What kind of skills and accomplishments should be possessed in animation original paintings?

The first is the sense of space, that is, the understanding of the lo in place, that is, the so-called perspective relationship between the figure and the background. It's as if one goes to learn sketching, the first thing a qualified sketch teacher teaches you must be composition, not painting.

The second is the understanding of the original painting, that is, the understanding of the key zhen, the understanding of the law of action, and the understanding of the exaggerated deformation of the action. The original painting ability is divided into three layers, the first layer is the ability to shape the character, which is the foundation of the most basic, in other words, the portrait is not like the painting, whether it looks good or not, and it is moving, multi-angle modeling. The second layer is the ability to shape the character's actions, including the laws of movement, the exaggeration of movements, deformation, and the rationality of actions.

The third layer is the ability to shape the time in the action, the original painting is not only about the action, but also the original painting to express what kind of action is this, is it a very fast action, a very slow action, or a rhythmic, sometimes fast and sometimes slow action, when the action is carried out, the inner activity of the character? Are you injured?

The third involves the problem of timeseed and layering, how to fill in timeseed reasonably, called the photographic sheet in China, is not only the sublimation of the understanding of time, but also directly affects the painting layering problem when drawing in the next animation link, the sophisticated original painting will divide the layers into very regulations, which is convenient to make, and it is also convenient to add animation. And the layering of the newcomer's original painting is always a headache, and there is no clue about painting.

Fourth, this point is actually common to all animation workers, the spirit of hardship and hard work, the original painting is likely to fight for several months without any rest, and at the same time the working hours are more than 16 hours a day, in a few months a concept painting may even have to go to the toilet time with eating, and eating with sleeping, if possible. Animation production is a very, very hard, boring, if it is domestic, but also a thankless thing, the spirit of hardship and hard work and strong psychological quality are the qualities that all animation people must have.

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Summary. "Original painting" is a picture of the beginning and end of an action, which can determine the rhythm, direction, amplitude, camera movement and other elements of the action.

In the animation production process, the original artist first completes the action concept painting, that is.

"Original painting" is a picture of the beginning and end of an action, which can determine the rhythm, direction, amplitude, camera movement and other elements of the action.

The drawing of "original painting", in the animation production process, belongs to the mid-term production, the mid-term production includes the original painting, intermediate painting, background art and other picture drawing, the original painting is the most time-consuming and difficult process in the production process. Since it determines the key actions of the movement in the picture, then its role is also the largest, the original artist according to the director's intention to express, to complete the whole picture, the pure color of the corner through the expression or body language through the painting Li Lu to deduce the vivid feeling, it is not an exaggeration to say that the original painting gives life to the animation.

In the production of Japanese hand-drawn animation, the original painting is divided into details, and the first original painting and the second original painting can be distinguished. The first original painting is a sketch of an action drawing, it can not draw the specific details of the character, but the action itself must be drawn, the second original painting is based on the first original painting to draw the details of the character, it is said that there are some animation production sites, layout and the concept of the first original painting are directly mixed, but strictly speaking, the layout (design draft) is the layout, the first original painting is the first original painting.

In the process of making the nuclear punch of Japanese hand-drawn animation, there are two types of drawings: the original drawing and the middle drawing. The difficulty is that the original painting is greater than the middle drawing. In the original painting, the difficulty of the first original painting is much greater than that of the second original painting.

The actual difficulty is analyzed according to the actual painting, and there are some second original paintings that will be much less difficult than the first original painting. The middle painting should be changed to be simpler, some simple intermediate painting tasks, it is said that after simple training is not particularly understanding of art people can be completed, of course, it is still to be judged according to the actual picture, so the labor force of the general middle painting is easier to find, and the labor force of the original painting of the clan Pei is relatively high in requirements and thresholds.