Yasunari Kawabata Introduction to the Ancient Capital, the full text of Yasunari Kawabata s Ancient

A faint sorrow tells the joys and sorrows of the sisters, and writes the evening photos of the ancient capital in the past with deep affection. Yasunari Kawabata's ethereal, nihilistic thoughts, and aesthetic tastes in his work could not be more evident in his novella "Ancient Capital".

Compared with Haruki Murakami, Yasunari Kawabata does belong to the Japanese writers who have been separated by several generations. Nowadays, "petty bourgeoisie" no longer has the derogatory connotation that people were afraid to avoid many years ago. It's an elegant fashion.

So, should the kind of mourning and mystical ideas that have been inherent in Japanese literature since The Tale of Genji really leave us?

Speaking of Murakami, I don't dare to beak myself. Someone once borrowed me a copy of "Norwegian Wood" and left it on my desk for a few months, until the owner asked me to return it without reading a page. I've been buying his "Strange Birds and Strange Travels" for a few years, and I can't read it after reading it, and I still have it in the bookcase.

Am I really out of time? Isn't it time to make up for Murakami's lesson?

But I did use to be a lover of Japanese literature. Yasunari Kawabata, Makoto Morimura.

1. Kiyohari Matsumoto and many other Japanese writers have read them. Kawabata's work is one of my favorites. I especially enjoyed reading Mr. Ye Weiqu's translations of Kawabata's works and his research and commentary on Kawabata.

In Kawabata's **, Kawabata's "Ancient Capital" is not as famous as his "Snow Country" and "Thousand Cranes", but I think it is unique in expressing the classical beauty of Japanese literature. Listen to me slowly.

In 1968, the famous Japanese writer Yasunari Kawabata won the Nobel Prize in Literature for "Snow Country", "A Thousand Cranes" and "The Ancient Capital" for "expressing the spiritual essence of the Japanese people with their keen sensibilities, superb narrative skills". "Ancient Capital", one of the three representative works that brought him this high honor, is a masterpiece that represents the more mature creative techniques and artistic styles of Yasunari Kawabata in the later period, and occupies a high position in his life's creation.

Published in 1962, the novella "Ancient Capital" is a work of nearly 150,000 words, in which Yasunari Kawabata presents the artistic picture of nihilistic thoughts, mystical ideas, and aesthetic sentiment and natural beauty that permeated the writer's life's creation through the joys and sorrows of the twin sisters Chieko and Naeko, the disillusionment of Chieko's father Taro's pursuit of classical beauty and the decline of the silk business.

Seek a textual introduction to Yasunari Kawabata's "Ancient Capital".

Extraction code: pgdy "Ancient Capital" includes Kawabata Yasunari Jing Wang Zhi Sakura ** "Ancient Capital" and "Celebrity". In the ancient capital of Kyoto, Chieko, who was adopted by a brocade merchant, became a beautiful girl.

On the night of the Gion Festival, she met Miaozi, a girl from the village of Shanguodan, and was surprised to learn that the two were twin sisters.

Give me the email and I'll pass it to you.

The Ancient Capital is full of the most innocent and sincere feelings in human nature, embodying the aesthetic essence of "elegance". The Japanese aesthetic tradition of mourning, elegance and seclusion are well displayed in Yasunari Kawabata's **, and they are integrated in "The Ancient Capital", complementing each other, making it show a unique beauty that will be unforgettable for a long time.

As a result of his dedication to the Japanese aesthetic tradition and his exploration of Western artistic techniques, Yasunari Kawabata wrote the immortal Ancient Capital. In his works, he exerts the initiative and creative power of a writer, showing the beautiful color of the fusion of inheritance and innovation.

Regardless of Yasunari Kawabata's original intention in writing "The Ancient Capital", in terms of its artistic effect, it is indeed an expression of the natural and traditional beauty of Kyoto. The author asks readers to follow Chieko to visit the famous places of interest in Kyoto, enjoy the cherry blossoms of Heian Jingu, the bamboo forests of Saga, the garden cedars of Kitayama, the Kusunoki of Shoren-in Temple, and enjoy the annual grand garden fair, the time festival, the bamboo cutting festival, and the large-character bonfire of Mt. Kurama.

**Like the customs of Kyoto, people can appreciate the taste of the Japanese nation and the beauty of the Japanese nation. Therefore, from this work, it is very clear that Yasunari Kawabata's creative characteristics can be seen.