A Brief Introduction to the Artistic Characteristics of Chinese Painting 10

Chinese artists believe that art is a reflection of life, subjectively to reflect the painter's meaning, and objectively to express the god of the image, which is China's "theory of conveying the spirit" and "freehand theory", such as Gu Kaizhi's "theory of conveying the spirit", Nanqi Sheikh's "vivid charm", Zhang Yanyuan's "Mr. Yi Cun Pen, Painting with the Intention" and so on. The ancients said that "fate and affection" express landscapes, flowers and birds, not simply reproduced, but the important thing is to describe people's feelings. Chinese flower and bird paintings are different from foreign flower and bird paintings, which seem to be specimens dead, lifeless, and without human feelings.

When the Chinese paint to a certain realm, their minds fly and reach a state of spiritual freedom, the tradition has been seen all, nature has also been seen, there is no need to look at anything when painting, the white paper is against the blue sky, the chest is hilly, and the bottom of the pen is smoky. Chinese artists like to enjoy outdoor viewing, "seeing and remembering", so as to be "familiar with the heart", and then "wave it", advocating "writing God in form", "not resembling it", "getting carried away with the image", "meaning too form", "wonderful between the similar and the unlike". In terms of modeling, Chinese painting emphasizes lines and decorative taste.

Chinese painters strongly advocate the "communication of calligraphy and painting", pay attention to "painting with books", and pay attention to the thickness of the lines, rigidity and softness, intermittentness, light and heavy changes. In terms of the use of color, Chinese painting advocates the assignment of color according to the class, does not require the description of concreteness, the absolute truth of the object, and does not pay attention to the change of light in the time, deliberately increasing the distance between color and objective reality. Sometimes ink is used instead of color, and "ink painting" with only ink appears in it.

In terms of compositional arrangement, Chinese art requires "creating a landscape" and advocates "meaning and form from the unity of heaven and man, the two of things and me, the two forgetfulness of things and me, the spirit and the things travel, and the things for my use." You can use the size of the paper to express thousands of miles of rivers, you can also paint thousands of mountains, you can paint panoramas, you can also paint small scenes, you can paint the whole tree, you can also draw broken branches, you can choose at will, extremely free. Chinese painting pays attention to "counting white as black", paying attention to artistic space, and paying attention to "painting everywhere becomes a picture".

This question is too general and difficult. Roughly speaking, there are a few differences between Chinese painting and Western painting.

Landscape painting is compared with Western landscape painting, and the perspective method of the two is different.

The authors of Chinese landscape paintings often imagine themselves as giants and paint from the perspective of giants. Western landscape painting, on the other hand, will give itself the perspective of a possible ordinary person.

In terms of fine brushwork, in fact, everyone pays attention to realism. However, Western painting pays more attention to the depiction of light and shadow.

Chinese ink painting focuses on artistic conception, while Western Impressionism focuses on color and light.

Chinese ink painting focuses on artistic conception, while Western Impressionism focuses on color and light.

Landscape painting is compared with Western landscape painting, and the perspective method of the two is different.

Chinese painting emphasizes the feeling of "depicting God in form, pursuing a sense of wonder between resembling and not resembling this".

Historical, beautiful, and lifelike.

The artistic characteristics of Chinese painting are mainly reflected in five aspects:

1. Write God in form and express your mind;

Second, with line modeling, the pen is exquisite and wonderful;

3. Bringing reality with virtuality, and living with reality and fiction;

Fourth, to view the big and small, scattered perspective;

5. Poetry, calligraphy, painting and printing, comprehensive art.

By understanding the artistic characteristics of Chinese painting, we can better appreciate Chinese painting, and then cultivate sentiment and improve self-cultivation.

There are three distinct features of Chinese painting. The first is literati; the second is poetry; The third is the nature of pen and ink. Traditional Chinese painting emphasizes that "the foreign teacher creates the nature, and the heart is the source", and requires "the intention is to save the pen first, and the painting is full of intention", emphasizing the integration of people and scenes, so as to achieve the artistic conception of depicting the god with form, both form and spirit, and vivid rhyme.

1. Chinese painting is mainly based on line and ink, paying attention to brushwork, pursuing the artistic effect of "fine pen and ink", and paying attention to the bone method of brush. These are all requirements for the connotation of pen and ink.

"Bone method" is also known as "bone power", which refers to the pen power contained in writing dot painting. It is the pillar of dot painting and form, and it is also the basis for expressing expression. The painter pours his feelings into the image with vigorous brushwork, making it more vibrant.

In the process of modeling, the painter's feelings have always been integrated with the power of the brush. Everywhere the pen goes, all traces of the painter's emotional activities are left. 2. Writing the gods in form and having both form and spirit is an important principle in the creation of Chinese painting.

Chinese painting pays attention to charm and pursues artistic conception. A painter should have the skill of "painting like". However, if the work has a form and no spirit, then even if the painting is like it, it is not the goal of Chinese painting.

A painting with a form without a god exists, while a painting with a god without a god does not exist. Writing is for the sake of conveying the spirit, for the sake of refreshing the mind. The form can be "between similar and unlike".

The classification and characteristics of Chinese painting are introduced as follows:

Chinese painting is usually divided into three categories: landscapes, flowers and birds, and figures. If we divide it further, there are many categories of Chinese painting. Chinese paintings have been classified at different times in history, but they are all difficult to express. Here are a few of the more popular classifications:

1. In the Song Dynasty's "Xuanhe Painting", it is divided into Taoism, characters, palaces, Fan clans, arowana, landscapes, animals, flowers and birds, and vegetables.

The two coarse blind silver, the Southern Song Dynasty Deng Chun's "Painting Succession" is divided into immortals, Buddhas, ghosts and gods, character biographies, landscapes, bamboo and stones, flowers, bamboos, feathers, animals, insects, fish, houses, woods, boats, vehicles, vegetables, fruits and herbs, and small scenery miscellaneous paintings.

3. Ming Tao Zongyi's "Dropout Record" is divided into Buddha and Bodhisattva statues, Jade Emperor King Dao statues, King Kong ghost god Arhat holy monk, Fengyun dragon and tiger, the task of the world, the whole territory of mountains and forests, flowers, bamboos and feathers, wild donkeys and beasts, human use, boundary painting towers, all side animals, cultivation and weaving, carving green and inlaid green.

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According to the artistic techniques, Chinese painting can be divided into three forms: gongbi, freehand and part-time writing. Gongbi is to use the brush neatly and meticulously, the color layer by layer rendering, the details are clear and detailed, and the image is depicted with extremely delicate brushstrokes, so it is called "Gongbi".

Freehand is a miracle relative to "Gongbi", using bold and concise brushwork to depict the shape of the image and express the author's feelings. It must have a high degree of generalization ability, to have a subtle artistic conception of less to win more, to be accurate, to be proficient in pen movement, to be handy, to be able to pen. The form of part-time work with writing is a comprehensive use of the two methods of gongbi and freehand.