The innovation of Chinese painting reflects the reason for the innovation

Summary. 1 In the long history of China, whenever the times change, the names, hierarchies, and positions of many people, places, and things will change, and many aspects of their concealment. This is due to the demands of the cultural spirit of the new era, and also shows changes in political, humanistic and social perspectives, such as Chang'an changed its name to Xi'an, Jinling changed its name to Nanjing, and Beiping changed its name to Beijing; In addition, the Mongol-Han relationship in the Yuan Dynasty and the Manchu-Han relationship in the Qing Dynasty created a clearer division of the population hierarchy.

These changes are taking place at a time when the times are changing.

1 In the long history of China, whenever the times change, the names, ranks, and positions of many people, places, and things will change, and many aspects of what they know are hidden. This is due to the demands of the cultural spirit of the new era, and also shows changes in political, humanistic and social perspectives, such as Chang'an changed its name to Xi'an, Jinling changed its name to Nanjing, and Beiping changed its name to Beijing; In addition, the Mongol-Han relationship in the Yuan Dynasty and the Manchu-Han relationship in the Qing Dynasty created a clearer division of the population hierarchy. These changes are taking place at a time when the times are changing.

Second, the reconciliation theory between China and the West: This trend is based on Cai Yuanpei's thought. Cai Yuanyin put forward the idea of "replacing religion with aesthetic education", he stood on a broader height to examine the poor and weak China at that time, and advocated that painting should be raised to the philosophical level under the premise of maintaining the independence of the national system, territory, culture and politics, in an attempt to cleanse the psychology and spirit of the Chinese people, so as to have the effect of changing customs and customs.

The main promoters of Cai Yuanpei's thought in the art world are Lin Fengmian, who advocates the "integration of East and West", and the National Hangzhou Art Zheng Ling College.

In terms of observation and understanding, image shaping and expression techniques, Chinese painting embodies the traditional philosophical concepts and aesthetics of the Chinese nation. In creation, it attaches great importance to conception, stresses the intention of writing first and image thinking, and pays attention to the subjective and objective unity of artistic image.

I think the characteristic of this painting is that it often uses oil painting, the lines are relatively smooth, and the picture often has a deeper meaning, mainly gray, and there are more flowers, plants, insects and birds.

The colors are very bright, the scenery is very beautiful, the painting is very meaningful, the characters are very beautiful, and the central idea is very clear.

The basic theoretical issues in the development of Chinese painting since modern times include the state of Jialiangzhou: 1The relationship between tradition and modernity:

With the modernization of Chinese society, how to better adapt Chinese painting to the needs of modern society and art development on the basis of maintaining traditional culture and art? 2.Technique language problems:

The traditional techniques and artistic language of Chinese painting are important foundations for the development of Chinese painting, but how to innovate within the framework of this tradition to better express the content of contemporary art? 3.Internationalization issues:

The development of Chinese painting needs to be in line with the world, which means that Chinese painting needs to absorb the elements of Western modern art on the basis of its own tradition and artistic language, and integrate its own development with the world art trend. 4.The question of the significance of the times:

Chinese painting has different artistic significance in different historical periods, how to respond to the social demand for art in the current era, so that it has a broader social significance? 5.Educational Issues:

The development of Chinese painting needs a more perfect education system to cultivate more talented artists, and at the same time, it also needs more comprehensive artistic talents who can cross borders.

The innovative trend of Chinese painting appears in the book "A Brief History of Chinese Art" in the CAFA edition, which is relatively comprehensive and can be used for your reference. The innovation of Chinese painting is an important part of the history of the development of modern Chinese art. Different intellectuals have different opinions on this issue.

For example, Kang Youwei advocated "retro as renewal" in the Preface to the Collection of Paintings in Wanmu Thatched Cottage, advocated the restoration of the realistic tradition of Chinese painting, and hoped to "combine China and the West for a new era of painting".

In his article "The Value of Literati Painting", Chen Shizeng put forward the four elements of literati painting, and advocated that the innovation of Chinese painting should be carried out on the inheritance and development of Chinese painting tradition.

Chen Duxiu, a representative of the New Culture Movement, put forward his views in the article "Art Revolution", pointing out that it is necessary to "revolutionize the life of Wang painting", and clearly proposed to use realism to change the appearance of painting. Starting from the literati painting "Four Kings", he mentioned the innovative viewpoint of Chinese painting.

Cai Yuanpei put forward the idea of "replacing religion with aesthetic education" in "Replacing Religion with Aesthetic Education", hoping to reform the viewpoint of Chinese art education.

Chinese painting has a high status in the field of art and culture in China, and is one of the most beautiful gems in Chinese culture. Chinese painting has a long history, evolving with the changes of the times, and developing with the development of societyThe development of Chinese painting is mainly reflected in three aspects: expressive techniques, composition and layout, and modeling and color.

Secondly, there are also great changes in composition and picture layout. During the Kangxi period, the court officially adopted Western painters, Chinese culture and Western culture were fully exchanged, and the changes in Chinese painting were mainly reflected in the composition and layout of the picture, which was characterized by the fact that the scenery was near and far away, which was an important development of Chinese painting in terms of composition, and it was also the biggest change in the development of Chinese painting. Later, with the popularity of Western oil painting and watercolor painting, Chinese painting was also influenced in shape and color, emphasizing the internal changes of brush lines in terms of modeling, and pursuing the sense of gold and stone with thick lines.

In terms of color, both ink and color were emphasized, and even the Lingnan School of painting was born in a way that used oil painting and watercolor painting to paint Chinese painting.

Chinese painting has a long history and is an important part of world paintingThe development of Chinese painting is mainly reflected in the aspects of expression, composition and layout, and modeling and color.