How to look at the classics and pseudo classics in literary works, try to analyze them with exam

1. Literary classics.

Literary classics refer to traditional Chinese and foreign literary works that are in line with the aesthetic recognition of the majority of people and are respected by the majority of readers.

It was through the constant reading of literary classics that the German poet Goethe.

and American writer Ernest Hemingway.

It was only in his own writing career that he realized that any serious contemporary writer is not competing with his own contemporaries, but with the great figures of antiquity and the outstanding figures of the dead. American writer Emerson.

He once said, "Only a masterpiece that has been handed down from generation to generation is worthy of being passed on." ”

The completion of literary classicization and the establishment of classic writers' works are not only closely related to authors, readers, criticism, interpretation and other factors, but also inseparable from ideology.

Time and many other factors play a common and ongoing role.

2. Pseudo-classics.

Through hype, false propaganda.

The culture of "pseudo-classics" seems to be a casual or avant-garde personal show, but in essence, it uses the vulgarity and nihilism of Western modern culture and postmodern art to modify Chinese culture.

The connotation of classics, and hope to become a "classic" in this era without classics

Holding a gun in one hand and the Bible in the other, this is a portrayal of modern Western invaders and colonizers. For a long time, the Western world.

Through military warfare, economic control and cultural infiltration, it occupies a high position in cultural discourse. The political standards and cultural treaties they have formulated can only be passively observed and implemented by other countries.

The so-called literary classics refer to traditional Chinese and foreign literary works that are in line with the aesthetic recognition of most people and are respected by the majority of readers, such as Journey to the West, Water Margin, Dream of Red Mansions, Romance of the Three Kingdoms, and Confucianism. On the contrary, through hype and false propaganda and promotion, the so-called articles on Chinese culture that attract people's attention and increase the number of click-through rates are pseudo-classics.

To analyze a literary work, we can start from two points, one is the author, and the other is the work.

To analyze the author, of course, it is necessary to connect with the author's background, thoughts and feelings when writing, and to analyze the work, you must first remember the literary theory, and then apply the literary theory to the work. It can be analyzed from the language, structure, writing technique and other aspects of the work. When answering the question, it should be clear and hierarchical, you can first cite a literary theory, and then combine the theory with the work in those places where it is reflected.

It can be analyzed from the following aspects: 1. Author. What motivates the author to write? Topic? What imprints do the author's psychology and experiences leave on the work? What ideas does the author express in his work?

2. Works. What are the characteristics of the work itself in terms of language and structure, etc.

3. Environment. What does the work have to do with its time? How to reflect the social system, customs and other external factors at that time?

4. Historical Theory. What are the characteristics of literary and artistic genres and trends of thought in the works? What impact did it have on literature and art at that time and later? What do others say about this work? How will readers receive the work? What is its specific impact on transmission?

5. Theory. Does the researcher have a theoretical framework based on his or her own disciplinary background? At this level, try to express your own artistic outlook, values, and even outlook on life and the world.

transcribing; 1. Socio-historical perspective.

The fact that a literary work can be called a classic is precisely determined by its own characteristics, and these two issues are one.

I would like to write you a few points about my own understanding, I hope it will be of some help to you.

1 Religious Connotation The promotion and criticism of religion in classic literary works, or the implicit religious attitude, is one of the directions of expression of great works. To be kind, it can be said that the countless fragile and broken hearts of human beings rely on, and it is the graveyard of souls who are about to step into the door of death. Among the classic literary works, there is a sharp criticism, Notre Dame Cathedral. There are prostrate converts, war and peace.

There are also those who are cold-eyed, such as Faust and the Divine Comedy. But in any case, the greatest works care for the hearts and minds of all readers.

2 Philosophical connotations. At the heart of philosophy is ethics, and I tend to favor ethics over ontology and epistemology. Each of us has only one lifetime, how we grow, the purpose of our life in the world, whether we follow the classics of the sages and follow the trend, or break red tape and be different.

Do we want to be tolerant and humble to others and be kind to our neighbors, or should we be isolated and idle. Whether it is to fight against nature, to be the scale of all things, to change and conquer nature, or to live in harmony with nature, all things are one. Is each of us an instrument of human reason rushing to the sea of truth, or is each of us an irreplaceable, unique and great purpose?

The classic works deduce the possibility of virtual life choices, as well as the clear or connotative suggestions given by the author, allowing readers to judge the choice. There are too many such classic works, from ancient Greek epics, Chinese poetry to modern ** dramas. Classical literature also reflects ontological epistemology, such as The Matrix, etc., and there are many movie scripts, such as Inception, Prometheus, etc.

3 Scientific Connotation If a great writer has the heart of a scientist, the works he writes are often rigorous, scientific, enlightening, and interesting. Even if it's not big-picture science fiction literature, great literature can be of surprising value in psychology, pathology, and so on. Although Lu Xun's diary of a madman criticizes society under the banner of madman and madness, the psychological description of the madman in ** is also meticulous and meticulous, which amazes readers.

Science fiction works, horror works, detective works and other classics, in addition to entertaining readers, the improvement of readers' scientific literacy is self-evident.

4 Literariness This is the most basic. All the classics certainly meet the requirements of literature itself. The exquisiteness of the language, the peculiarity of the structure, and the profundity of the meaning are like the phoenix in the bird, and the gold and jade in the sand, otherwise how can the reader be attracted?

That's all. Hope it will be of some use to you.

Classic literature.

The standard of classic writing is to look at its literary value, whether it can accompany you to the distant future, or whether it writes about some people and things that may be suppressed or forgotten, and the writers themselves do not have a definite answer. In Tim Lot's view, the classics must "speak something timeless, not confined to this era". Ruth Lendl, on the other hand, believes that the classics must be completely self-inflicted.

Either way, one thing is certain, that there is no eternal, sacred, unchanging scripture. Even if we have established some contemporary literary classics according to the standards of literary history or literature, the classics, as a process of historicization, still need to be constantly selected, precipitated and tested. In this sense, the process of canonization is tantamount to a process of rewriting literary history.

Therefore, the value content carried by the classics should be eternal. The creative content of classics should have a unique value pursuit: when expressing life, it cares about the living conditions of all social strata, especially the disadvantaged groups, criticizes the dark forces in society, and promotes the value of humanity and justice; When shaping the image, the historical truth is recorded, and the laws of history are revealed, so that the work has a strong sense of history.

Classics should be able to deeply attract readers, hit the reader's heart, and be evocative for a long time.

Profound! It can reflect the history or current situation of society.

It's not simply rhetoric or storytelling.

Victory. For example: Journey to the West, for example.

The story is interesting, suitable for all ages, and the plot is full of twists and turns. But he is called a classic because the characters he creates are distinctly representative. The indistinguishable good and evil of Tang Seng was the biggest problem in society at that time, and Tang Seng belonged to the ruling faction.

And people hope for the emergence of a Monkey King who dares to fight. People clearly realize that no matter how great Sun Wukong's ability is, he can't escape the palm of Rulai. This reflects the ambivalent and optimistic psychology of the people at that time.