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Anonymous users2024-02-0813 [Mon] + 8 [Jia] = 21
5 [Feng] +7 [Yun] +12 [Bo] = 24
Mon 13 = horizontal, vertical, vertical, vertical, horizontal, horizontal, vertical
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Anonymous users2024-02-0713 [Mon] + 8 [Jia] = 21
5 [Feng] +7 [Yun] +12 [Bo] = 24
I support 21 and 24
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Anonymous users2024-02-06Meng 12 paintings, Jia 8 paintings, a total of 20 paintings.
Feng 5, Yun 7, Bo 12
Absolutely, yes.
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Anonymous users2024-02-05Mon 13 = horizontal, vertical, vertical, vertical, horizontal, horizontal, vertical
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Anonymous users2024-02-04Mengjia 21 paintings, which are folded horizontally into a painting, "Jia", in which 2 soils are stacked.
Feng Yunbo's 24 paintings, including three paintings on the side.
The above is an analysis of individual key points.
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Anonymous users2024-02-03Mengjia The name is 13 + 8 = 21 strokes than the painting.
Feng Yunbo: The name is 5 + 7 + 12 = 24 strokes.
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Anonymous users2024-02-02The first 21 strokes.
The second 24 strokes.
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Anonymous users2024-02-01The names of the strokes are horizontal, vertical, apostrophe, and vertical hooks, and the Chinese characters are detailed as follows:
1. Basic interpretation: than the commonly used Chinese words, the earliest seen in the oracle bone inscription, its original meaning is that the husband and wife are side by side, that is, "Shuowen" is better than the dense also. By extension, it means juxtaposition, intimacy, closeness, connection, collusion, equivalence, comparison, etc.
Secret also. The two are subordinate, and the anti-subordinate is compared. All that is compared is compared.
夶, ancient text ratio. Viche Che.
2. Etymological evolution: In the oracle bone inscription and Zhong Ding inscription, it is two close people, close to each other, side by side forward, which is the original meaning of close, close, and comparative. In the Qin Dynasty, the shape of the small seal was small, and the two bent over and bowed to the guests with their hands over their knees.
This character developed to the Han Li stage, and the pair that bent down and bowed became a pair that sat flat on the shoulder. Compared with the regular script used now, the posture of sitting flat on the shoulders has not changed, which gives rise to the extended meanings of juxtaposition, next to each other, and approaching.
3. Ancient books: "Guangyun" is humble and cut, "Rhyme" and "Rhyme" are supplemented, "Zhengyun" is supplemented, and the sound dagger is cut. School also,
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