What is the description of the surface of the city in Su Shi s inscription Xilinbi?

Title: Xilin Wall. Song Dynasty: Su Shi.

Horizontally, it is a peak on the side of the ridge, and the height is different from far and near.

I don't know the true face of Lushan, only because I am in this mountain.

The surface (surface) of the poem describes the rolling mountains and towering peaks of Lushan Mountain from the front and side, and it presents different looks from a distance, a near place, a high place, and a low place. The reason why we can't recognize the true face of Lushan is because we are in Lushan, and our vision is limited by the peaks and peaks of Lushan, and what we see is only a peak, a ridge, a hill and a ravine of Lushan, which is only partial, which is bound to be one-sided.

It describes the Lushan Mountain seen from different angles, and the Lushan Mountain is seen from the front, it is a long horizontal mountain; Looking at Mount Lu from the side, it is a towering mountain. If you look at it from different distances and heights, the Lushan Mountain presented in front of you is a variety of different images.

Su Shi Xilin problem wall was originally carved in Jiangxi Lushan Xilin Temple and Lushan Donglin Temple. Over time, these remains have long been destroyed. The stele of Donglin Temple is engraved with a replica of Donglin Temple to commemorate this period.

Su Shi is a famous literati and ink writer in the Northern Song Dynasty, known as one of the eight great Tang and Song dynasties by later generations, left a large number of words, so far, also remembered by people, his style and style are not forgotten, is the main representative of the puppet, countless poetry works, is widely circulated at present, and "Xilin Wall" is a complete portrayal of the various forms seen by the author Su Shi in different places in the Lushan Mountains.

<> Selim Temple is located to the west of Donglin Temple, a few hundred meters away. It is one of the earliest monasteries in Lushan. It was built in front of Donglin Temple and was built by the Taiyuan brothers Huiyong.

In front of the Song Taizong Temple "Taiping Xingguo Ganming Temple". Since then, Xilin Temple has been the beginning of Zhaoji Zen Temple. Behind the temple stands an ancient seven-story hexagonal pagoda, built of masonry.

This is the famous pre-Tang Tupata (also known as Xilin Temple Pagoda or Huiyong Pagoda), built by Tang Xuanzong and restored by Ming King Zuyu. During the Qing Dynasty, the top of the tower cracked and healed during the Xianfeng period. The tower is seven storeys high, hexagonal in shape, there are Buddhist shrines all around, and its beautiful Ou Jiucui, steep, is the symbol of Xilin Temple.

Hui Dung, a native of Hanoi. After the Northern Expedition, he went south to Jiangzhou with the mages Gao Daoan and Huiyuan, and originally agreed with Huiyuan to go to Luofu in Kaiyu Mountain. At that time, the history of Tao Fan Kumu Hu Yong achieved Buddhism, and the Qing Dynasty forgot the form of the wind, and many times retained his teachings in Lu Street and Hongyang Tao Buddha.

Hui Yong felt her sincerity, kindness, and also felt the purity and beauty of the mountain, suitable for rest and rest, and promised to stay. Tao Fan was very happy, and burned incense under the north peak" refers to Jingjun Xing, Kubei Yutian, shaving plants and forests, and increasing the sacrifice of inferiority.

Shave built Taipei, the mountains against the anti-Japanese temple", built a temple for Huiyong that "goes around the river and has a circular slope", is indifferent to fame, isolated from the world, suffers all year round, gives up a pure heart, reaches the height of its own culture, and creates a Zen generation. When Huiyuan went south to this point, after determining that Huiyuan "did Daolu Donggu", his reputation would be higher than him, without Zhu Di, comparable to his prestige, Jin met Huan Yi in Jiangzhou at that time. Ask Huanyi to help build a Donglin Temple in the East Scenic Area of Xilingji, so that Huiyuan can preach here.

After the Xilin Temple was built, due to the changes in the current dynasty, it sank many times, and the temple collapsed and became barren. Southern Song Dynasty, decline; ended the metadata torn apart by the war and destroyed Ice County; During the Qianlong and Qing dynasties, the temple collapsed again, burying the thorns of Hazel; In the fourth year of Qing Xianfeng, it was destroyed by the funeral army. But history is always the same, joy and destruction coexist, prosperity and destruction.

It is now engraved in the Xilin Temple of Lushan, Jiangxi, but over time, these outstanding works have been destroyed.

This poem is now engraved in the Xilin Temple of Lushan in China, because of this poem, because what this poem does is Xilin Temple.

Horizontally, it is a peak on the side of the ridge, and the height is different from far and near.

I don't know Lushan. He is funny, only because he is in this mountain.

This is a poem with a picture of the scene, and it is also a philosophical poem, and the philosophy is contained in the description of the scenery of Lushan Mountain.

It tells us that if we want to understand the essence of things, we must grasp it comprehensively and objectively, and analyze it in a cold and pure manner, so as not to be confused by the phenomenon of partial Zen selling.

"The West Forest Wall" is Su Shi's thoughts after visiting Lushan, which describes the changing appearance of Lushan Mountain, and uses the scenery to explain the reason.

Title: Xilinbi original text:

Horizontally, it is a peak on the side of the ridge, and the height is different from far and near.

I don't know the true face of Lushan, only because I am in this mountain.

Translation of the title: From the front and side, the mountains of Lushan are undulating, the peaks are towering, and from the distance, near, high and low places to see Lushan, Lushan presents a variety of different appearances. The reason why I can't recognize the true face of Lushan is because I am in the Luxian Mountain.

Creative background: Su Shi in the seventh year of Shenzong Yuanfeng (1084) from Huangzhou (now Huanggang, Hubei) to Ruzhou (now Linru, Henan) regimental training deputy envoy, when going to Ruzhou, through Jiujiang, with friends to visit Lushan. The magnificent landscape triggered Yixing's strong thoughts, so he wrote a number of Lushan travel poems.

Appreciation of works

The first two sentences describe the different morphological changes of Lushan. Lushan Mountain stretches horizontally, and the lofty mountains are lush and endless; Looking sideways, the peaks are undulating, and the strange peaks protrude into the clouds. Looking at Lushan from different directions from a distance and a near place, the mountain color and momentum seen are different.

The last two sentences write the author's perception after deep thought: the reason why you look at Lushan from different directions, there will be different impressions, and it turns out that the sedan chair is envious because of "being in this mountain".

That is to say, only by staying away from Lushan and jumping out of the shelter of Lushan can we fully grasp the true demeanor of Lushan. The whole poem is tightly linked to the mountain to talk about his own unique feelings, with the help of the image of Lushan, with the help of the image of Lushan, in simple language to express the philosophy, so it is cordial and natural, intriguing.

Title: Xilin Wall.

Song · Su Shi.

Horizontally, it is a peak on the side of the ridge, and the height is different from far and near.

I don't know the true face of Lushan, only because I am in this mountain.

On the surface, this poem describes the scenery of Lushan Mountain.

In-depth analysis, telling the philosophy of "the authorities are obsessed".

The meaning of "Title West Forest Wall" is: from the front, the side of the Lushan Mountains are undulating, the peaks are towering, from the distance, near, high, low to see the Lushan, Lushan presents a variety of different appearances.

This is a philosophical poem, due to the different positions of people and the different starting points of looking at things, it is inevitable that there is a certain one-sidedness in the cognition of things; In order to understand the truth and the whole picture of things, we should go beyond a narrow scope, stand in a broader space, get rid of subjective prejudices, and objectively understand the world.