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This pressure is meant to be achieved by sacrificing timbre to achieve a different timbre. I'm also very depressed, and I often use bass pulling, but I suppress the sound like a fart. But look at the **, the professional is not much better.
They often use a shift with accompaniment to avoid this problem. You can try it. In addition, this is also a technical level, Simon said that a lot of practice can change the timbre, don't run away from this problem, find more bass Lado songs, the sea or something.
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The ten-hole harmonica is pressed, and the suction is used from the fourth hole downwards. The following is a one- to four-hole scale arrangement.
It can be seen from the above.
Both the second and third holes have the sound of 5, but the blowing and sucking are different.
However, it is important to remember that the pressure tone is best obtained by the falling tone of the pitch, such as the second hole inhalation sound 5, which can be obtained by pressing the tone to get two falling notes.
So, if you want to get 6 (la), you can only use the 7 (si) sound to get it down, and the 7 tone can get the three notes of flat and 6 flat by pressing the tone, so you want the sound of 6 to get it only by blowing the breath note of 7, and don't get it by blowing the sound of 5.
Finally, repeat that below the four holes, use inhalation to suppress the sound.
The base of the tongue is raised upwards, and the front part of the tongue is shaped like a spoon.
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3 holes can produce four tones, 7, b, b6, that is, b, bb, a, ba of the c tuning; The more exaggerated the pressure action, the lower the tone obtained, this should be practiced more, and keep blowing 7, b, b6.
B7 The oral cavity is slightly constricted, and the middle of the tongue is leaning towards the upper palate; 6. The oral cavity is slightly constricted, the tip of the tongue gently touches the lower gums downward, and the middle and posterior parts are raised; b6 The tip of the tongue bends downward and winds back to the place where the tongue grows. If it cannot be pressed, the distance between the upper and lower jaws can be increased in order to make the oral passage more curved, so that the middle and back of the tongue can be retracted more.
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The ten-hole harmonica is blown on top and absorbed on the bottom. The 10 holes are blown as follows: 1 hole blows bass 1, super blows low 2;2 holes to blow bass 3; 3 holes blow bass 5; 4 hole blow 1, super blow stove brother brigade 2;5 hole blow 3, super blow 4;6 holes blow 5; 7 holes blow treble 1; 8 holes blow treble 3, super blow treble B3; 9-hole treble blowing 5, super blowing treble B5; The 10-hole blows 8 degrees high 1, and the overblown treble is 7 and b7.
The 10 holes of suction are: 1 hole to absorb bass 2, pressure B2; 2 holes absorb bass 5, pressure B2; 3 holes absorb bass 7, pressure sound B, B6; 4 hole suction 2, pressure sound hidden stool B2; 5 holes suction 4; 6 holes absorb 6, pressure sound B6; 7 holes absorb 7, super absorb treble 1;8 holes absorb treble hole absorb treble 4, super absorb treble 5;10 holes absorb treble 6.
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The principle of the ten-hole harmonica is to change the shape of the oral cavity and reduce the vibration frequency of the shrapnel by using the direction of the air flow.
For example, try to pronounce the two sounds (chi) and (qu), use the mouth shape to suck the third hole of the harmonica, inhale a long sound, and at the same time constantly tighten the mouth, and put the tongue against the base of the jaw, when pronouncing these two sounds, the main thing is to exercise the position of the tip of the tongue, by tightening the distance between the mouth and the roof of the tongue, to practice the size of the pressure sound.
Another way is to imagine the "sucking" sound you make when you suck the noodles, first emitting a full single note, which is the inhalation pressure method, and then continuing to play.
Advanced techniques for the ten-hole harmonica, including inhalation, blowing, and superblowing.
When learning to press the sound, it is necessary to pay attention to the pressure of the bass hole, the action should be large and exaggerated, and the action should be small when the pressure of the sixth hole is pressed, otherwise it is easy to produce the phenomenon of closed reeds and even howling.
To be simple, we must first practice the pressure sound well, and then consider other more difficult superblowing skills, practice the basic skills, blow every note accurately, blow the second scale well, and blow every note well, even more useful than those complex techniques.
In addition, you should also buy a better harmonica, the harmonica must be well proofread, and the sound produced is accurate, otherwise the inferior harmonica will feel a little difficult in practicing the tone.
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4. The technique of pressure is to change the direction of the airflow of blowing or sucking the harmonica to increase the amplitude of the harmonica sound absorption or blowing reed, the amplitude is large, the vibration frequency is small, and the pitch is low.
5, We use the mouth shape of "eating" to suck the third hole of the harmonica, inhale a long note, and at the same time tighten the mouth without sections, and put the tip of the tongue against the root of the lower jaw, the mouth shape is to make the sound of "go" but absorb the sound! Is there a change in sound? If you practice a few more sides, it may not be obvious, but you should have a sense of sound falling.
4. The technique of pressure is to change the direction of the airflow of blowing or sucking the harmonica to increase the amplitude of the harmonica sound absorption or blowing reed, the amplitude is large, the vibration frequency is small, and the pitch is low.
5, We use the mouth shape of "eating" to suck the third hole of the harmonica, inhale a long note, and at the same time tighten the mouth without sections, and put the tip of the tongue against the root of the lower jaw, the mouth shape is to make the sound of "go" but absorb the sound! Is there a change in sound? If you practice a few more sides, it may not be obvious, but you should have a sense of sound falling.
4. The technique of pressure is to change the direction of the airflow of blowing or sucking the harmonica to increase the amplitude of the harmonica sound absorption or blowing reed, the amplitude is large, the vibration frequency is small, and the pitch is low.
5, We use the mouth shape of "eating" to suck the third hole of the harmonica, inhale a long note, and at the same time tighten the mouth without sections, and put the tip of the tongue against the root of the lower jaw, the mouth shape is to make the sound of "go" but absorb the sound! Is there a change in sound? If you practice a few more sides, it may not be obvious, but you should have a sense of sound falling.
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Dear, hello, I'm glad to answer for you, what are the 10 holes of the ten-hole harmonica? They are blown by ten holes for bass.
1. Bass. 3. Bass.
5. Alto. 1. Alto.
3. Alto. 5. Treble.
1. High pitch. 3. Treble.
Five, double treble one. Sound absorption is bass.
Second, bass. 5. Bass.
7. Alto. Second, alto.
Fourth, alto. 6. Alto.
7. Treble. Second, treble.
If you just imitate the sound effect, you can do it from a certain point of view. When playing chords, the 24-hole harmonica is obviously much more powerful than the blues, and the violin blowing of the accented harmonica can barely be simulated if it is monophonic. I've tried the blues 1234 hole pressurization, and the accent harmonica is not too much of a problem.