What are the ancient five tones and twelve rhythms? Please, 3Q

The five tones and the twelve rhythms are not juxtaposed.

The traditional Chinese ** is based on the Chinese pentatonic tonal ** system, and the five tones of gong, shang, jiao, zheng and yu are equivalent to 12356 in the simple score. Gong (do), Shang (re), Jiao (mi), 徵 (sol), and feather (la) are arranged according to the height of the tone, and the five tones are the basic key. Later, it was added to change the palace and change the signs, which were called seven tones.

The signs of change are roughly equivalent to 7 (ti) and 4 (fis) on modern notation, thus forming a seven-tone scale.

The 12 rhythms are the rhythms generated by the three-point profit and loss method, which is the foundation of the Chinese pentatonic mode. The rule of thirds is a system of dividing an octave into twelve semitones that are not identical.

The change in profit and loss is explained below

Truncate one-third from A to obtain the length of B, then the length ratio of A and B is: 3:2;

If B is lengthened by one-third to obtain the length of C, then the length ratio of B and C is: 3:4;

After about seven cycles, the length of the "Xin" obtained after about seven times is about half the length of the nail.

The laws from low to high are: Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xian, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Cai, Ying Zhong, called the twelve laws. The twelve laws are divided into two categories: yin and yang

The odd six laws are yang laws, which are called six laws; The even six laws are yin laws, which are called six lu, and are collectively called lu lu. What is said in the ancient books"Six Laws", usually encompassing the twelve laws of yin and yang.

The twelve laws are arranged clockwise in a circle according to the frequency from small to large: Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Cai, Ying Zhong. After answering the bell, it was turned back to the Huang Zhong position (Qing Huang Zhong).

Then the two tones that are eight apart in the clockwise position (the real "interval" is six) are "harmonious" together, which is called the "harmony" of the eight intervals.

Huang Zhong Sheng Lin Zhong, Lin Zhong Sheng Tai Cluster, Tai Tuan Sheng Nan Lu, Nan Lu Sheng Gu Xi, Gu Baptism Sheng Ying Zhong, Ying Zhong Sheng Rui Bin, Rui Bin Sheng Da Lu, Da Lu Sheng Yi Ze, Yi Ze Sheng Jia Zhong, Jia Zhong Sheng No Shot, No Shot Sheng Zhong Lu, Zhong Lu and Sheng Huang Zhong (Qing Huang Zhong), the cycle repeats, the cycle repeats.

Therefore, the five tones are the backbone sound (or embodiment) of the key, and the twelve rhythms are the rhythms contained in the key, and they are also the inner core of the Chinese tradition.

The five tones are Gong, Shang, Jiao, Zheng, and Yu, and the twelve rhythms are Wuji, Yingzhong, Yize, Nanlu, Ruibin, Lin Zhong, Guxi, Zhonglu, Huangzhong, Dalu, Taituan, and Jiazhong.

Five tones 12 rhythms, the specific content is: five tones: Gong Shang Jiao Hui Yu; 12, the law from low to high, in order of Huang Zhongda, Lu Taituan, Zhong Guxi, Zhong Lu Jibing, the dying posthumous Ze Nan, Lu Wu, Ying Zhong.

The five tones are Gong, Shang, Jiao, Zheng, and Yu. The twelve laws are Huang Zhong, Da Lu, Tai Tuan, Jia Zhong, Gu Xi, Zhong Lu, Rui Bin, Lin Zhong, Yi Ze, Nan Lu, Wu Ji, and Ying Zhong.

The "five tones and six rhythms" often said in ancient China are explained separately.

Five tones: refers to the five scales of gong, shang, jiao, zheng and yu; Six Laws: Determine the standard of musical instruments.

I want to hear the six laws, five tones, and eight tones, and I am treating the neglect; With the cashier's five words, you listen. "Mencius: Lilou Shang": "If you don't use six rules, you can't be five tones."

Example: The second chapter of Qing Anonymous's "The Complete Biography of Shuo Hu": "Those, the nine palaces in the north and south, the silk strings of the pipe, all of them are fine."

Usage: as subject, object, definite; Finger**.

Wuyin Gong Shang Jiao Zheng Yu refers to the traditional Chinese pentatonic pattern. A pentatonic mode is a key that consists of five notes instead of seven. The pentatonic pattern is widely used in ancient China and folk, and on this basis, various variations of the Chinese national tone and a complete theoretical system have been formed, so although the pentatonic tone can be seen in the traditions of many countries and regions, it is stillIt is often referred to as the "Chinese tune" or "national tune".

The twelve laws are divided into two categories: yin and yang, where the six laws that belong to the odd number are called yang laws, and the six laws that belong to even numbers are called yin laws. In addition, the odd number of laws is called "law", and the even number of laws is called "Lu", so the twelve laws are also referred to as "Lu".

The six laws of the five tones and six rhythms refer to the yang lawsSix Laws: Yang Law Six:Huang Zhong, Tai Tuan, Gu Xi, Ruibin, Yi Ze, Death Shot.

Yin Law Six: Da Lu, Jia Zhong, Zhong Lu, Lin Zhong, Nan Lu, Ying Zhong. There are 12 laws.

"Zhou Li, Chunguan, Diantong": "All musical instruments are measured by two laws out of ten." "Lü's Spring and Autumn Ancient Music":

The second system of twelve cylinders, under Ruan Huang, listen to the sound of the Phoenix Emperor, and do not have twelve laws. Its male sound is six, and the female song is also six, which is suitable for the palace of the yellow bell. "Zizhi Tongjian: Six Years of Later Zhou Shizong Xiande":

In the past, the Yellow Emperor blew the nine-inch pipe, and the yellow bell sounded, half of it was a clear sound, and it was a slow sound, and three points of profit and loss were born of twelve laws. Hu Sanxing notes: "One-third of the profit and loss, the upper and lower born and the twelve laws are prepared."

See Hanshu Chronicles I.

The five tones in the five tones and six rhythms should refer to the palace, Shang, horn, sign, and feather.

The five tones refer to the palace, Shang, horn, sign, and feather, all of which have a saying, and these are some of the knowledge in **.

They refer to the palace, Shang, horn, sign, and feather. The Six Laws refer to the Yellow Bell. Too clustered. Aunt washing. Ruibin. Yize. No shots.

Sometimes there is actually a **, and at that time there was a rhythm of music, the ancient rhythm was divided into five tones, what is the specific order? The ancient music is divided into gong, shang, jiao, zheng and yu, and the ancient tones are actually very similar to the current tones, all of which are pentatonic scales. It should be said that the ancient rhythm was divided in the Bronze Age, but there was no specific music system at that time.

1. Changes in the rhythm of music in ancient timesIn fact, in ancient times, the people who were in charge of the rhythm were basically high-ranking officials and nobles. Then only in the face of major events, the state will arrange major scenes, at this time music is actually a system of management. In ancient times, there was also the title of ** in charge of music and rhythm, in fact, it has appeared since the Qin Dynasty.

Therefore, the changes in ancient music are changeable, starting from the Qin Dynasty to other dynasties, which are constantly changing and changing. <>

2. Bronze musical instruments are actually no longer in ancient texts describing the rhythm, but from the development of bronze objects, it is found that the rhythm is arranged irregularly. However, it can be seen from the Phnom Penh in the Forbidden City that it is indeed a musical instrument arranged according to the rhythm. In ancient times, there were actually seven levels of music, and later the seven laws were formed, and the shadow of the seven laws can be found in many ancient songs, as long as it is inferred according to the principle, it can be counted as seven tones.

Therefore, the ancient rhythm can be said to have been discovered for a long time, and the understanding of ** in each era is different, and then the concept of rhythm is constantly improved. <>

3. A Symbol of Status In ancient times, music was actually a symbol of status, and only people with status could appreciate musical instruments. Generally speaking, only in the face of important meetings, if the host invites a band to arouse the guests, it shows that he attaches enough importance to the guests. Therefore, in ancient times, not everyone could know the rhythm, and it was only in the hands of some officials.

Then the ancient rhythm is specifically divided into five tone palaces, Shang, horns, signs, and feathers. When working on chords, you can substitute the chords according to the pentatonic scale.

The origin of the palace, Shang, horn, sign, feather, and musical scale seems to be earlier than the legal system, and after the mathematical laws of the twelve laws were discovered, such as the golden chimes in the Forbidden City, they are indeed musical instruments arranged according to the law.

According to the specific order of symbiosis, it is Gong-Shang-Jiao-Zheng-Yu. The Tang Dynasty used He, Four, B, Qi, and Gong.

The order of the ancient rhythms is as follows: Gong, Shang, Jiao, Zheng, and Yu.

Banyan, which is unique to the composition of China's first class, is the hub of China's first rhythm, beat, fast and slow, and speed. It began in the Tang and Song dynasties. "Board" represents the rhythm of strength and weakness, and "eye" represents pause, which is what we call "rest" today.

This is how the idiom comes from!

The twelve laws are generally divided into six laws and six laws. The six laws (also known as the "yang law") are the odd laws such as Huang Zhong, Tai Tuan, Gu Xi, Ruibin, Yi Ze, and Wu Eja, and the six laws (also known as the "Yin law") are the even laws of Da Lu, Jia Zhong, Zhong Lu, Lin Zhong, Nan Lu, and Ying Zhong. Although the deduction method of the complete twelve laws appeared in the literature at the end of the Warring States period, the twelve laws were already used in the practice of ** in the Western Zhou Dynasty or even earlier, and were used as the theoretical basis for casting chimes after the Spring and Autumn Period.

According to the "Chinese Zhou Yuxia", in 522 BC, when King Jing of Zhou planned to cast a non-shooting clock, he asked Lingzhou Jiu, which already contains a complete set of twelve legal names, which is the earliest known record of the twelve legal names in ancient documents, and the inscriptions such as "Tobin" and "Wuling" on the chimes of the middle and late Western Zhou Dynasty that have been unearthed also confirm the above view.

The five tones are palace, business, horn, sign, and feather.

The twelve laws are Huang Zhong, Tai Tuan, Gu Xi, Ruibin, Yi Ze, Wu Ji, Da Lu, Jia Zhong, Zhong Lu, Lin Zhong, Nan Lu, and Yingzhong.

The pentatonic is also known as the pentatonic tone. The oldest scale uses only five tones, namely Gong, Shang, Jiao, Zheng, and Yu. The term "five tones" first appeared in "Zhou Li Chunguan":

All the texts are written with five sounds, and the palace merchant horn is a feather. And the "five tones" were first seen in "Mencius Lilou Shang": "If you don't use six rules, you can't be five tones."

The ancients usually used "gong" as the first and most important tone of the scale, sometimes borrowing the name "five tones".

The five tones in the ancient rhythm are "Gong, Shang, Jiao, Which Xiang, and Yu".

"Palace" is the first note in the rhythm, and it is also the most important note. It represents the way of heaven and earth, symbolizing imperial power and rule. In the rhythm, the palace has the highest pitch, and the ancients compared it to the throne of the emperor.

"Shang" is the second note in the rhythm and an important note next to the palace. It represents the voice of the people and symbolizes the stability and unity of society. In the rhythm, the pitch of Shang is inferior to Gong, and the ancients believed that it was an extension of Gong.

"Horn" is the third note in the rhythm and represents war and conquest. In the rhythm, the horn has a lower pitch than both Gong and Shang, as it symbolizes the might and strength of the army on the battlefield.

"Feather" is the fifth note in the rhythm, representing lightness and flight. In the rhythm, the feather has the lowest pitch, symbolizing ease and freedom.

These five tones were widely used in ancient times, like a colorful palette, which can create a colorful ** effect. At the same time, these pentatonic tones are also regarded as the foundation of **art**, and have had a profound impact on later generations**.