Content sentiment analysis of Huanxi Sha Li Jing .

This poem portrays the artistic image of a woman who faces the autumn scenery and misses her husband. It reflects the spiritual emptiness of the feudal ruling class and shows the declining situation of the Southern Tang Dynasty.

The upper part of the word is lyrical to the scene.

Start two sentences: "The incense is sold and the green leaves are left, and the west wind is worried about the green waves." The previous sentence is the fruit, the second sentence is the cause, the lotus withered, the lotus fragrance was exhausted, the lotus leaves withered, and a gust of autumn wind rose in the green wave with sorrow. The word "incense pin" is used to express the withering of the lotus flower, that is, to depict the scene when the lotus flower was in full bloom, and to write the tragic state of the withering and decaying now.

The word "sorrow" melts into the scene, and there is a word in which people complain that the west wind will "sell the green leaves of the incense". Wang Guowei commented on these two sentences in "Words in the World": "There is a great sense of 'all the flowers and filth' and 'the twilight of the beauty'.

Wang Guowei used the sentences in Qu Yuan's "Lisao": "mourning the defilement of the people" and "fear of the twilight of beauty" to comment on these two sentences, so the "sorrow" in the word should contain the meaning of "mourning" and "fear". The remnants of the lotus and the fallen leaves, the west wind is bleak, how can it not make people sentimental!

Next, "I was also haggard with Shaoguang, and it was unbearable." "Writing about women touching the scene and thinking of the good times they have lost, like fragrant lotus green leaves, fragrant leaves are haggard. The three words "unbearable" vividly express the sad mood of not being able to bear to see this bleak autumn scene, so as not to cause the scene to be touched.

That's true. The incense is sold and the green leaves are left, and the west wind is worried about the green waves. is also haggard with Shaoguang, unbearable.

The drizzle dreams back to the chicken, and the small building blows through the Yusheng cold. How many teardrops are so hateful, leaning on the diaphragm.

These are the little words that Li Jing wrote full of sorrow and hatred. The first paragraph is written about the scenery, and the second paragraph is written about the personnel. Kai first depicts the picture of the remnants of the incense leaves, and from the west wind is sorrowful, Shaoguang is haggard, so that the unbearable image is more vivid and prominent, to illustrate the extent of "unbearable".

Then turn to the personnel to illustrate. First of all, the husband said, "the boundless drizzle is as fine as sorrow", the drizzle is a sorrowful environment, in the drizzle into a dream, the realm of the dream should be the beautiful and happy realm that they miss day and night, but a good dream must wake up, wake up is still far away in the wilderness, what an embarrassing situation! Then I said that in order to miss the lover who was far away, in the bright moon, in the small building, the jade sheng was blown all over, and the cold was to the bone, but still failed to make the distant person return, what an embarrassing situation!

In such a situation, infinite resentment and endless tears become completely understandable.

Huanxi sand.

Li Jing hand-rolled pearl on the jade hook according to the previous spring hatred lock heavy building.

Falling flowers in the wind, who is the main thought.

The blue bird does not pass on the message outside the clouds, and the cloves are empty and sad in the rain.

Looking back at the green waves, the three Chu twilight, and the flow of the sky.

This is a sad poem.

The word "real pearl" or "bead curtain", but as the ancients said: "The word 'real pearl', the good readers of the ages know it as a curtain, if you say 'bead curtain', rather know that it is a real pearl!" It is a bead curtain that can be wrapped with real beads, and a bead curtain is not enough to wrap real beads.

Later generations are reckless, not so-called bosom friends. ”

The jade hook on the hand-rolled pearl, according to the previous spring hate lock heavy building" two sentences are euphemistic and delicate, the curtain wants to view the provincial scenery, borrow the embrace, and after the volume, it is still spring sorrowful. It can be seen that the "lock" is an all-pervasive spiritual shackle, which makes people want to get rid of their sorrows.

And "spring hatred" is not abstract, "who is the master of the flowers falling in the wind", the wind not only blows the flowers, but also blows the withered residual red everywhere, so where is the destination? What can be seen here is that people's life experiences are drifting away and lonely.

The concluding sentence "thinking leisurely" is precisely because of this, and the thoughts are sluggish and leisurely.

At the beginning of the next film, "The blue bird does not spread the message outside the clouds, and the lilacs are sad in the rain", which points out the reason for the "spring hatred". The bluebird is a messenger in ancient legends to deliver information. The blue bird does not pass on the letter, so there is a sigh of "lilac empty and sorrowful in the rain".

The clove knot is a traditional image of melancholy. Li Shangyin's poem "Gift": "Plantains do not show clove knots, and they are worried about the spring breeze."

At this point, the feelings of the words have been very rich and full. When the jade hook on the hand-rolled pearl is the moment, it is already a spring hatred; The flowers fall in the wind without an owner, the blue bird does not pass on the message, and the lilac is empty, and the vain yearning has become hopeless, which is an inescapable ending.

Finally, he ended with Jingyu: "Looking back at the green waves and the twilight, the sky flows." Chutian is twilight, and the Yangtze River is connected to the sky, such a background hints at the depth and breadth of melancholy.

The three words "Connecting the Sky" reminds people of "asking you how much sorrow you can have, just like a river flowing eastward". As far as this artistic conception is concerned, Li Jing and Li Yu father and son are in the same line.

In addition, judging from the whole poem, the realm of the last sentence suddenly expands, and the sorrow in the word is placed in a historical and geographical environment closely related to his life experience, which is also closely related to the ups and downs of the soul.

La-la. La-la. I didn't learn. Even if I did, I wouldn't. Hey.

Su Shi's "Huanxi Sha" expresses the author's thoughts and feelings of being positive and self-improving even if he is old, in this poem, the author describes for us the beautiful scenery that the poet saw in Qingquan Temple in the twilight of spring, and expressed his open-minded feelings of being old and strong, not admitting defeat and not accepting old age.

Full word: You Qishui Qingquan Temple, the temple is near Lanxi, and the stream flows westward. The blue buds under the mountain are short dipping streams, and the sand road between the pines is clean and mud-free. Xiao Xiao twilight rain Zizi cried. Who knows that there is nothing less in life? The flowing water in front of the door is still in the west! Hugh will sing the yellow chicken with white hair.

The three sentences in the above film mainly describe the elegant and beautiful scenery around Qingquan Temple, expressing the poet's love for natural beauty. The next film is the poet's straightforward expression of his heart, expressing the author's optimism about aging. The whole poem shows the author's open-minded and optimistic attitude towards the world, highlighting the inspiration for life principles.

Summary. This poem is written by the author in the tone of a thinking woman, Shang Yun expresses the sigh of the passage of time, the most direct lyricism is: also with Shaoguang haggard Xia Rong wrote a rainy night dream, missing her husband who was far away from the border (generally so), showing a lonely and desolate scene.

What feelings does the theme of Li Jing's "Breaking the Huanxi Sand" show?

This poem is written by the author in the tone of a thinking woman, Shang Yun expresses the sigh of the passage of time, the most direct lyricism is: also with Shaoguang haggard Xia Rong wrote a rainy night dream, missing her husband who was far away (a shout Mo thought so), showing the loneliness and bleak scene of the old and sun.

It is natural to have endless pain and grief.

Translation by Li Jing of "Spreading the Huanxi Sand": The lotus flowers are gone, the fragrance dissipates, the lotus leaves are withered, and the west wind in late autumn blows the green water, which makes people full of sorrow. The good years of life are passing away.

The people who were haggard with Shaoguang naturally couldn't bear to look at this bleak scene. The drizzle is continuous, and the scenery outside the dream is far away. Wake up, the sound of Han Sheng's whimper echoes in the small building.

Thinking of the old things, I leaned on the railing with tears in my eyes, and I had endless resentment.

Original text: The incense is sold in the green leaves, and the west wind is worried about the green waves. is also haggard with Shaoguang, unbearable.

The drizzle dreams back to the chicken, and the small building blows through the Yusheng cold. How many tears are there to hate, leaning on the railing.

Some versions of this poem are titled "Autumn Thoughts", which seems to be appropriate. Li Tingji commented that this poem is "the words are good, and the autumn thoughts are wonderful", "Five Pronouns of the Tang Dynasty". Indeed, it has a thoughtful setting and a blend of scenes, and it has a strong artistic appeal.

The jade hook on the hand-rolled pearl is locked according to the previous spring.

Who is the Lord of the Falling Flowers in the Wind? Think!

The blue bird does not pass on the message outside the clouds, and the cloves are empty and sad in the rain.

Looking back at the green waves, the three Chu twilight, and the flow of the sky.

Li Jing "Huanxi Sand".

This is a sad poem. This poem expresses the author's sorrow and emotion by expressing the hatred between men and women. The last film writes heavy building spring hatred, and the falling flowers have no owner.

The next piece goes into a layer to write a lot of sorrows, which is incomprehensible. Some people think that this poem is not an ordinary lyrical work of the scene, and it may be that when the Southern Tang Dynasty was seriously threatened by the Later Zhou, Li Jing used small words to express his hesitant mood.

Spread the Huanxi sand and Hanlian incense to sell the green leaves.

Dynasties: Five dynasties.

Original text: The incense is sold in the green leaves, and the west wind is worried about the green waves. is also haggard with Shaoguang, unbearable.

The drizzle dreams back to the chicken, and the small building blows through the Yusheng cold. How many tears are there to hate, leaning on the railing.

Background: Although Li Jing is a high emperor, he is cowardly by nature, coupled with the internal and external contradictions at that time, the situation is quite dangerous, at this moment, it is very natural to touch the scene and hurt, resulting in endless pain and grievances.

Spread out the Huanxi sand hand-rolled pearl on the jade hook.

Dynasties: Five dynasties.

Original text: The jade hook on the hand-rolled pearl, according to the previous spring hatred lock heavy building. Who is the Lord of the Falling Flowers in the Wind? Think!

The blue bird does not pass on the message outside the clouds, and the cloves are empty and sad in the rain. Looking back at the green waves, the three Chu twilight, and the flow of the sky.

Background: Judging from the whole poem, the realm of the last sentence suddenly expands, and the sorrow in the word is placed in a historical and geographical environment closely related to his life experience, which is also closely related to the ups and downs of the soul.

There are two songs in Huanxi Sha, which one do you say?