How to practice three chamber resonance? How to practice head cavity resonance

The resonance organs of pronunciation include thoracic, laryngeal, pharyngeal, oral cavity, nasal cavity, etc., and according to the vocal characteristics and vocal area, there are cephalic resonance, oral resonance and thoracic resonance. In principle, we need to connect the three chambers into a whole, and we cannot use any one of them in isolation. The so-called cephalic resonance is a method of vocal vocalization.

Head cavity resonance is a vocal term that follows the 19th century, when scientific knowledge was not yet developed, and it is a method of vocal practice. On the basis of oral resonance, the concentrated reflection point of the sound wave on the hard palate is slightly moved back, and the lower blade is lowered (as if the upper gum is raised a little higher), and at the same time, the soft palate and the small tongue are also raised, and the base of the tongue has the feeling of being put down, so that the passage and space between the mouth, nose and pharyngeal cavity are wider, and the sound waves are transmitted along the upper palate to the nasopharyngeal cavity, nasal cavity and sinus, causing the reverberation of sound waves. It is the main resonance organ in the high pitch (head vocal area), followed by the oral cavity and pharyngeal cavity, and the thoracic cavity.

Oral resonance is one of the vocal methods. The acquisition of oral resonance is to naturally open the mouth up and down during pronunciation, the laughing muscles are slightly raised, the lower palate is naturally lowered, and the upper palate has the feeling of being raised. The base sound is transmitted through the muscles, cartilage, and breath near the vocal cords, causing the sound waves to be pushed along the hard palate in the direction of the dorsum of the upper teeth.

At this time, the sound wave leaves the laryngopharyngeal part smoothly with the push of the breath, causing vibration in the anterior and upper part of the mouth, and the sound is reflected in the front of the hard palate, and the nasal cavity is open and unobstructed. This resonance makes the voice bright and forward, but too much oral resonance can easily make the voice appear "white". When pronouncing the middle voice (the sound of the middle vocal area), the oral cavity and pharyngeal cavity are the main resonance organs.

The head cavity is secondary, and the chest cavity is even more secondary. The so-called thoracic resonance is also a kind of vocal training method, a vocal term, which follows the 19th century, when science was still not developed. The acquisition of the sensation of thoracic resonance is to make the throat yawn half-yawn, when vocalizing, the palate naturally droops, the laryngopharynx is appropriately widened, and the reflection point of the sound wave vibration on the hard palate is moved to the back of the lower teeth, so that the sound wave causes more vibration near the larynx and trachea, and then transmits it from the vicinity of the trachea to the chest cavity to cause resonance.

When singing a bass note (the sound of the thorax vocal area), the chest cavity is the main resonance organ, followed by the oral cavity and pharyngeal cavity, and the head cavity is even more secondary. How can we better resonate with the three chambers? The first is to practice head cavity resonance.

To get the essentials of the head cavity vocalization, starting with falsetto is also a good way. It's humming or talking softly in a lullaby-like tone. I think that using the "lu" sound to train the head cavity to make a voice has a miraculous effect.

Everyone can try it. I think it works with lu sounds. However, it is important to note that the sound is very easy to pronounce with a floating sound.

Or use the method of 90-degree salute, that is, bow your head and do a 90-degree salute, and at the same time make mo, at this time the head has a feeling of resonance. Once you've sensed the resonance location, slowly lift your head and be careful not to let the resonance you just got run away.

First of all, if you want to find nasal resonance, then you must first have a very relaxed state of high canopy, so as not to pull your throat and throat when you sing and sing high notes, so here you must usually practice your basic skills solidly, especially bubble sound or toot, which can relax your mouth and your larynx.

The first step is to establish a stable vocal cord position and decompress the vocal cords, so that the vocalization is more efficient and healthier and scientific, and with this necessary condition, you are basically halfway to the battle.

The second step is to stabilize this position you have found, delay and stabilize again! (This requires you to learn to listen more and watch the master's singing and lectures) let the breath hit the cavity in a stable position, so that the volume and sound quality will be very different from your previous ones.

The third step, don't deliberately look for resonance after having the above qualities, because the conditions are ripe, and there is only one way out for the breath, that is, to enter the resonance cavity when you rush to Qi Dan, you don't need to look for it, and the resonance will find you. You just need to keep track of your movements, your position, your breath. In this realm, the breath has its proper effect, don't believe in what breath is king, it doesn't make sense, only at this stage (considered a more advanced stage) you will use the breath (Pavarotti is also developed in the basic conditions and then tinkered with the breath, and then the resonance timbre is very bright, reaching his peak).

The fourth step is the breath. Breath needs to be delivered evenly and in a controlled manner at a stable vocal cord position, of course, into the resonance chamber to ultimately produce a good resonance.

One minute to solve the head cavity resonance how to operate.

A 1 practice Neck straight, back throat closed singing, practice more every day, luck is by practicing more, tongue beating, purring, you can practice qi or abdominal exercises.

Head resonance is one way to sing high notes, so how do we practice? Share it with everyone now.

<> "Three Minutes to Learn to Change the Key to Sound Three-Chamber Resonance."

Thoracic resonance, nasal resonance, and head resonance are the so-called three-chamber resonance.

As far as Xiaobai's ** is concerned, no resonance is used when singing, and the level of resonance depends on the dry throat. So the timbre is sloppy and sounds very dry and white. If you know how to use chest resonance when singing bass, then you use head resonance when singing high notes, so that our timbre can become more beautiful and textured.

refers to the book. 1) Thoracic resonance:

Put your hand on your chest and feel the vibration, you can bow your head, sigh, and imitate the voice of Xiong Da Xiong Er.

2) Nasal Resonance:

Closing the mouth can better find the nasal cavity, such as en, hum after practicing nasal articulation, such as neng nen, ning you, feng feng, heng heng, ping ping hong hong.

3) Head cavity resonance:

Find frontal sinus resonance: the voice is lost by the center of the eyebrows, the mask is raised to smile muscles, raise eyebrows, and learn to meow; Turn on "Laughing Muscle Hair.""one"Note: When the head cavity resonates, the mouth must be opened to create space for the sound to enter the head cavity.