What are Wang Xizhi s representative works? What are some of Wang Xizhi s works?

Seventeen posts, such as "Le Yi Theory", "Huang Tingjing", "Oriental Shuo Painting Praise" and so on, "in the Southern Dynasty, that is, popular". Paper. It is now in the collection of the Japanese Imperial Family.

Sui Zhiyong called it "the first book", and Chu Suiliang in the Tang Dynasty also praised it very much, and it is a typical work of the latest posture created by Wang Xizhi. "Seventeen Posts" cursive, his kind of "orthodox" that has a great influence on later generations: "Funeral Fan Huande Show" is the ruler of Tang Dynasty and Wang Xi, and the book is written.

His cursive writing is also revered by the world as the "saint of grass". He turned some of the advantages of brushes and knots scattered in the previous and contemporary calligraphy works into "Huang Tingjing". Therefore, the look is radiant, and the fat and thin are commensurate:

"Seventeen Posts" is Wang Xizhi's cursive masterpiece, and the content is the ruler he wrote. Because the volume has the word "seventeen", it is named. <>

The Preface to the Lanting Collection describes the beauty of the mountains and rivers around the Lanting Pavilion and the happy mood of the party, and also expresses Wang Xizhi's lament that the good times do not last long and the emotions of life and death are impermanent.

The article is written fresh and simple, the language is concise and elegant, and sonorous. In the first paragraph, Wang Xizhi wrote the time, place and reason for the banquet, mainly writing about the joyful scene at the Lanting assembly. What he saw was the mountains dripping green, the thousand rocks were beautiful, the clear springs were rippling, the thousands of ravines were contending, the plants and trees were verdant, and the clouds were steaming.

Lofty mountains, dense forests, slender green bamboo. There are also turbulent springs, and the upper and lower sky light is reflected in it, and you can feel the sunshine, the warm spring breeze, and the fragrant smell of plants.

In the face of the boundless beauty of nature, the sages and celebrities, young and old, sit on the waterfront, flow the water, talk about the Xuanxiao, drink and write poems. Although there is no grand performance of the silk and bamboo orchestra, a glass of wine in hand and a good sentence in the throat are enough to make people talk about this quiet feeling. Looking up at the grandeur of the universe, leaning down to observe the prosperity of all kinds of things, looking at it and galloping in the mind, it is enough for people to activate all their senses and enjoy the vast comfort and love that nature has bestowed on human beings.

It is said that the "Lanting Collection Preface" was written by Wang Xizhi when he was in the middle of drinking, and that day he stood up leisurely, walked to the front of the case, and waved freely on the silkworm paper to make a preface. Wang Xizhi's calligraphy art has been brought into full play in this preface. It is the best handwriting in Wang Xizhi's life.

Where there are the same words in the text, the penmanship and posture must be different. For example, none of the 20 "zhi" characters appear to be the same, becoming a unique in the history of calligraphy. The next day, after Wang Xizhi woke up, he was still unsatisfied, and he waved on the desk and rewrote the preface on the paper, feeling that it was not as exquisite as the original text.

He didn't believe it, and he repeated the book several times, but he still couldn't get the essence of the original text. Only then did he realize that this prologue was already the pinnacle of his own life, and that he could not surpass it again.

The preface to the Lanting Collection, a well-known prose that has been recited through the ages, has reached the most perfect realm regardless of the penmanship structure and posture. In just more than 300 words, it vividly writes the joy of the Lanting assembly and the feelings of life and death. The sentences are scattered and combined, staggered, concise and fluent, simple and natural, and are praised by later generations.

Wang Xizhi's reputation as a "book saint" is destined to be an irreproducible legend, like a never-extinguishing spiritual lamp, shining and inspiring a steady stream of latecomers.

The Orchid Pavilion Collection Preface is a miracle in the history of Chinese calligraphy, and its outstanding artistic achievements have reached an unprecedented height. The gesture is beautiful and skillful, and the elegance contains the air of madness, which is praised as "the first line of books in the world" by the calligraphy industry.

Wang Xizhi's representative works include: regular script "Huang Tingjing", "Le Yi Treatise", cursive script "Seventeen Posts", Xingshu "Aunt's Post", "Sunny Post When the Snow is Fast", "Funeral Post", "Lanting Collection Preface", "Early Moon Post", "He Ru Post" and so on. Wang Xizhi's calligraphy is good at subordination, grass, Kai, and line, carefully studying the posture, the heart is chasing by hand, widely collecting the public and the number of long, preparing all the bodies, smelting in a furnace, getting rid of the Han and Wei pen style, becoming a family of its own, and having a far-reaching impact.

The style is peaceful and natural, the gesture is tactful and subtle, and the book is ruined by the beauty and fitness.

Wang Xizhi's representative works include: "Huang Tingjing", "Le Xiang Beicha Yi Treatise", cursive "Seventeen Posts", Xingshu "Aunt's Post", "Sunny Post when the Snow is Fast".

Funeral Post", "Lanting Collection Preface".

The first moon post", "how to post" and so on.

Wang Xizhi's representative works are very rich, in addition to the "Orchid Pavilion Preface", the famous ones are "Official Slave Post", "Seventeen Posts", "Two Thanksgiving", "Fengju Post", "Aunt Post", "Sunny Post When the Snow is Fast", "Le Yi Theory" and so on.

Wang Xizhi's "Orchid Pavilion Preface" is known as "the first book in the world". "Orchid Pavilion Preface" has strong artistic characteristics. Its outstanding feature is that the rules are natural and the charm is vivid.

Throughout the whole text, he is calm and handy, so that the artistic style is organically combined with the text content, which fully expresses Wang Xizhi's feelings of happiness and self-sufficiency when he gathers with friends.

Characteristics of Wang Xizhi's works.

It is rumored that Wang Xizhi's book of learning is self-described: "To Shao Xuewei's wife's book, it will be said to be powerful." and crossing the river to the north to visit the famous mountains, see Li Si, Cao Xi and other books.

Again, see Zhong Xuan and Liang Hushu. Under Luo, see Cai Hun Shijing Three-Body Book. I also saw Zhang Xu's "Huayue Tablet" from my brother, and I learned Mrs. Wei's book, and it took years and months in vain.

Then he changed his own teacher and still studied in the monuments. ”

"Book of Jin" Wang Xizhi "good book, the crown of ancient and modern". "Farewell Biography" cloud: "Xizhi is good at grass, eight points, flying white, chapters, lines, preparing all bodies, and becoming a family of its own."

Ever-changing, the miraculous skills, since the non-creation of the spirit, how can it reach the peak, its intentions, are all natural, there is nothing to add. ”

None of Wang Xizhi's original calligraphy works have survived, but there are still many copies of the books that were copied and written, including the ink and engraved copies that are passed down to his works, and there are hundreds of them in total. Among them, the representative works are the ink book "Aunt's Post", "Aunt's Post", Wang Xizhi's "First Moon Post", "Funeral Post", "Confucius Servant Post", "Feng Tangerine Post", "Yuan Eunuch Post", "Hanche Post", "Shangyu Post", Lin's "Lanting Preface", "Seventeen Posts", "Zhiyu Danyang Post", "Shiping Gong Statue Record", "Wang Luo Post", Xiaokai "Huang Tingjing", "Le Yi Theory", "Huairen Jisheng Order" and "Wu Wen Tablet" and so on. "Aunt's Post" and "First Moon Post" were originally contained in Tang Long Live Tongtian Post, which was copied by Wu Zetian in accordance with the original work of Wang Xi's descendant Wang Fangqing into Wang's book Hanji, and the essence of the sketch is the crown of all posts.

The glyph of "Aunt's Post" is relatively simple, but the wind god is elegant, and it is estimated that it may have been written earlier. "The First Moon Post" should have been written in his later years because he claimed to be "the newspaper of Wang Xi of Shanyin". The strokes and glyphs of this post have changed greatly, which has never been seen in other posts.

The "Funeral Post" has been introduced to Japan before the Tang Dynasty, and the sketching is also very precise. Judging from the content, the book was written in the seventh year of Yonghe (351) to the twelfth year, which is also his later work. The most representative of the engraving is the "Seventeen Posts", which is based on the original scroll of the Tang Dynasty, and the content is a collection of letters written by Wang Xizhi to his old friend Zhou Fu, which was written from the third year of Yonghe to his death in the fifth year of Shengping (361).

It also belongs to the works of his later years. It is the work that best represents the style of Wang Shu.

Aunt's post" Wang Xizhi.

Wang Xizhi's calligraphy works include "Orchid Pavilion Collection Preface".