How to practice to practice the voice well and sing the pitch high

Every morning, practice dolphin sound.

Singing tones are divided into treble exercises and falling pitch exercises when practicing, don't use a lot of force when singing high notes at the beginning, stabilize your breath and then stabilize your strength, exhale all the air in your lungs, and exhale cleanly.

Hold your breath, put your hands on your little belly, don't bulge all at once, it's best to use five seconds from the beginning to the limit of force, and when you're strongest, last five seconds, can't breathe during the process, and practice in a loop.

When practicing the pitch reduction, the air code must be low and gentle, the middle and low tones should generally be full and affectionate, and the chest and throat should be relaxed when singing the bass, and some resonance can be strengthened by sighing, and some breath can be added to produce oral resonance in a really low place, so that the sound will feel thicker.

The control of pitch is the difference between the speed and slowness of the nucleated sound frequency, which can generally be controlled by the speed of the vocal cord vibration, and the shape change of the vocal cords needs to be controlled by the brain to achieve the control of pitch in the process.

When practicing, we must maintain the correct singing posture, the correct singing posture is the premise of entering a good singing state, the correct posture is beneficial to singing, but the wrong singing posture has an impact on the pronunciation, but also pay attention to the pitch, rhythm training, through vocal exercises, gradually master the comprehensive singing vocal skills such as lian, pause, strong, weak, etc.

The strength of the diaphragm is important for both breath retention and the strength of the voice.

The traditional training methods are:

Count the numbers: Take a deep breath, use the strength of the waist and abdomen to hold, count from 1, count to 60. Counting should be even, rhythmic, and not stealing.

Soot blowing: Take a deep breath and blow forward like blowing dust off your table.

The rhythm is slow and fast, and you can feel the power of the diaphragm.

Sit-ups: Do more sit-ups to strengthen your waist and abdomen.

1) First sight-singing. Start in C major and follow the order from easy to difficult.

The principle of progressive prelude sings the scale, from the rigidThe beginning of the chorus to the later.

A cappella, after stabilization, begins to recite the second to octave intervals.

Start with simple, familiar music to develop their sight-singing ability.

Measure away from the piano and encourage them to find their own intonation and correct their mistakes.

(2) Listening training. Listen to a single note on the piano. Come and close.

Press on your eyes and likewise need someone to help on the piano.

Some notes, and then you come and sing what you hear. Wrong is not off.

system, sing correctly and then change to the next one, slowly improve the reaction speed, from single note to interval to third chord to seventh chord, insist on training every day.

Practice, the effect will be very good.

Second, you should sing more and follow along when you listen more.

Sing, let yourself find the rhythm of the melody, and we don't want to be because of ourselves.

I don't dare to sing if I don't sing well, I go to KTV to sing with a lot of friends, and some friends just don't dare to sing, or I sing very quietly, you.

The more this happens, the more you can't progress, you have to let go and sing boldly.

Third, you should record more, and recording is to record the songs you sing.

Listen to the original song and then listen to your own singing, and you can find yourself.

**Out of tune** Singing badly. Now you can record on your phone.

Some singing software.

1. Breath control.

When singing, the quality of the voice is directly related to the quality of the voice.

So how do you control your breath when singing?

First of all, we need to know what the right breathing is. The most obvious action of chest breathing is to hold the chest up, and the chest strength is high when singing, which will cause the voice to be weak and the breath to be used up quickly; Abdominal breathing is controlled by the lower abdomen, so it is better to inhale when breathing, but not to exhale; Therefore, students who know our tutorial should know that we usually recommend chest and abdominal breathing when singing!

2. Vocal cord vibration.

This problem is encountered by many beginners, that is, the problem of vocal cord vibration, which can also be said to be the relationship between breath and resonance.

Vocal cords when singing.

When singing in the lower vocal area: the vocal cords are not tightly closed and elongated, thicker, and the airflow through the glottis causes full vibration of the vocal cords.

When singing in the middle vocal area: the vocal cords are close together and thinner, shortened, the tension increases, and the airflow through the glottis causes local vibrations of the vocal cords.

When singing in the vocal zone: the vocal cords are tightened and become thinner, shorter, and more tensioned, and only the edges of the vocal cords are vibrated as the flow through the glottis is generated.

3. Resonance application.

1) "Yawn": When singing, open your mouth and curl your tongue to make a sound of the word "ah".

3) "Hold your throat": Shout out very hard, and the voice is very loud.

4) "Hey" sound: It is the feeling that the throat is not strong when singing, and the voice is very small, and it is very comfortable and feeling.

Fourth, vocal exercises.

The problem of breath is also the focus of our solution, because the quality of breath directly determines whether our singing voice is beautiful or not.

When we practice singing, the first thing we need to do is to find our breath control point, and we can use the "chest and abdomen combined breathing method" to make the breath more stable.

Secondly, when using the breath to make sounds, it can be adjusted according to different songs, such as "Ferry", "No Love", "Love Will Not Go Far", etc.