What are Song Yu s literary works?

Song Yu's literary works: According to the earliest "Hanshu Art and Literature Chronicles", there are 16 articles. It is now said that he made two articles, "Nine Arguments" and "Conjuring Spirits", which can be found in Wang Yi's "Chu Ci Chapters and Sentences"; "Feng Fu", "Gao Tang Fu", "Goddess Fu", "Deng's Disciple Lustful Fu", and "Ask the King of Chu" 5 articles, which can be found in Xiao Tong's "Selected Works"; "Di Fu", "Big Yan Fu", "Xiao Yan Fu", "Irony Fu", "Fishing Fu", "Dance Fu" 6 articles, found in Zhang Qiao's "Ancient Wenyuan"; "Gao Tang Pair", "Wei Yongfu", and "Yingzhong Pair" 3 articles, found in Liu Jie's "Guangwen Anthology" in the Ming Dynasty.

However, the authenticity of these works is mixed, and only one of the credible and undisputed works is "Nine Arguments". "The Conjuring" is quite controversial and is generally believed to be written by Qu Yuan. Others, such as "Gao Tang Fu", "Goddess Fu", "Dengzi Lustful Fu", "Feng Fu", etc., are also considered not to be written by Song Yu, but their status in the history of literature is still quite important.

Although Song Yu's achievements are difficult to compare with Qu Yuan, he is the direct successor of Qu Yuan's poetic art. In his works, the depiction of objects tends to be delicate and workmanlike, and the combination of lyricism and scene writing is natural and appropriate, which plays a role in connecting the past and the future between Chu Ci and Han Fu. Later generations are mostly known as Qu and Song, which shows the status of Song Yu in the history of literature.

Nine distinctions, many of them are in Chu Ci.

Chu Ci writer Song Yu's representative works are

1, "The Goddess Fu".

"The Goddess Fu" is a school of decay created by Song Yu, a writer in the Warring States Period. The preface of this endowment is written after the night dream of the goddess of King Xiang of Chu, and the author is ordered to make a fu; The text first describes in detail the appearance, decoration, and demeanor of the goddess and the process of King Chuxiang's courtship to the goddess and was rejected, and then writes about the goddess's departure and King Chuxiang's thoughts about her.

2, "Fishing Fu".

"Fishing Fu" can be regarded as one of Song Yufu's representative works of subtle sarcasm. Defeat the imitation of Xuanzhou's fishing, the rod is beautiful, silk, bait, hook fine, act calmly, "rise and fall with the fish", can be described as a good angler, but in Song Yu's view, this is just a children's game, carving insects and small skills, not to be elegant. Vulgar people, with this fishing skill, can still be committed, but as the king of a country, it is not enough to imitate.

3, "Di Fu".

Di Fu is a fu created by Song Yu, a writer at the end of the Warring States period. At the beginning of this fu, it is written that the material of the flute is strange, the growth environment is unique, and the craftsmanship of the flute maker is exquisite, indicating that the origin of the flute is extraordinary. The flute sound in the middle is varied, which is thought-provoking, emotional, and sprinkled, and does its best.

Finally, the full text is summarized to express the author's hope for the revival of the Chu State in his old age.

4, "Gao Tang Fu".

Gao Tang Fu is a fu created by Song Yu, a writer at the end of the Warring States Period. In the preface, this Fu writes the story of a certain king of Chu and the goddess witch mountain before King Xiang of Chu through dialogue.

5, "Wind Fu".

Feng Fu is a literary work created by Song Yu, a writer at the end of the Warring States period. This article takes the wind as the theme, and the work adopts exaggerated techniques, through the contrast of "the male wind of the king" and "the female wind of the common people", so that the luxurious and luxurious life of the king and the poor and miserable life of the common people form a sharp contrast, and expose the inequality in social life. The whole article adopts the brushwork of laying out, and the dynamics of the wind are very detailed.

Hello, the following is Hui Jian's representative work of Song Yu: Song Yu's representative work is "Lisao". This collection of poems is a long lyrical narrative poem, divided into 18 chapters, which tells the story of Qu Yuan's journey in exile, his love for the motherland, his loyalty to the king, and his perception of life.

Lisao has an important position in the history of Chinese literature, it created a precedent for the former state and became one of the treasures of ancient Chinese literature, and profoundly influenced the development of literature and people's ideas in later generations. In addition, Song Yu also created many famous Chu Ci works such as "Nine Arguments" and "Nine Songs". Song Yu (298 BC – 222 BC), a writer and thinker of the Chu State during the Warring States Period of China, is known as the "Ancestor of Chu Ci".

Song Yu's Dai Ming calendar works include "Yonghuai Collection", "Bamboo Branch Ci", "Peach Blossom Spring", "Orchid Pavilion Collection Preface" and so on. "Yonghuai Collection" is one of his most famous works, in which Rong Jisui collects five words, four sentences, five uniques, and letters, and expresses his personal emotions vividly.

Song Yu's representative works include "Nine Discernments", "Wind Fu", "Gao Tang Fu", "Deng's Disciple Lustful Fu" and so on. Song Yu, also known as Ziyuan, was a native of Yan (now Xiangyang Yicheng) during the Warring States Period, and a writer of Chu State. Born after Qu Yuan, he served as King Chu Qingxiang.

The creative style of Song Yu's masterpiecesFirst of all, Song Yucifu's creation was deeply influenced by Chu culture: myths and legends made Song Yucifu have infinite imagination, romantic atmosphere and supernatural characteristics, the sentimental characteristics of Chu culture made Song Yucifu have a poignant artistic temperament, and the light and vulgar aesthetic taste made Song Yu's works exude a vulgar aura in the gorgeous.

Secondly, on the basis of inheriting the creative achievements of Qu Yuanchu's dictionaries, he extensively borrowed the characteristics of the Spring and Autumn Period and the Warring States period harmonic and hidden arts, Xunzi's riddle-like small fu, and absorbed the narrative techniques of Zhuzi literature and historical literature, so as to realize the transformation from commotion to fu.