Which version of Tchaikovsky s Piano Concerto No. 1 is better?

This depends on whether you are pursuing the recording effect or the performance of this piece, if you are pursuing the recording effect, the newer the version, the better, if you want to listen to the master's performance, there are many versions that can be referenced, Agrizi's technique is good enough, but not detailed enough, many singing melodies are too rushing, and it is not very consistent with the broad temperament of Russia, Horowitz has a lot of mistones, Bogrech's treatment is very strange, many people don't like it very much, he plays very slowly, Kissin's is also very slow, It's very personal, but I don't recommend it personally, Licht's recording is not very good, the processing is not too good, and it is not the best in terms of technology or **. Personally, I recommend the following three versions to compare and listen, Lang Lang's is OK, although it is a little slow, but the emotion is very good, the singing is good, Sultanov's technique is good, and it is very hearty, and the best comprehensive version belongs to Gilles's performance, and the technique is very good.

The DDD recording must be the first to recommend the performance of Argentine pianist Agrizzi, because she fully expresses the majesty and intensity of this piano concerto at the height of Romanticism. Recordings can be purchased from the affordable series from DG. But no matter which recording you choose, the most important thing you need to pay attention to is the composer Tchaikovsky and the Piano Concerto No. 1 itself.

The pursuit of version comparison and appreciation of ** is the opposite of each other.

The collaboration between Horowitz and Toscanini was the pinnacle of the mono era.

In the stereo era, you can listen to the version of Pogoléric and Abbado conducting the London Symphony Orchestra, and Argerich's version is also famous, but I haven't heard it yet.

1. Symphony No. 1 in G minor (1866).

2. Symphony No. 2 in C minor (1872).

3. Symphony No. 3 in D major (1875).

4. Symphony No. 4 in F minor (1878).

5. Symphony No. 5 in E minor (1888).

6. Manfred Symphony (1885).

7. Symphony No. 7 in E flat major (1891).

8. Symphony No. 6 (Symphony of Pathos) in B minor (1893).Extended MaterialsTchaikovsky's representative work.

1. The Symphony of Pathos was completed between the end of August and September 1893 and is the author's masterpiece. Tchaikovsky considers this symphony to be the most successful work of his life and his most proud masterpiece. The song was first performed on October 28 of the same year, and six days later, the author contracted cholera and passed away.

This piece eventually became Tchaikovsky's "Swan Song".

2. The first dance piece composed by Tchaikovsky in "Swan Lake" is based on folklore, and the plot is: Princess Odetta is transformed into a white swan by a demon on the shore of Swan Lake. Prince Siegfried swims on Swan Lake.

Deeply in love with Odjeta. On the night of the prince's choice of brides, the demon has his daughter Black Swan disguised as Odjeta to deceive the prince. The prince was almost deceived, but finally found out in time, fought the demon, and killed it. The White Swan restores the princess to its original form and unites with the prince for a happy ending.

I checked it for you myself, and they were:

Symphony No. 1 in G minor (1866) – Symphony No. 1 was written inspired by the Russian winter scene, so it is also known as "Winter Dream", although Tchaikovsky admits that it is a bit flawed, it undoubtedly contains the dreams and feelings of a beautiful youth.

Symphony No. 2 in C minor (1872) "Ukraine", also known as "Little Russia".

Symphony No. 3 in D major (1875) "Poland".

Symphony No. 4 in F minor (1878) "Romeo and Juliet".

Symphony No. 5 in E minor (1888) Symphonic Ballade "The Mayor".

Symphony No. 6 in B minor (1893) – Also known as the Symphony of Pathétique, this melancholy lyrical symphony is arguably the composer's most famous symphony, completed two months before his death and fully embodies Tchaikovsky's aesthetics.

There is also the Manfred Symphony, op58, 1885) and the unfinished Symphony No. 7 in E flat major (this so-called Seventh Symphony, commonly known as the Symphony in E flat major, is one of Tchaikovsky's unfinished works. During a trip to the United States in April 1891, Tchaikovsky began to conceive a symphony called "Life" (zhizn) and wrote down some themes.

Later he turned to other works, and the symphony was never finished, and he may have given up on it. But some of the themes of "Life" were used to compose his E-flat major symphonies, sometimes called the Seventh Symphony. ）

Tchaikovsky's Fourth Symphony has no name, not Romeo and Juliet.

First movement.

The second and third movements hope to help you!

Tchaikovsky first mentioned the composition of the piece in a letter to his brother in 1874, and in December the work was almost complete, and Tchaikovsky basically intended to give the work to the famous pianist and composer Nicholas Rubinstein for revision and premiere, but Rubinstein's ruthless criticism of the work caused Tchaikovsky to change his mind and dedicate the work to the German conductor Hans von Bülow.

Biao Rough brought the concerto to the United States, where it premiered on October 25, 1875 in the ** Hall in Boston. It was 19 days later that the work returned to its hometown in Russia, in St. Petersburg. Performed by Gustav Gros (Rachmaninov's teacher) and Czech conductor Napravnik.

But this time the Russian premiere failed because it was played too fast. Tchaikovsky later described Gross's performance as "as if the voice had been brutalized".

The performance in Moscow on 3 December was a great success, with the then 18-year-old pianist and composer Taneyev as the soloist, and the conductor was Nikolai Rubinstein, who refused to play the piece at the time, and later became one of the recognized authorities on interpretation.

Piano Concerto No. 1

It was Tchaikovsky who composed the music, and this piano piece was composed by Tchaikovsky in the opera "Evgeny Onegin".

One of the previous important works, the first draft was written in early 1875, and laterBetween 1880 and 1893, the author made two revisions, taking into account the opinions of many performers, before finalizing the manuscript

This piano concerto was not recognized by the public at the outset. Originally, the work was dedicated to Nikolai Rubinstein.

But Rubinstein, who is always sensitive to all valuable new things in the art world, has a negative attitude towards Tchaikovsky's first attempt at the genre of piano concertos.

As a result, Tchaikovsky changed his dedication to Taneyev at one point, and finally to the German pianist von Büreau. In October 1875, when Blo toured the United States, he was in Porte Tanston.

This piece was performed for the first time and was a great success. In the same year, in Petersburg.

and Moscow performed this work one after another, and Taneyev, who was only nineteen years old at the time, received high praise for his piano performance.

International Olympic CommitteeApproval of the replacement of the national anthem by the Piano Concerto No. 1 in Russia

On April 22, local time, the Russian Olympic Committee announced that the IOC Morning Potato Committee had approved Russia's participation in the Tokyo Olympics.

and the Beijing Winter Olympics.

Tchaikovsky was used on it.

Piano Concerto No. 1" to replace the Russian national anthem.

According to TASS. Earlier it was reported that at the World Figure Skating Championships in March this year, Russia used Tchaikovsky's "Piano Concerto No. 1".

The above content refers to Encyclopedia - Piano Concerto No. 1.

The first draft of the Piano Concerto No. 1 was completed in early 1875, when Tchaikovsky was 35 years old, and was finalized in 1880 and 1893 with two revisions by the author with the input of many performers.

The fate of this piano concerto bears many similarities with the author's Violin Concerto in D major, and it was not initially recognized by the public. Originally, this work was dedicated to Nikolai Rubinstein, but Rubinstein, who was always sensitive to all valuable new things in the art world, was negative about Tchaikovsky's first attempt at the piano concerto genre. Tchaikovsky changed his dedication to Taneyev and finally to the German pianist and conductor von Bürow

von bulow,1830－1894）。In October 1875, Bloat toured the United States and performed the piece for the first time in Boston, where it was a great success. In the same year, the work was performed in St. Petersburg and Moscow.

Tchaikovsky's Piano Concerto No. 1 is one of the most popular concertos, but in terms of the grandeur of its conception and the scale of its work, it can be called a symphony for piano and orchestra. The work reflects the author's ardent love for life and his desire for light and joy in stockings, and its basic image is deeply national—here the author quotes some real Ukrainian tunes, but it also shows particularly vividly some of the author's concerto compositions, namely the combination of great power, grandiose scale, and sincere and straightforward lyricism.