The meaning of the ancient poem overnight stay in the mountain temple .

Staying overnight at a mountain temple means staying in a temple on a mountain at night.

1. The original text is as follows: "Overnight Stay in the Mountain Temple".

Li Bai Tang Dynasty

The dangerous building is 100 feet high, and you can pick the stars by hand.

I dare not raise my voice, for fear of frightening the people in heaven.

2. The translation is as follows: The temple on the mountain seems to be a hundred feet high, and it seems that you can pick the stars when you stand on it. He didn't dare to speak loudly, for fear of alarming the immortals on the Heavenly Liquid Frontier.

Appreciation of "Staying at the Mountain Temple at Night":

The whole poem travels to the scene, not only writes about the height of the mountain temple, but also writes about the author's psychological state when he comes to the "dangerous building" at night. The poet uses exaggerated artistic techniques to give people rich associations, and the language of the whole poem is natural and simple, but the image is realistic, which makes people feel full of emotion and fun, and has the wonder of returning to the basics.

Li Bai's poetic style is bold and vigorous, his imagination is extremely rich, picking stars, shocking people, these seem to be childish ideas, which are easily brought by the poet and used in the poems, which makes people feel full of interest. The language of the whole poem is natural and tactful, with a strong romantic color.

The explanation of the ancient poem of the mountain temple at night: The tall building of the temple on the mountain is really high, it seems to have a hundred feet, and people on the upper floor seem to be able to pick off the stars in the sky as soon as they stretch out their hands. Standing here, I didn't dare to speak loudly, lest I alarm the gods in the sky.

Overnight stay in the mountain temple original text: The dangerous building is 100 feet high, and the stars can be picked by hand. I dare not raise my voice, for fear of frightening the people in heaven.

Appreciation of overnight stay in the mountain temple: This poem uses extremely exaggerated techniques to describe the towering buildings in the temple, expressing the poet's amazement at the engineering art of the ancient temple and the yearning and pursuit of a fairy-like life. The language of the poem is simple and natural, the imagination is magnificent, the exaggeration is ingenious, and the pants are flexible, giving people a rich sense of association and immersion.

Overnight stay at the mountain temple is a brief description of the author.

Li Bai (this Jane 701 762), the word Taibai, the name Qinglian Jushi, also known as the immortal, the great romantic poet of the Tang Dynasty, was praised as the "poet immortal" by later generations, and Du Fu was called Li Du, in order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, the little Li Du, Du Fu and Li Bai are also called the big Li Du.

According to the "New Tang Dynasty Book", Li Bai is the ninth grandson of Emperor Xingsheng (Li Hui, King of Liangwu Zhao), and is the same ancestor as the kings of Li and Tang. He is hearty and generous, loves to drink and write poetry, and likes to make friends. Li Bai was deeply influenced by Huang Lao Liezhuang's thoughts, there are "Li Taibai Collection" handed down, most of the poems are written when drunk, and the representative works are "Wanglu Mountain Waterfall", "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Ming Tang Fu", "Early White Emperor City" and many other poems.

Interpretation of ancient poems.

1) [ancient style poetry]2) ancient poetry (3) poetic style name. i.e. ancient style poems . Poems written according to ancient rhythms, as opposed to quatrains, rhythmic poems and other close poems, are called detailed explanations (1).

A general term for ancient poetry. During the Northern and Southern Dynasties, the poems of the Han and Wei dynasties were called ancient poems. Han Bangu "Liangdu Fu" Preface:

The endowed, the flow of ancient poetry. Liang Zhongrong of the Southern Dynasty "Poems" volume: "Ancient poems, the origin of which comes from the "National Style".

Another example is "Nineteen Ancient Poems" and so on. (2).The provincial name for "ancient style poetry".

Song Ma Yongqing's "Zhen Zhenzi" Volume 1: "The old saying is that I want to see Wei Suzhou, but I am afraid that the poetry style is not compatible, so I make ancient poems and throw them in." See also "Ancient Poems."

Word Decomposition Explanation of Ancient Ancient ǔ Ancient age, past, as opposed to "present": ancient. Gu Xi (the pronoun of the seventy-year-old person, derived from Du Pa Zhengsuifu's "Qujiang" "Life is seventy years old").

Classical. Ancientry. Ancient precepts.

The Ancient Way (a refers to the ancient truth; b Quaint; c Ancient Roads). The abbreviation of ancient style poetry: Five ancient ( Interpretation of poetry Poetry (poetry) ī is a kind of literary genre cultivation, which reflects life through rhythmic and rhyming language

Poetry and drama. Psalm. Poet.

Psalms. History of Poetry.

1. The meaning of the poem "Staying in the Mountain Temple" at night: The tall buildings of the temple on the mountain are really high, as if there are 100 feet, and people on the upper floor seem to be able to pick off the stars in the sky as soon as they stretch out their hands. Standing here, I dare not speak loudly, for fear of alarming the gods in the sky.

2. The full text of the poem:

Overnight at the mountain temple. The dangerous building is 100 feet high, and you can pick the stars by hand.

I dare not raise my voice, for fear of frightening the people in heaven.

This poem uses extremely exaggerated techniques to describe the towering buildings in the temple, expressing the poet's amazement at the ancient temple engineering art and his yearning and pursuit of a fairy-like life. The language of the whole poem is simple and natural, the imagination is magnificent, exaggerated and ingenious, and vivid, giving the predecessors of Chao infiltration a rich association and a sense of immersion.

1. Original text explanation: The temple on the mountain is really high, like a hundred feet, and people seem to be able to pick up the stars in the sky on the upper floor; Standing there, he didn't dare to speak loudly, for fear of alarming the gods in the sky.

2. Original text: The dangerous building is 100 feet high, and you can pick the stars by hand. I dare not raise my voice, for fear of frightening the people in heaven.

3. The poet uses exaggerated artistic techniques to depict the towering mountain temple, giving people rich associations. The tower on the hill seemed to be a hundred feet high, and the poet could pluck the stars from the sky with his hands when he stood on the top of the building. They didn't dare to speak loudly here, lest they alarm the immortals in the sky.

1. Translation. The temple on the mountain seems to be a hundred feet high, and it seems that you can pick the stars when you stand on it.

He didn't dare to speak loudly, for fear of alarming the immortals in the sky.

2. Original text. Overnight in the Mountain Temple" Tang Dynasty: Li Bai.

The dangerous building is 100 feet high, and you can pick the stars by hand.

I dare not raise my voice, for fear of frightening the people in heaven.

3. Appreciation. The first sentence depicts the steepness and uprightness of the temple tower, and the towering beams reach into the clouds. At the beginning of a "danger" word, it is very conspicuous and eye-catching, and the clever combination of the word "high" in the same sentence is accurately, vividly and vividly depicted the extraordinary momentum of the mountain temple standing on the top of the mountain and looking at the world.

The second sentence uses extremely exaggerated techniques to highlight the towering clouds of the mountain temple. The words lead the reader's aesthetic attention to the brilliant night of the starry Han Dynasty, not only the feeling of "the high place is not cold", but give the people of Oak Mountain a sense of spaciousness, and arouse people's yearning for the towering "dangerous building" with the beauty of the starry night.

From the poet's "dare not" and deep "fear" psychology, the reader can fully imagine the proximity of the "mountain temple" and the "heavenly man", so that the height of the mountain temple is self-evident. Standing on the top of the building, the poet can pluck the stars from the sky with his hands. They didn't dare to speak loudly here, lest they alarm the immortals in the sky.