Inception Mo er died in her dream and didn t come back to life in real life

Mel died in reality. According to Inception.

If you die in a dream, you will return to reality; Mel died in reality, not in a dream, so there is no such thing as "not coming alive in reality".

Here's why: Dom and Mel created a "dream world". However, Dom was not satisfied, he wanted to do an experiment to see if he could change people's thoughts and consciousness in dreams, which was equivalent to the prototype of his later "dream stealing" theory.

So he experiments with his wife, Mel, and he secretly changes Mel's dreams (or her thoughts). As a result, he succeeded, and Mel succeeded in confusing the perception of reality and dreams. Dom thinks he can take control of the situation and turn Mel back, but the situation is out of his control, and he hasn't gone to ** Mel yet, but Mel has acted first.

Mel, who is confused, thinks reality is a dream, and she plans to kill herself in order to return to what she thinks is "reality"; But Dom knew very well that they were now in reality, and if they committed suicide, they would really die, so he refused to commit suicide; Mel, on the other hand, thinks that Dom is greedy for dreams and does not want to return to reality. So, Mel made a plan, she called the police to say that Dom was going to kill her and their children, and then told Dom to "return to reality" with him, and committed suicide by jumping off the tall building without hesitation. In this way, combined with Mel's previous alarm**, Mel's death will be considered to be done by Dom, who is definitely a murderer if he doesn't die.

Finish. In this way, Mel hopes to force Dom to "come back to reality" with him.

Dom, of course, couldn't die, so he became a wanted man and had to flee the United States. He became a commercial spy by using the Inception Theory created by Mel's death, but he was never able to get rid of two demons: regret for Mel's death and longing for his children.

Mo'er died in real life, the part where she jumped off the building.

Because she thought she was still in a dream. In order to bring them back to real life, the male protagonist keeps the spinning top in her dream spinning, so Mo'er thinks they are still in the dream. In order to be able to wake up, Mo'er committed suicide.

When a person's brain is dead, their bodily functions will also stop working! Because the brain is the headquarters of the human body, uploading and disseminating, and analyzing information. In the dream space, that is, in the world of consciousness, in fact, everything is the scene and everything that is virtual from her brain consciousness, which also shows from the side that her consciousness is different from others, it is stronger, more cohesive, and has the ability to materialize dreams - in the consciousness space.

It shouldn't have come to life == It's supposed to be a flashback.

The lines in Cobb are actually enough to explain the secret of the safe, in the world of dreams, Mal and Cobb live a very good life, but in the world of dreams, people will also get old, what she hopes is to live with Cobb in the dream, and then quietly put the totem (in other words, I personally think that the totem is a kind of spiritual sustenance, is a part of the spirit, otherwise how can the totem make people .........Got it) locked in the safe. Cobb found out in the life of the dream later,Mal seems to have hidden something,Cobb insisted on finding out,Later, he found the safe,And also knew the secrets,Cobb just finished the so-called "experiment" inception,Plant the dream,"This is not true, you are still in the dream" The totem of the spinner mal,Keep turning ......,Cobb also brought Mal back to the real world.,And thus there is the part in the movie where Cobb narrates what is in the subconscious.,In fact, the secret in the safe can be said to be a secret.,A secret that keeps Cobb and Mal dreaming.,It's a pity that Cobb tried to plant the dream ..........

It's that she knows that she is in a dream, but she doesn't want to admit that she wants to stay in that dream world with Cobb forever, and then she locks her totem in a safe, that is, she denies that she is still in a dream.

"Non je ne regrette rien" was sung by the famous French singer Dith Piaf in 1960. Non je ne regrette rien a song in French. non, je ne regrette rien .

The first aspect is because Mo'er's death is related to the protagonist, and the protagonist has always felt guilty about Mo'er's death and can't let go of it for a long time.

The second aspect is that the protagonist is deeply in love with his wife Mo'er, and his thoughts about her have penetrated from his thoughts to his dreams.

It can also be seen that they are deeply bonded and in love.

Because the third layer of dreams is entered through enhanced drugs, the *** of enhanced drugs is that if you die in the dream, you will enter the limbo, so if you want to save Fisher, you have to enter the next layer.

After the rich second-generation Fisher was Mo'er**, he entered a state of high coma, and in order to slow down Fisher's respiratory metabolism (it will slow down when entering the lower layer) and fight for rescue time, he dragged Fisher to the next layer. Cobb and the little girl are about to enter the lower dreams. Seek adoption.

You can watch it again.

They have to go to the next floor to wake up the rich second generation, otherwise he will never wake up.

Because of the needs of the plot, if there is a protagonist, there will be a supporting role, thinking about it day and night, and the protagonist likes Mo'er, all of which are arranged by the director.

I think the director deliberately fooled the audience, and it is also a symbolic expression, this film is a non-sequel movie, there is no need to leave suspense, and the tone of the whole film is mainly to tell everyone to be positive and optimistic to face the trivial things encountered in life, people should not live in pain forever. The actor always thought that he had killed his wife, so he fell into deep self-blame, he kept the afterimage of his wife in the deepest part of his heart, and when he felt guilty, he would meet his wife in a dream, but you must know that it is just a fictional illusion in the hero's own heart, it is an illusion of his subconscious fiction, he is lying to himself, so he will never see the front of the child! He only reveled in the links he designed, unable to extricate himself With the continuous help of the heroine, he began to slowly find himself, until he finally saw the brave face of life, until he really saw the positive optimism of his son and daughter to welcome a new life

In the movie, each person has their own unique prop, and through the characteristics they have given them, they can judge whether they are currently in a dream or reality. The male protagonist is the spinning top, and in the dream, the spinning top will keep spinning.

The spinning top proves that it is not in the dream, in fact, it is not important that the end is not in the dream. Because in the dream, Cobb didn't even dare to look at the child's face, and at the end, Cobb plucked up the courage and picked up his child. That's what the end tells us.

Summarizing it yourself, it can be understood like this:

1. Leave suspense for everyone.

2, the spinning top has been spinning, because Cobb said before that the spinning top was made by Mo'er in a dream, and he and Mo'er have long lost reality and dreams, so the world with a spinning top is a dream, and when you find that the spinning top is gone, that is the reality ......

First of all, to refute the upstairs: should any doubts be explained by a dream at the end? Does the explanation make sense?

Why don't you try to explain the film in its entirety with your "last dream" point of view? There will be more suspicions that way. So don't be blindly unconventional, the film is undoubtedly reality in the end, it is a reunion, although it is a bit old-fashioned, but it is true.

1. After everyone (except Cobb and Saito) returns to the first floor, waits, and automatically wakes up to reality after the effect of the medicine on the plane has passed. Cobb and Saito committed suicide on the edge of their subconscious (noticing that Saito had a gun or not) and returned directly to reality.

2. It means that in Saito's deep dreams, his brain is completely used and runs at high speed, and if he wakes up with the effect of the drug, he may be confused. It's just possible, and the main purpose of saving Saito is not to be afraid that he will wake up unconscious, but not to let his teammates suffer a long and painful mental torture alone.

3, this point is not explained in the film. My understanding is that if you die of old age, you will return to reality, but whether you can die of old age is not certain. Because there is only Saito himself on the edge of the subconscious, Saito is a god, he thinks that he can die of old age, and if his subconscious does not want to die of old age, he will live forever, and before the effect of the medicine passes, he will live forever.

ps: Because it is on the edge of the subconscious, most people will be lost at the edge of the subconscious, and they will not be able to distinguish between reality and dreams. And only someone as strong as Cobb can barely distinguish between the edge of the subconscious, and he is the only one who has been to the edge of the subconscious and came back on his own.

To be honest, I watched the ending four or five times to see if they were back to reality.

The first question: in the end, there is no return to reality. That spinning top kept spinning and didn't stop. Whether or not it is in a dream is the basis for it, and they themselves know when the spinning top will stop to judge whether it is in a dream or not.

The second one is not very clear.

The third: It seems that he will fall into the sea of chaos of consciousness.

The protagonist's wife didn't want to leave the dream before, and the male protagonist changed the spinning top in her dream to judge whether it was reality or not, and brought her back to reality. So back to reality, the protagonist's wife can't tell the difference between dreams and reality.