Why didn t Wang Shifu enter the Four Masters of Yuanqu ?

Wang Shifu was a miscellaneous playwright of the Yuan Dynasty, not a composer.

Yuanqu four everyone.

Refers to Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu, four miscellaneous playwrights of the Yuan Dynasty. He Liangjun of the Ming Dynasty said in "Four Friends Zhai Cong Shuo": "Yuanren Lefu called Ma Dongli, Zheng Dehui, Guan Hanqing, and Bai Renfu the four masters.

Prior to this, Zhou Deqing of the Yuan Dynasty said in the preface to "Central Plains Rhyme": "The difficulty of preparing for the prosperity of Yuefu is not ...... today."Its preparation is from Guan, Zheng, Bai, and Ma, a new production. However, although Zhou Deqing was called by four people, he was not ordered to be named "Four Families", in addition, in the early Ming Dynasty, Jia Zhongming wrote a message for Ma Zhiyuan, and there was a saying of "Gongyu, Bai, Guan Lao Qi Mei", Yu refers to Yu Jifu.

These statements show that the concept of the four masters of Yuanqu was gradually formed.

The arrangement and evaluation of these Yuanqu writers vary from person to person and from time to time. Zhong Sicheng's "Record Ghost Book" in the Yuan Dynasty listed Guan Hanqing as the first miscellaneous playwright, and Jia Zhongming called Guan Hanqing "the leader of the pear garden, the chief editor and the head of the miscellaneous drama team."

However, in the early Ming Dynasty, Zhu Quan's "Taihe Zhengyin Spectrum" was the first to recommend Ma Zhiyun, thinking that "it is appropriate to be above the heroes", and Guan Hanqing is "a talent who can go up and down". After the early Ming Dynasty, there were praises of Zheng Guangzu and belittled the remaining three, how Liangjun "Siyou Zhai Cong Said" said: "Ma Zhi's words are old and healthy and lack of charm, Guan Zhi's words are fierce and less contained, Bai is quite simple, and the handsome words owed should be Zheng as the first."

In the Qing dynasty Wang Jilie's "Qu Tan", it is believed that "Guan, Bai, Ma, and Zheng Zhujia". In the modern Wang Guowei's "History of Song and Yuan Dynasty Opera", it is said:

The composers of the Yuan Dynasty, since the Ming Dynasty, called Guan, Ma, Zheng, and Bai, but based on their age and attainments, they would rather call Guan, Bai, Ma, and Zheng as appropriate. Guan Hanqing leaned on the side of the air, and cast great words by himself, and his words and songs were full of human feelings, and the words were true, so he should be the first in the yuan. ”

Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu represent the achievements of different genres of miscellaneous opera creation in different periods of the Yuan Dynasty. In the Ming Dynasty, Wang Shizhen, Wang Jide and others criticized Wang Shifu for not being included in the "Four Majors", and Wang Jide also put forward the theory of "Wang, Ma, Guan, and Zheng". In the Qing Dynasty, Li Tiaoyuan's "Rainy Village Quhua" has the saying of "Ma, Wang, Guan, Qiao (Ji), Zheng, and Bai", but it is not popular.

Wang Shifu was a miscellaneous playwright of the Yuan Dynasty, not a composer.

Wang Shifu is not a big fan of Huiyuan, Qu Fengzhi, and the four masters. Yuanqu four big fingersKwan Hanqing, **Bipu, Zheng Guangzu,Ma ZhiyuanFour miscellaneous playwrights of the Yuan Dynasty.

Wang Shifu (1260 A.D. - 1336 A.D.), known as Dexin, was a native of Dadu (now Beijing), and his ancestral home was Baoding City, Hebei Province.

Dingxing (now Dingxing County.

A famous miscellaneous playwright of the Yuan Dynasty, the miscellaneous drama "The Legend of the West Chamber".

Author. Wang Shifu is as famous as Guan Hanqing, Bai Pu and Ma Zhiyuan, and his works comprehensively inherit the exquisite language art of Tang and Song poems, and absorb the vivid and lively oral language of the Yuan Dynasty, creating a brilliant Yuan opera vocabulary, and becoming an outstanding representative of the "Wencai School" in the history of Chinese opera.

Wang Shifu's surviving manuscript

The manuscript of "The Legend of the West Chamber" is the original manuscript created by the famous playwright Wang Shifu in the Yuan Dynasty, referred to as "Wang Shifu's Manuscript". The manuscript is a yellowed and dilapidated manuscript with 21 pages of ink written on it. It was originally the old collection of the palace in the early Qing Dynasty, and there was Yinzhi.

Chengfu Treasure "Seal."

Wang Shifu's calligraphy line with grass, the wind god is chic, hook Yi Tu is easy to come, natural and smooth, showing the author's extraordinary calligraphy skills and literary accomplishment. Manuscript jute paper, each half page of centimeters longitudinal and centimeters horizontal, totaling 20 tube pages (40 sides); Another 2 fragments, Xiao Kaijuan is beautiful and elegant, the pen and ink are exquisite, it is the only one found in China Wang Shifu's opera handwriting, it has a very high documentary value and artistic collection value, it is of great significance as a milestone in the history of the development of Chinese drama, and it is the only precious original Yuan opera at home and abroad.

Wang Shifu is not one of the four masters of Yuan miscellaneous opera, but a famous miscellaneous playwright of the Yuan Dynasty, and an outstanding representative of the "Wencai School" in the history of Chinese opera, along with Guan Hanqing, Bai Pu, and Ma Zhiyuan.

Wang Shifu has recorded 14 kinds of plays. The existing miscellaneous dramas include "The Legend of the West Chamber" and "Lichun Hall". "The Legend of the West Chamber" is based on the Tang Dynasty legend "The Legend of the Yingying", based on Dong Jieyuan's "The Legend of the West Chamber" in the Jin Dynasty, and is performed as a long drama of five books and 21 folds.

In the miscellaneous dramas at that time, it was called "the champion of the world", which had a great impact on later generations.

Four masters of miscellaneous dramas in the Yuan Dynasty: Guan Hanqing, Bai Pu, Ma Zhiyuan, and Wang Shifu.

Yuanqu four masters: Ma Zhiyuan, Bai Pu, Zheng Guangzu, Guan Hanqing.

Four miscellaneous dramas: Guan Hanqing (Dou E's injustice), Ma Zhiyuan's "Han Palace Autumn", Bai Pu's "Horse on the Wall", Zheng Guangzu's "A Chinese Girl's Soul". Guan Hanqing, Ma Zhiyuan, Zheng Guangzu, and Bai Pu are known as the "Four Masters of Yuanqu". There is no Wang Shifu.

Wang Shiying Lianfu is not the fourth master of Yuanqu.

The four masters of Yuan Qu refer to Guan Hanqing, Bai Pu, Min Songfan, Zheng Guangzu, and Ma Zhiyuan, four miscellaneous playwrights of the Yuan Dynasty. The four represent the achievements of different genres of miscellaneous drama creation in different periods of the Yuan Dynasty, so they are called the "Four Masters of Yuan Qu".

China's opera art has undergone a long gestation process, and gradually matured in the Song and Jin dynasties, and the Yuan Dynasty miscellaneous opera flourished, becoming a bridge and hail era in the history of Chinese opera. At that time, there were more than 80 miscellaneous playwrights whose names were recorded, including Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu, four miscellaneous playwrights of the Yuan Dynasty, representing the achievements of miscellaneous drama creation in different periods and genres in the Yuan Dynasty. In the Ming Dynasty, Wang Shizhen, Wang Jide and others once criticized Wang Shifu for not being included in the "Four Majors", and Wang Jide also put forward the theory of "Wang, Ma, Guan, and Zheng".

In the Qing Dynasty, Li Tiaoyuan's "Rainy Village Quhua" has the saying of "Ma, Wang, Guan, Qiao (Ji), Zheng, and Bai", but it is not popular.

Wang Fushi is not one of the four masters of Yuanqu.

Who are the four members of Yuanqu? Wang Shifu and the unique value of "The Legend of the West Chamber"?

Correct staring and shouting answer: Qing Zeqiao Wang Shifu and Guan Hanqing, Bai Pu, and Ma Zhiyuan are equally famous, and they are called the four masters of Yuanqu. His works inherited the exquisite language art of Tang and Song poems, absorbed the vivid and lively oral language of the Yuan Dynasty, and created the brilliant Yuan opera vocabulary, becoming an outstanding representative of the "Wencai School" in the history of Chinese opera.

"The Legend of the West Chamber" is not only his masterpiece, but also one of the best works in the miscellaneous dramas of the Yuan Dynasty. At the end of "The Legend of the West Chamber", for the first time in the history of Chinese literature, it positively expresses the good wish of "wishing all lovers in the world to become dependents", expresses the progressive proposition of anti-feudal etiquette, feudal marriage system, and feudal hierarchy, and inspires young men and women to fight for freedom of love and marriage.