What is the standard for choral conductors?

I don't know what beat this song is.

If it's a four-two, draw an arc in front of your chest with both hands like holding an egg, outward and inward at the same time (first from the inside out, then withdraw);

If it is four or three beats, make a triangle with both hands or one hand in front of the chest;

If it's a four-four beat, draw a horizontal eight with both hands on your chest from the inside out, then hit it outward, and then withdraw it.

This is what our school taught during the first year choir competition).

Summary. The standards for choral conducting are as follows: 1. The body is straight, the feet are stable, the shoulders are relaxed, and the legs are slightly apart, giving people a sense of stability and achieving a harmonious and beautiful effect.

2. The commander's movements should be moderate, not exaggerated, and repetitive actions should be minimized, so as to be accurate and fine. Usually the right hand masters the rhythm, and the left hand prompts various expressions, both division of labor and cooperation. 3. According to the content of the work, the commander should have the characteristics of "gravity downward, centrifugal outward" when dealing with the strength and action of the work, that is, the movement law of heavy beat, strong beat downward, weak beat outward, and light beat outward.

Don't raise the arm too high, basically in front of the chest, try to minimize the swing of the arm, the wrist should be driven by the arm, the elbow joint as the hub of up and down movement, the wrist and finger joints should be flexible, flexible, rigid and soft.

The standards for choral conducting are as follows: 1. The body is straight, the feet are stable, the shoulders are relaxed, and the legs are slightly apart, giving people a sense of stability and achieving a harmonious and beautiful effect. 2. The commander's movements should be moderate, not exaggerated, and repetitive actions should be minimized, so as to be accurate and fine.

Usually the right hand masters the rhythm, and the left hand prompts various expressions, both division of labor and cooperation. 3. According to the content of the work, when the commander deals with the strength and action of the work, he should have the characteristics of "gravity downward, centrifugal and outward", that is, the movement law of heavy beat, strong beat downward, weak beat outward, and light beat outward. Don't raise the arm too high, basically in front of the chest, try to reduce the swing of the arm before the stool, the wrist should be driven by the arm, the elbow joint as the hub of up and down movement, the wrist and finger joints should be flexible, flexible, and rigid.

4. The conductor's action route should be skillful and excellent, but not too bland, too direct, too routine, and too simple. On the basis of learning schemas, it is necessary to master certain command skills. Action should be a complement to your inner chain rolling heart world.

Feelings and actions are unified. This is called "clapping" and "contentment". 5. The conductor should be good at mobilizing the enthusiasm of each choir member and giving full play to the maximum potential of the actors.

He should be unique in the processing and performance of his works, so as to reflect the highest ** artistic conception. 6. The beats of the conductor shed are bright beats and dark beats. Bright beats are beats that are visible to the eye, while dark beats are beats that are "hidden" in the heart.

This "hidden" beat is based on your feelings and heartbeat rhythm, putting the "dots" in place, allowing choir members to understand not only the intention of the bright beat, but also the intentional moment, rhythm, and mood in your dark beat.

The conductor needs to fully grasp the inner emotions of the work, and use auxiliary actions such as expressions in the conductor to better help the singer interpret the work. As a choral conductor, he should comprehensively strengthen his self-cultivation, not only be familiar with the basic knowledge of music theory, but also be able to fully grasp the development history, Fan Yinhong's famous conductors and representative works, so as to continuously improve their conducting level through practice and thinking.

First, the conductor is the leader of collective singing. Choral singing (a chorus in which many people sing two or more different tunes at the same time in several voices) is a collective artistic activity with a high degree of unity of action. When many people sing together, they should sing in unison, in the same rhythm, in the same strength, in the same mood, and in an organic whole.

It can't be done without a unified leadership. Second, the conductor is the organizer and trainer of collective singing. If an army does not train regularly in peacetime, it will be very difficult to improve its combat effectiveness. Similarly, if a choir does not train consistently, it is difficult to improve its expressiveness.

Who will be responsible for the training of the choir? The main thing is to command. Because he had to always develop the habit of working closely with his members, he had to always pay attention to developing the performance of the choir; He is not only the leader of the team when singing, but also the leader of the group work in ordinary times, and his every move should have a good impact on the team members and win everyone's trust and love.

Third, the conductor is the creator of the art of collective singing. The chorus has rich expressiveness, pays attention to the harmony and coordination of the overall voice, and requires the timbre of each voice to be correspondingly unified, the volume to be balanced accordingly, and the appearance of each voice part to be hierarchical. In addition, there are strict requirements for the pitch, rhythm, dynamics, and speed of each voice.

To direct and lead the choir to sing, it is necessary not only to achieve the same tone and neat beat, but also to recreate the song and sing the artistic life of the song. The task of a conductor is not only to beat the beat (beating the beat is a means for the conductor to create art), but the main thing is that he should have a deep understanding of the work, have the ability to analyze the work, make full use of the voices of the members, and make a song full of real feelings and artistic brilliance. Therefore, it is the task of the conductor to fully cooperate with the team members so that a song can be reproduced as a living art through his understanding and creation.

More: In short, the key to the level of a choir is the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the musical talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor.

When you have a conductor, you need a conductor because there are too many people in the chorus, and if there is no one to conduct it, it is difficult for everyone to sing in unison.

In the chorus, there should be a conductor because it is divided into high and low voices. So it needs to be carried out in command. Better coordination.

There must be a conductor in the chorus. Because the key to the level of a choir lies in the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the best talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor, and it is the most important link that cannot be ignored.

Why is there a conductor when I am in the Grand Hall? Because there are a lot of people in Dahe Factory, only one person who commands each region knows what they should sing and how to start, so that the cooperation will be better and the effect will be more beautiful.

One of the reasons why there should be a conductor in a chorus is that one of the reasons that can guide everyone is to say the pronunciation standard and follow the same rhythm.

Well, because of the after-sales of the chorus, there are too many people, and if there is no one wisdom at this time, then it is possible that there will be a situation where there is a single voice, or it is difficult to reconcile the mouths, and in such a situation, there needs to be a conductor, so there is a wisdom garden in front, so that he can be heard when singing, so that so many people can sing it in unison.

Why is there a conductor in the chorus? Because the number of people in the chorus is relatively large, if there is no conductor, the singing will be very chaotic and unified, so there must be a conductor, and the songs of the chorus have chorus and sea divisions, so there must be a conductor.

When the chorus is held, there must be a conductor, because there are so many people participating in the chorus, so the conductor needs to help, unify the tonality, unify the rhythm, and the chorus will be more uniform and harmonious.

The chorus must have a conductor, because the conductor has to control the tempo of the song and unify the chorus.

Because when the chorus is in full swing, it is necessary to unify and standardize it to avoid everyone's mess. It takes one person to agree to command, and one person to take the lead. Lead everyone to control the rhythm of the singing, fast and slow.

The basic principles of directing actions are "provincial", "accurate", and "beautiful". The province is to save the command action, according to the needs of the work, design the command action, the size of the action should be moderate, neither excessive exaggeration, but also can not be non-expressive, pay attention to the speed, strength of the contrast, pay attention to the tone of the work. "Accurate" refers to the conductor's foreshadowing movements, that is, various starting and closing styles.

It is required to be clean and accurate. "Beauty" means that conductors should be beautiful and generous in performing arts. It is necessary to achieve the unity of the inner and the outer.

Everything starts from the inner feelings expressed by **, grasps the accurate schema, and designs each action.

4. What are the conditions for a command?

Standard Answer: 1. Strong organizational skills, leadership skills and noble personality.

2. Have a strong ability to read music. For a commander, this is the most basic skill.

3. Master scientific vocal music knowledge, have strong fan singing ability, and master the training method of combining voice and words.

4. Have a keen sense of hearing.

5. Strong expression skills (including language and movement skills).

6. Have a strong ** memory and high appreciation ability.

7. Have a strong sense of rhythm and proficient command skills.

8. Train the choir members with patience and perseverance and rich choral training methods.

5. What kind of tasks and roles does the commander shoulder?

Why conduct in the chorus? Because there are more people in the chorus, the conductor's words will be given. The entire singing troupe Zhang Dong played an effective role.

The key to the level of a choir is the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the best talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor.

There must be a conductor in the chorus, because the level of the choir is not the same, and whether the choir sings well or not plays a decisive role.

There is a conductor in the chorus, mainly because the conductor can unify their pronunciation and make the chorus more neat and magnificent.

I think it can play a good role in synchronization, and the chorus sung in this way is very good, and there must be a conductor during the chorus. Because the key to the level of a choir lies in the conductor.

In the chorus, because the beat must be unified, it is better to have a conductor who sings according to the beat of the conductor in front.

With a conductor in the chorus, it can make the lead singing, part-part singing, and harmonic singing more coordinated, so that there will be no phenomenon such as rushing to sing.

The conductor is the leader of the choral organization and the soul of the choral crowd. With a conductor, the chorus can be made better.

Because the chorus needs to sing along with the rehearsal, otherwise they will each sing their own songs, and the voice will be completely untidy, so if someone plays the rehearsal, everyone can sing in unison when they look at the conductor's rehearsal.

In order to reduce the expressiveness of the performers to the work, the method of no conductor is adopted in order to better show the excitement of the work.

There are many people, and the conductor can make everyone sing in unison, more expressive, and loud voice.

Because there are too many chorusmen, there is a conductor, and everyone can at least unify the beat and tone when they are conducted.

When singing the chorus, obey the conductor, there is a key and order, the chorus is tight, the chorus is very beautiful, and the sweet singing voice touches people's hearts.

There are strong and weak beats for songs in two beats, strong, weak, and weak beats in three beats, and strong, weak, sub-strong, and weak beats in four beats. When hitting the beat, the strong beat is downward, the second strong is outward, and the weak beat is up and inward, so that the beat will feel that the action is smooth and natural, and the conductor has no fixed mode, and the action tends to be more perfect and smooth with the emotional investment of the conductor.

The beat points of the above three schemas are all on the same horizontal line, and when learning, learn soft and smooth gestures first, and then add sharp and agile movements to highlight the beat, which is just right.

Conductors should pursue command actions that are beneficial to the expression of the ideological content of the work and beautiful, generous, relaxed and accurate "shooting points". In the process of choral conducting, it is very important to maintain a good basic posture of choral conducting, and the movement of the hands is the most important means of conducting.

The basic actions and requirements of the conductor: the actions of the conductor should be accurate, concise, beautiful and generous, easy to understand, and expressive

1) When standing, the upper body should be straight, the feet should be slightly separated, slightly into a T-shape, the left foot can be slightly forward, to stand firmly and beautifully, and avoid large swaying of the body during the command process.

2) Facial expressions should be rich, eyes should be expressive, good at using eyes and facial expressions to inspire the choir, express the content of the work in a coordinated manner, and the ears will have a strong ability to distinguish the pitch, and correct the inaccurate pronunciation of the singing in time.

3) When commanding, the arms should be raised to the chest, not too high or too low, under normal circumstances, it should be mastered at the top and eyebrows, and the lower part should not be lower than the waist This range of motion, when waving the arms, it should be natural and powerful, stretch and generous; Do not straighten the fingers, keep the palms of the hands naturally arched, avoid the palms of the hands parallel to the upward or downward direction, and pay attention to the center of the movement is the wrist.

The movements of the hands should be symmetrical, and the direction of the beat and the direction of the beat should be clear and not ambiguous. Generally speaking, the movements of both hands are the same but the direction of swinging is opposite, the right hand is to master the speed and beat, and the left hand is to grasp the expression, strength, etc., and the movements should be flexible and expressive.