In the world of words, Liu Yong s status is higher, or Su Dongpo is higher

In the world of words, I think they are all about the same, because Liu Yong is a graceful school, and the sentence of Yangliu'an Xiaofeng Wanyue is recited by many people, but Su Dongpo's bold style of words is liked by many people, and they are all famous lyricists.

The status of the two is equally high, these two people are both members of the Tang and Song dynasties at the same time, and Liu Yong is the originator of the graceful faction, and Su Dongpo is the originator of the bold faction.

In the traditional society in the past, it was natural that Su Dongpo's status was higher than that of Liu Yong, and Liu Yong's words were widely spread in the willow alleys among the flowers.

Su Shi's "Dajiangdong Go" is paired with Liu Yong's "Yangliu Bank, Xiaofeng Wanyue", which can be described as complete. Su Shi is bold, and Liu Yong is graceful. Liu Yong's words are called "Seventeen or Eighteen Girls, Holding Red Tooth Plates, Singing in a Low Voice", which is very popular with the small people in the market, especially the courtesans.

Su Shi, on the other hand, was more formal and was very popular with the literati at that time. In terms of grace, Su Shi is naturally inferior to Liu Yong, but Su Shi is not unproficient in graceful style, and his graceful masterpieces "Butterfly Love Flower * Flower Fading Red Green Apricot Small" and "Jiangchengzi * Ten Years of Life and Death" are very famous. And Liu Yong can be said to be not proficient in the bold style, his bold words are very few, and it seems that only "Wanghai Tide * Southeast Shape Victory" is more famous.

Therefore, in terms of omnipotence, Su Shi is more talented, and Su Shi still understands calligraphy and painting, which is beyond Liu Yong's reach. Although Su Shi is talented, I personally prefer Liu Yong.

"Eight Voices of Ganzhou, Sprinkled with Xiaoxiao Twilight Rain".

The gradual frost and wind are miserable, Guan He is cold, and the makeup building is still shining. A sentence describing the scene of the heights, with three rows of sentences, further sets off the bleak and bleak atmosphere, and even Su Shi, who has always despised Liu Ci, also praised "This sentence in the poem does not reduce the height of the Tang Dynasty."

Liu Yong of the Northern Song Dynasty "Eight Sounds of Ganzhou, Sprinkled with Xiaoxiao Twilight Rain on the River Sky", the original text is:

To the twilight rain sprinkled on the river, a wash of autumn. The gradual frost and wind are tight, the Guan River is cold, and the afterglow is the building. It is a place where the red decay and green are reduced, and the things are resting. Only the water of the Yangtze River flows eastward without a word.

I can't bear to climb high and far, look at my hometown, and it's hard to return. Sigh the traces of the years, what is the bitterness to drown. I want to look at the beautiful woman makeup building, miss a few times, and return to the boat in the sky. Fight to know me, leaning on the railing, and contemplation!

Translation: Standing on the edge of the river facing the twilight rain, the twilight rain seems to be washing the cold autumn. Gradually, the rain disperses, the clouds are collected, the autumn wind is gradually tightened, the mountains and rivers are cold, and the afterglow of the sunset reflects the river building.

The desolation is full of flowers and leaves, and those beautiful scenery have rested. Only the water of the Yangtze River flows silently to the east.

In fact, I really can't bear to climb up and look out, thinking of the distant and unreachable place of my hometown, and a heart to return home is urgent and difficult to suppress. Sighing for the past few years, what is the hardship of being stranded everywhere? The beautiful woman must climb the riverside painting building every day, looking at my return boat and mistaking it for a boat?

Do you know that I am leaning on a tall building and looking out, and my heart is full of sorrow and depression of missing my hometown?

Although Liu Yong's lyrics have always been popular, they are not valued by scholars, and even shamed by them, because in their opinion, Liu Yong's words are very slang. Su Shi also had a derogatory attitude towards Liu Yong, but Liu Yong had a poem that was respected by Su Shi, thinking that "the height does not reduce the Tang people", and this poem is "Eight Voices of Ganzhou".

Eight Sounds of Ganzhou, Sprinkled with Xiaoxiao Twilight Rain Jiangtian is the work of Liu Yong, a lyricist in the Song Dynasty. This word expresses the author's sorrow and sadness of wandering in the rivers and lakes. The first part depicts the bleak scene of the sunset in the evening of clear autumn after the rain, and the cold sunset of the Guanhe River; In the next part, the lyricist is eager to return home.

The whole words are shallow and affectionate, integrating the scene and lyricism, and through the description of the hardships of the prison service, it expresses a strong sentiment of homesickness, and writes the typical feelings of intellectuals in feudal society who have never met talents, thus becoming a famous article that has been recited through the ages.

Liu Yong's "Eight Sounds of Ganzhou":

To the twilight rain sprinkled on the river, a wash of autumn. The gradual frost and wind are tight, the Guan River is cold, and the afterglow is the building. It is a place where the red decay and green are reduced, and the things are resting. Only the water of the Yangtze River flows eastward without a word.

I can't bear to climb high and far, look at my hometown, and it's hard to return. Sigh the traces of the years, what is the bitterness to drown. I want to look at the beautiful woman makeup building, miss a few times, and return to the boat in the sky. Fighting for me, leaning on the trunk, is sorrowful.

Su Shi commented on his sentence "The frost and wind are tight, the Guan River is cold, and the remnants are still in the building", saying: "This sentence does not reduce the height of the Tang people in the poem. ”

The different characteristics of Liu Yong's and Su Shi's lyrics:

First, the content:

Liu Yong's poems mostly write about the life scenes of the citizens at that time, reflect the life aspirations of women and the love between men and women, and describe the scenery and scenic spots, and there are few people who involve current affairs, rotten politics, and people's suffering.

Su Shi's words broke through the barrier of "Yanke", expanded the context of the word, and improved the quality of the word. For example, he used words to express themes such as nostalgia, nostalgia, travel, and reasoning. Su Shi also writes love words, with a clear and beautiful style and sincere feelings.

2. Language and Writing:

Yoo Yong's words belong to the graceful school. He is good at laying out narratives, making good use of white descriptions, whether it is writing scenes, narratives, or lyrics, he writes vividly and tactfully. The language of Liuci does not use allusions, does not emphasize elegance, and does not avoid slang. It's all plain language, but it can be a difficult scene to write, and it is difficult to describe.

Su Shi's words belong to the bold school, creating a new style of boldness, developing the rhythm of words, and breaking the shackles of sound rhythm. The language is fresh and simple, concise and smooth, and it is known for its Qingxiong Shaoxiu. He absorbed the poems of his predecessors into words in many ways, and also picked up the scriptures and history of hunger letters, miscellaneous languages, and spoken language at that time, breaking the traditional atmosphere that only fragrant and soft words can be used in words.