Sit and see the meaning of the detailed explanation of the moss, and sit and look at the meaning of

It means to sit and watch the moss.

From: "Book Affairs" by Wang Wei in the Tang Dynasty

Light Yin Pavilion light rain, deep courtyard open daytime.

Sit and look at the moss, and want to come to the clothes.

Translation: The drizzle has stopped, and the sky is still slightly cloudy. Even though it was daytime, I didn't bother to open the courtyard door.

Sit back and look at the moss, the lovely green color is almost dyeing people's clothes.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat. Go to the poor place of the water, and sit and watch the clouds rise. I hope it will be adopted.

I wish the landlord a happy day. ^_

It means to sit and watch the moss.

From: "Book Affairs" by Wang Wei in the Tang Dynasty

Light Yin Pavilion light rain, deep courtyard open daytime.

Sit and look at the moss color, and want to wear human clothes to annihilate the locust.

Translation: The drizzle has stopped, and the sky is still slightly cloudy. Even though it was daytime, I didn't bother to open the courtyard door.

Sit back and gaze at the moss, the lovely green that almost stains the rubber ridges of people's clothes.

Sitting and looking at the moss-colored last sentence is to want to get on people's clothes.

From:

Shushi [Tang] Wang Wei.

Light Yin Pavilion light rain, deep courtyard open daytime. Sit and look at the moss, and want to come to the clothes.

[Notes].

Writing: Writing about what you see. Light Yin:

Slightly shaded. Ge: Same as "shelving", stopping, delaying, stopping.

This sentence says that the drizzle has stopped at the beginning, and the sky is still slightly cloudy. 慵 (yōng): lazy.

This sentence said that even though it was daytime, he was still too lazy to open the courtyard door. Sit back and watch. Sit back and watch.

Desire: Simply wanted.

Added:

This is a poem written on the spot. Entitled "Books", the poet expresses his momentary feelings about the things in front of him.

Light Yin Pavilion light rain, deep courtyard open in the day", write about the prospect and convey the heart. The drizzle had just stopped, and the sky had turned lightly cloudy. When the rain stopped, the poet walked slowly to the deep courtyard.

He didn't go out for a walk. Even though it was daylight, I didn't bother to open the courtyard door. The poet uses the word "ge" to express his subjective feelings.

The word "pavilion" is used here in a special way, as if the light yin forced Xiaoyu Zhenghong to stop. The two faint sentences bring the reader to a quiet small world, and the poet's quiet personality and lazy mood are also naturally revealed in the pen and ink.

Sitting and looking at the moss color, I want to get on people's clothes" to change the plain to lively, unique and fascinating. The poet walked aimlessly in the courtyard, and then sat down again, ** the scenery of the deep courtyard. What catches your eye is a patch of green moss, fresh and lovely, full of life.

The moss was so green that the poet had the illusion that the verdant stained his clothes, which was similar to the poem "In the Mountains" "There is no rain on the mountain road, and the empty green is wet". This subjective illusion is an exaggerated reflection of the beautiful scenery of the deep courtyard after the rain, which effectively sets off the tranquility of the deep courtyard. "I want to come to the clothes" is a clever expression of my joy, caressing mood and novel and unique feelings.

Moss is a still scene, and it cannot give the poet the illusion of movement. The moss moistened by the light rain is washed away by light dust, and it looks particularly verdant. Its bright color is particularly eye-catching, making people feel that everything around them reflects a layer of green light, and even the poet's placket seems to have a little "green".

This is the vitality of all things in nature in the tranquility.

Sit and watch the moss color of the letter, and want to come to the clothes.

From: "Book Affairs" - Tang Wang Wei. Light Yin Pavilion light rain, deep courtyard open daytime.

Sit and look at the moss, and want to come to the clothes. Wang Wei's five-character poem is an improvisational work that is not well known. However, those who have read this poem will be moved by the deep Zen and vibrant artistic conception expressed in the poem.

The title is "Book Affairs", which means the expression of the feelings of things that happen in front of the eye slippery vertical beam.

Sit and look at the moss-colored, want to get on people's clothes", the poet walked aimlessly in the courtyard, and sat lazily on the steps when he was tired, ** the scenery in the courtyard. The first thing that catches your eye is a patch of green moss, which looks fresh and lovely and vibrant after being moistened by the drizzle. Looking, watching, the poet's expression became trance-like, and the figurative objects in front of him produced a hallucination.

With the flow of light and shadow, the moss is like a lively and lovely child, jumping up on the ground, and affectionately wants to climb on the poet and throw himself into the poet's arms. Moss is a still life, how can it give the poet the illusion of movement? Through anthropomorphism, the poet captures the poetry that triggers inspiration, and transforms the ruthless scene into a sentient object.

Wang wei. Wang Wei (701-761, 699-761), the word Maha, the name Maha, was a native of Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qi County, Shanxi. A famous poet and painter in the Tang Dynasty, he was called "Wang Meng" together with Meng Haoran, and was known as "Poetry Buddha".

Wang Wei won the title in the 19th year of the Kaiyuan Dynasty (731). The right of the officials has picked up the remains, supervised the imperial history, and made the judge of the Hexi Festival. Wang Wei participated in Zen enlightenment, learned Zhuang Xindao, proficient in poetry, calligraphy, painting, **, etc., and was famous for his poetry in Kaiyuan and Tianbao, and sang more landscapes and pastorals.