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Lyric poetry is a kind of Chinese near-style poetry, and the usual lyric poems stipulate 8 sentences per poem, and the metrical requirements are very strict. There are three common types: five-law, seven-law, and arrangement.
Each quatrain has four sentences, usually five words, seven words, referred to as five uniques, seven uniques, and occasionally six uniques.
The form of the lyric poem.
The rhythm of the poem is very strict, and there are strict regulations on the number of sentences, the number of words, rhyme, and the battle: 1. Each poem is limited to eight sentences: the five laws stipulate five words per sentence, and the whole poem has a total of 40 words; The Seven Laws stipulate that each sentence has seven characters, and the whole sentence has a total of 56 words.
2. Limited to the use of flat rhyme, and a rhyme to the end, no rhyme in the middle. The five rules take the first sentence without rhyme as a positive example, and rhyme as a variation; The first sentence of the seven laws rhymes as a positive example, and does not rhyme as a variation. 3. There are regulations on the sentence structure of each sentence and the level of words:
Pay attention to stickiness and pairing. 4. The middle two couplets of each poem must be dual, which is an important feature of the poem. The other two are used in conjunction with each other, and they don't need to listen to each other.
It is common for the first sentence of a five-character quatrain to not rhyme, and the first sentence of a seven-character quatrain is common to rhyme; Five-character quatrains are common to rise up, and seven-character quatrains are common to rise from the ground. The law must rhyme according to the rhyme part of the rhyme book. After the late Tang Dynasty, it was permissible to use adjacent rhyme in the first sentence.
Vinaya can be in a specific format. Discipline must avoid solitude. The first word of the five words "Pingping" uses the sound of Ping, and the third word must be Pingsheng; The third of the seven words "仄仄平平仄仄平" uses the sound of the voice, so the fifth character must be the sound of the voice.
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1. Eight or more verses of the poem; Four quatrains.
2. Rhythmic poems are divided into long rhythms and row rhythms; Quatrains are divided into five-character quatrains and seven-character quatrains.
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Quatrains are four sentences each, usually five or seven words. It is referred to as five uniques, seven uniques, and occasionally six uniques.
The usual lyric verses stipulate 8 verses per poem. They are five words, six words, and seven words, referred to as five laws, six laws, and seven laws, of which six laws are rare.
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1. Ancient poetry is a big concept, divided into ancient style poetry and close style poetry, ancient style poetry does not talk about rhythm, and near style poetry is also called rhythm poetry, which pays attention to rhythm;
2. Rhythmic poems belong to near-body poems, which contain seven laws, five laws, row rhythms, seven absolute and five absolute rhythms, the rhythm is exactly the same, the length is different, eight sentences each of the seven laws and five laws, four sentences each of the seven and five uniques, it doesn't matter if the rhythm is arranged, it is greater than eight sentences, how much can be written.
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In terms of the number of sentences, the rhyme is a standard 8 sentences, the odds are more than 8 sentences, generally 12 sentences, 16 sentences or even more sentences of the rhyme quatrain is half of the rhyme poem, only four ancient poems, there is no limit on the number of sentences. In terms of the number of words in each sentence, each sentence of a lyric poem is 5 or 7 words, and the same is true for quatrains, while there is no word limit for ancient poems. Rhythmic poems and quatrains have strict requirements for flat voices, while ancient poems are very free.
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First of all, ancient poems are divided into archaic poems and near-style poems.
The ancient poems you are talking about may be ancient style poems, that is, ancient styles. The ancient style law is relatively free, as long as the tail word rhymes.
Near-style poems are also known as rhythmic poems, and the rhythmic requirements are relatively strict when they are created.
A quatrain is a four-sentence near-body poem, a rhythmic poem is an eight-sentence near-body poem, and a rhythmic poem is a near-body poem with more than eight sentences. Compared with the rhythmic poem, the rhythm requirements are more stringent. The rhyme only requires the middle four sentences and the jaw couplet and the neck couplet to fight, and the rhythm requires the battle every year.
There are no strict requirements for the quatrain.
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What is the difference and connection between ancient poems, rhythmic poems, quatrains and Yuefu poems? First of all, these concepts are not independent, they sometimes intersect with each other. Ancient poetry is divided into two categories, one is ancient style poetry and the other is modern style poetry. Near-style poems include rhythmic poems and quatrains.
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First of all, these concepts are not independent, they sometimes intersect with each other. Ancient poetry is divided into two categories, one is ancient style poetry and the other is modern style poetry. Near-style poems include rhythmic poems and quatrains.
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Ancient poems include rhythmic poems and quatrains, and each rhythmic poem generally has eight sentences, but quatrains generally only consist of four sentences.
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The number of sentences is different. Lyric poems generally have eight lines, while quatrains generally have only four lines.
Rhyming battles are different. The rhyme of the poem is strict, and the general jaw couplet and the neck couplet must be in battle, and the whole poem generally rhymes with the same rhyme, first.
Second, fourth, sixth, and eighth sentences must rhyme, and the first sentence may or may not rhyme, and for quatrains, the requirements for rhyme are relatively less strict than those of rhythmic poems.
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Lyric poetry is a kind of Han poetry genre popular in the Tang Dynasty, which belongs to a kind of near-style poetry, and is named because of the very strict requirements of the rhythm. [1] The common types are the Five Laws and the Seven Laws, which generally have a few words to say a few words.
Quatrains, also known as truncated sentences, broken sentences, and quaint poems, are four sentences and one poem, short and concise. It is a Han poetry genre that became popular in the Tang Dynasty and belongs to a form of near-style poetry. [1] The term quatrain first appeared in the Qi and Liang periods of the Southern Dynasties.
Long rhythm, a kind of rhythmic poetry, is also called a rhythm because it is arranged and extended according to the format of general rhythmic poetry. It is important to note that it is not the long poems that are the rhythms. On the basis of paying attention to the rhythm of the rules, the first two sentences and the last two sentences are excluded, and if the sentences in the middle are opposed, they can be identified as the rhythm, but if there is a couplet that is not in the battle, such as "The Song of Long Hatred" and other long poems, it can only be identified as ancient style poems, and cannot be classified as the rhythm.
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1. The origin is different. The quatrain originated from the ballads of the Han and Wei and Jin dynasties and the Northern and Southern Dynasties. After the Tang Dynasty, near-quatrains prevailed, and the rhythm was the same as the first, second, or middle four sentences in the eight-sentence poem.
Therefore, some Tang people attributed the absolute difference model sentences to the poetry in the poetry collection. Lyric poetry originated from the new style poems of Shen Yue and other new styles of poetry that paid attention to sound rhythm and confrontation during the Qi Yongming period of the Southern Dynasty, and further developed and stereotyped in the early Tang Dynasty and Song Dynasty, and prevailed in the Tang and Song dynasties.
2. Different classifications and requirements. Quatrains are also known as truncated sentences, broken sentences, and quatrains. Each poem has four sentences, and the rules are not as strict as those of the poems, usually with five words and seven words.
It is referred to as five uniques, seven uniques, and occasionally six uniques. The rhythm of the poem is strict, requiring the number of words in the poem to be uniform, and each poem is five, six, and seven words, referred to as five laws, six laws, and seven laws, of which six laws are rare.
3. The number of sentences is different. Quatrains stipulate that each poem is four lines, while the usual lyric poems stipulate eight lines each. If there are only 6 sentences, it is called a small rhythm or a three-rhyme Zhenqing split rhythm poem; More than 8 sentences, that is, more than 10 sentences, is called a row or long law.
Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, and eight sentences rhyme, the first sentence can be rhymed or not, and the words used in each sentence of the poem are evenly matched. The level in the upper and lower sentences is opposite, and there are two forms: "仄起" and "平起". In addition, the rhythmic requirements of the lyric poems also apply to quatrains, but the level of the quatrains is not as strict as that of the lyric poems.
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The difference between a lyric poem and a quatrain is that a lyric poem is a metrical poem with eight lines each, and a quatrain is a metrical poem with four lines each.
1. Rhythmic poetry is a genre of traditional Chinese poetry, which belongs to the category of near-style poetry, and is named because of the very strict requirements of rhythm. Lyric poetry has strict rules in terms of words, rhymes, evenness, and antiphons. The common types are the five-character poem and the seven-character poem.
Example: Li Bai's "Sending Friends".
The green mountains cross the north Guo, and the white water surrounds the lonely city.
This place is a farewell, lonely and thousands of miles away.
Floating clouds and wandering children, the sunset is old.
Waving his hand, Xiao Xiao Ban Ma Ming.
2. Quatrains, also known as truncated sentences, broken sentences, short sentences, and quatrains, belong to a form of near-body poetry. The interpretation of it is not consistent, some people think"Half of the law of interception"so that they can be sung in music. The quatrain consists of four sentences, which are divided into the law and the ancient law, of which the law has strict rules and regulations.
Common quatrains include five-character quatrains, seven-character quatrains, and six-character quatrains are rare.
Example: Li Duan's "Listening to the Zheng".
Ming Zheng Jin Su Zhu, in front of the jade room.
If you want to get Zhou Langgu, you always flick the strings by mistake.
1. The origin is different. Lyric poetry originated in the Northern and Southern Dynasties and was formed in the early years of the Tang Dynasty, and was named because of its strict rhythm; The quatrain originated from the ballads of the Han Dynasty and the Wei, Jin, Southern and Northern Dynasties.
2. The number of sentences is different. Quatrains are generally four sentences, five-character quatrains are twenty words, and seven-character quatrains are twenty-eight words; Lyric poems are generally eight sentences, five-character poems have a total of 40 words, and seven-character rhythmic poems have a total of 56 words. If there are only six lines, it is called a minor or tri-rhyme poem; If there are more than eight sentences, it is called a row or a long law.
3. The rhyme is different. Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.
Two, four, six, and eight rhymes, and the first sentence can be rhymed or higher than not. Cong La's quatrain is only.
Two or four sentences rhyme, the first sentence can be rhymed or not.
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1. The word count requirements are different.
Rhythmic poems are generally eight sentences, with a total of forty words for five-word rhythms and fifty-six words for seven-character rhythmic poems; More than eight sentences are long laws, and most of them are five words, and there are also seven words, but not too many. Quatrains generally have only four sentences, so the number of words is only half of that of a rhyme, a five-character quatrain is twenty words, and a seven-character quatrain is twenty-eight words.
2. The requirements for sound rhyme and plainness are different.
Rhythmic poems generally rhyme flat, and rhymed rhymes are very rare and can be basically ignored; There are rules for each sentence of the poem, which is a lot of exquisiteness, and it takes a lot of effort to learn; Each verse of the Psalm must have a battle, and there are also rules for the position of the battle.
The quatrain is divided into ancient and lawless.
1) Ancient poetry is ancient poetry, that is, free poetry, whether it is rhyme or flat rhyme, it is not bound by the things of close poetry and plain poetry.
2) The rhythm is equivalent to one-half of the rhythm poem, because it is four sentences, only half of the normal rhythm poem, not only must rhyme with the rhyme, but also according to the rules of the close body poem.
3. The origin is different.
Lyric poetry is one of the basic forms of near-body poetry (the Tang people used to use lyric poetry as the general term for near-style poetry, and near-style quatrains were also included, and they were later divided). It sprouted in the Southern Dynasty Qi Yongming and other new style poems such as Shen Yue, which paid attention to sound rhythm and duality, was stereotyped in the early Tang Dynasty and matured in the middle and late Tang Dynasty.
4. The quatrain originated from the Yuefu short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the six dynasties. According to the literature, during the Six Dynasties, the literati feasted together, and there was a custom of composing poems in joint chapters, and each person composed four sentences and five words to form a whole poem. If the work of each person is cut off and written separately, it is called "a quatrain", and the title of the quatrain is established from this.
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The subject stops, the verb stops, and the phrase is a whole.
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