquette in the difficult years of the "Anshi Rebellion", showing that the pure folk customs were not completely wiped out by the war. The poet was moved by the kindness of the visiting fathers and elders, and could not help but sing a song to express his gratitude and gratitude to the fathers.
However, "the military revolution has not ended, and the children have gone to the east", this kind of difficult times, so that even if the author is forced to be happy, he cannot help but have emotional content such as worries about current affairs, feelings about his own life experience, and so on.
That's probably it, I don't know if I can help you. Hehe.
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Summary. Hello, <>
I'm glad to answer for you: the analysis of the three songs of Kissing Qiang Village, flocks of chickens are crowing, and when the guests come, the chickens fight and fight. I drove the chickens to the end of the tree, and then I heard someone knocking on the wood door.
Four or five elders from the village came to express their condolences on my return from afar. With gifts in their hands, they poured wine out of the canopy, some of which were clear and some of which were cloudy. The reason why the smell of wine is weak is that the fields are not cultivated.
The war had not yet ended, and all the young men had gone on a crusade. Please let me sing for my father, and thank him for his deep affection for bringing wine and condolences on a difficult day. After the chanting, I couldn't help but look up to the sky and sigh, and the guests here were also in tears, and they were so sad.
What feelings do the three songs of Qiang Village contain, so that the four tears are crossed.
Hello, I am inquiring for you here, please wait a while, I will reply to you right away <>Hello, <>
I'm glad to answer for you: the analysis of the three songs of Kissing Qiang Village, flocks of chickens are crowing, and when the guests come, the chickens fight and fight. I drove the chickens to the end of the tree, and then I heard someone knocking on the wood door.
Four or five elders from the village came to express their condolences on my return from afar. With gifts in their hands, they poured wine out of the coffin, some of which were clear and some of which were turbid. The reason why the smell of wine is weak is that the fields are not cultivated.
The war had not yet ended, and all the young men had gone on a crusade. Please let me sing for my father, and thank him for his deep affection for bringing wine and condolences in a quiet and difficult day. After the chanting, I couldn't help but look up to the sky and sigh, and the guests here were also in tears, and they were so sad.
When Du Fu was a teenager, he traveled to Wu Yue and Qi Zhao successively, during which he went to Luoyang to fail to act. After the age of thirty-five, he first took the exam in Chang'an and fell behind; Later, he came to the emperor and gave gifts to nobles. The officialdom was unwilling, and witnessed the extravagance and social crisis of the upper class of the Tang Dynasty.
In the fourteenth year of Tianbao (755), the Anshi Rebellion broke out, Tongguan was lost, and Du Fu traveled to many places successively. In the second year of the Qianfu Absolute Bei Yuan (759), Du Fu abandoned the official and entered Sichuan, although he avoided the war and lived a relatively stable life, but he still cared about the common people and the state affairs. Du Fu created masterpieces such as "Ascending", "Spring Hope", "Northern Expedition", "Three Officials" and "Three Farewells".
Although Du Fu is a realist poet, he also has a wild and uninhibited side, and it is not difficult to see Du Fu's heroic spirit from his famous work "Song of the Eight Immortals in Drinking".
I hope the above helps you If you are satisfied with me, please give a thumbs up <>
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The intrinsic connection of the three poems of Qiang Village: This group of poems, "the three poems are good, and the first one is especially unique, word by word out of the lungs and intestines, only people don't know what to do, and like a thoughtful, leaping present, and like ordinary people want to do the Tao." The righteousness of the true national style, the purpose of the beginning of the Huang Dynasty, and the end of the knot, is Du's true color ear.
Here, I would like to focus on the first one, and the other two will briefly address the general idea and some controversial issues.
Three Songs of Qiang Village" group of poems, written in the second year of the reign of Emperor Suzong of the Tang Dynasty (756).
Two years ago, when the "Anshi Rebellion" broke out, Du Fu escaped from Chang'an and arranged his family in a rural village in the north of the city of Zhou (now Fuxian County, Shaanxi). This village is about a place where Han and ethnic minorities live together, and there are many Qiang people in the local area, so it is called "Qiang Village". After Xuanzong fled to Sichuan, Suzong ascended the throne in Lingwu, and when Du Fu heard the news, he went north to Suzong, but was captured by the rebels on the way.
After living in Chang'an for eight months, in April of the second year of Zhide, Du Fu fled from Jinguangmen from Jinguangmen and ran to Fengxiang, where Suzong was at that time (temporary station).
Su Zong was given the official position of Zuo Shi's legacy. This is a petty official in a green robe, but his responsibilities are heavy, and he specializes in putting forward opinions on national political affairs. Because Du Fu dared to admonish outspokenly, he offended the emperor (rescuing the prime minister's room).
In the leap August of this year, he was released to the state and provincial relatives, which actually allowed him to leave the imperial court. After Du Fu returned home, he wrote the famous narrative poem "Northern Expedition", and at the same time, he wrote the group of five ancient poems "Three Songs of Qiang Village".
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