Am I piano talented, and what are the characteristics of people with piano talent?

You're self-taught, and there are a lot of people like you.

I'm also self-taught, and I used to be like this, I could watch the music and play a lot of tunes.

But there is no basic skill in this way, because I don't know the correct method, so the hand shape will be stiff and unsightly, the fingers will be too collapsed, the wrist will be too tight and tired, and the emotions of the song will not be played, and it will be difficult to play the difficult places.

However, if you are an amateur, you can not be good enough at the basics, but you must be emotionally in place.

In fact, if you want to learn by yourself, it is difficult to comprehend emotions, because the emotion of playing the piano has a lot to do with the touch keys.

It is advisable to find a teacher to teach you the basics, teach you the correct hand shapes, touch the keys, and some arpeggio exercises.

Then if you just want to be an amateur, you can continue to study on your own.

Of course. You should have a good feeling for the piano. You should find a professional teacher to guide you, piano, after all, is professional knowledge, hand shape and fingering are also quite important. Come on, don't bury your talent.

I've been playing the piano since I was in the first grade, and now I'm 17 years old, and I've seen a lot of people who are studying, and you're gifted in situations like this, and I recommend that you find a teacher to learn from you, and if you're really interested, come on.

The foundation of the profession is very important, including hand technique, touch strength, rhythm, etc., all need to be guided by professional teachers. It doesn't matter if it's a personal hobby, otherwise why do people say it's important to find a good teacher when you are enlightened.

1. A powerful genius piano boy.

Basically, these children learn the piano at the age of 5, pass level 1-3 at the age of 6, and pass level 3-5 at the age of 8. Of course, those children who can pass level 8 at the age of 8, and even often win awards in major piano competitions, and hold personal meetings, are geniuses among geniuses. Although there are not many such children, they are definitely one in a hundred, one in a thousand.

2. A quiet and well-behaved genius piano boy.

This kind of child may not have a good IQ talent, and her consciousness may not be high, but she is very well-behaved and obedient, as long as her parents ask her to play the piano, she will play, as long as her parents tell her how to practice the piano, she will listen.

3. Self-conscious genius piano boy.

This kind of child likes the piano since childhood, learning the piano is from the heart, and usually practicing the piano is very conscious, and there is no need for parents to force the piano to practice hard. This kind of child is also rare, and if your child is such a piano child, then you don't need to continue reading this article at all.

Learning the piano doesn't require special talent.

No matter where you go to learn piano, I think the teacher will generally spend a lesson to basically tell you most of the content of the score, and the staff learning is not very difficult, he has a rule to follow, in fact, as long as everyone works hard, then after everyone practices the piano every day to see the staff, slowly everyone will be familiar with the staff. It also remembers the position of the keys.

I would like to borrow one of the most common examples in life to ask: when we are young, when we reach the age of entering school, we all have to study cultural courses, and whether cultural learning is based on talent to decide whether to learn or not? Obviously, the answer is no, so what I want to tell you is that there is certainly no such difference between pianos that belong to the same category of learning.

Of course, as for whether it is suitable to learn piano at an older age, I think the key to this question depends on your own interests. Some people are in their 40s, but they can still make rapid progress in learning the piano, you may think, it is estimated that friends of this age group have more time, but what I want to tell you is that their time is generally tighter than the time of students in the month before the college entrance examination.

After all, talent is an important factor that can determine success. But for a skill like the piano, it is not as decisive as learning, exercising, and playing games. For example, 30% of the talent is for playing games, 20% is for playing basketball, 10% is for learning, and only 5% is for piano.

Of course, this is inseparable from objective factors such as age and education level, and you can't compare the learning ability of an elderly person with that of a teenager.

Why? If you have ever studied piano, you should know that in fact, this has nothing to do with ** cells. The key is to see how your brain reacts.

For example, in the same section, some people will get it right if they make it wrong once, and some people will not play it wrong more than a dozen times. Because the latter had no "warning" in mind when playing, they focused on the first few sounds, and were completely ignorant of the upcoming difficulties. But even if many people are aware of this, it is difficult to correct it.

It's like if you ask a single-threaded computer to perform a double-threaded task, it's obviously impossible.

The so-called ** talent, in fact, is not manifested in the technique of the piano, but the sense of tone, such as being born to hear doremifa, which may be helpful to the technique of the piano, but after all, it is a very small number of people. The key to the technique of the piano depends on how hard you try.

Talent is innate, but I don't think it's necessarily needed. If you want to pave the way for your future with the piano, you can practice it the day after tomorrow, but if you're just doing it as part of your hobby, the talent is dispensable. I also studied piano, in fact, if I want to be successful but I don't have the talent, I have to practice and pay double the time.

Absolutely, the piano is all about practice. I also learned it because of my hobby, and if I have an interest, I will definitely be able to do it. As for how far it can go, it really depends on the individual, and no one can give this answer.

As long as you want to learn the piano, you can learn, it's not a matter of whether you have talent or not, as the saying goes, there is nothing difficult in the world, only afraid of people with hearts.

It depends on how much you like it, if you want, find a teacher, the piano is relatively simple, and you will learn it.

If learning the piano is because of interest, then why look at talent?

If you really love the piano in your heart and like it, then go to learn, find a good old shouting teacher, learn slowly with the teacher, usually take more time to practice, and you will definitely gain something if you stick to it.

Even if you have a good talent for Tachibanashi, but you don't want to take the time to study, I'm afraid it will be a waste in the end.

The Talent Pianist Competition is one of the world's most famous piano competitions, attracting many young pianists from all over the world every year. The gold content of this competition is very high, mainly in several aspects.

First of all, the contestants who participate in the Talent Pianist Competition are selected and reviewed at various levels, and they must have very high piano performance skills and expressiveness. Because of this, the pianists who participated in this competition were very good.

Secondly, the judging team of the Talent Pianist Competition is composed of some famous pianists and experts, all of whom have very rich artistic experience and professional backgrounds. The strict judging of the judging team ensures the fairness and authority of the competition.

Finally, the awards of the Talent Pianist Competition are very rich, and the winners can get high bonuses and the opportunity to perform. The setting of these awards has attracted more outstanding jujube players to participate in the competition.

To sum up, the gold content of the talented pianist competition is very high, which can not only show the talent of the piano operator, but also provide them with a broader development space and opportunities.

Intuition: They are able to feel and understand keenly, and can accurately capture and express emotions and moods.

Intuitive listening: They are able to hear the subtle differences between notes and have a keen sense of timbre, pitch and structure.

Hand-eye coordination: When they play the piano, the coordination between their fingers and eyes is very smooth, and they are able to handle complex notes and scales with ease.

Strong sense of rhythm: they are able to accurately disturb the rhythm of perception and expression, and are able to naturally integrate rhythm into the performance.

Memory: They have an excellent memory, are able to learn and master complex repertoire quickly, and play on the spot while playing.

Creativity: In addition to playing existing repertoire, they are also able to create ** works from Wang Pandan, showing unique creativity and expressive enlightenment.

Listening and Expression Skills: They are able to listen to others and make in-depth interpretations and understandings. At the same time, they are able to accurately express their emotions and thoughts through playing.

It is important to note that piano talent is a natural talent, but it still needs to be constantly improved and developed through continuous study, practice, and cultivation. Everyone's talents and characteristics may be different, so the above characteristics are for reference only. <>

1. Alfred Cortot (1877-1962) French pianist and conductor. He was born on September 26, 1877 in Niwin, near Geneva, Switzerland. His father was of French descent and his mother was Swiss, both of whom were accomplished pianists.

2. Wilhelm Backhaus Wilhelm Backhaus, German pianist. He was born on March 2, 1884 in Leipzig into a merchant family. At the age of 6, he entered the ** Academy in Leipzig under the tutelage of the director Rekendorf.

After graduating at the age of 15, he went to Frankfurt to study Beethoven's works with Liszt's pupil and pianist Dalbert. Soon he performed on stage in London and was a success. The following year, he returned to Leipzig and performed with the Cloth Industry Building Orchestra under the baton of conductor Nikisch, which caused another sensation.

This was the beginning of a 70-year playing career. His last solo performance was on June 28, 1969, and he died seven days later of a heart attack in Villach, Austria. After that, he was buried in Cologne.

3. Svyatoslav Teofilovich RichtersSvyatoslav Teofilovich Richter, born on March 20, 1915 in Zhytomyr, is a pianist. Widely regarded as one of the greatest pianists of the 20th century, he is known for his wide range of performances, his technique of lifting weights and poetic phrases, his encyclopedic repertoire, his outstanding and profound notes, his admirable virtuosity, and his deep and unique knowledge of each piece make every performance he performs on a recording or live performance a legend. 4. Samson Pascal Francois, French pianist.

François's Chopin is very different from Artur Rubinstein's Chopin, Rubinstein's Chopin emphasizes emotion, while François emphasizes the timbre reflected in Chopin's emotion, so veterans believe that François's Chopin is higher than Rubinstein's. 5. Wilhelm Kempf Wilhelm Kempf (November 25, 1895 - May 23, 1991), a German pianist and composer, was born in Teborg, Germany, and studied under H. Barth and R. Kahn. In 1916, at the age of 21, Kempf was already enjoying his first reputation as a master pianist, and in the 20s he was the director of the Higher School of Stuttgart.

He was one of the most important players of the 20th century for Beethoven and Schubert. Since 1916 he has gained a reputation as a virtuoso of the piano, mainly with the Berliner Philharmoniker. From 1924 to 29 he was the principal of the Higher School of Stuttgart.

Talent is whether or not the feeling it brings to the listener when playing the piece is intoxicating. I'm not afraid you're upset.,You're not talented.,A little narcissism.。。。

Talent?? Just practice a lot!! Genius is a god horse, sweat + inspiration, understand and adopt!!

In fact, to tell the truth, don't be talented, but be diligent, as this friend said, what kind of sweat + inspiration is genius. When I was very young, I read a similar quote from Beethoven in a pictorial newspaper in our elementary school, saying that genius equals 99% diligence + 1% talent. I give you this sentence in the hope that you can understand, as for piano talent, generally speaking, it depends on the length of your fingers, and the hardness.

It is generally said that it is **talent, because if you want to play the piano, you are playing**, and what is important here is **talent. In between the week or so you said, you can coordinate left and right, or listen to it two or three times more and you can hum that tune. This shows that you still have a certain talent in this area.

You can try to continue learning, but remember that you must have a good teacher, and you must learn the piano or any musical instrument from a comprehensive perspective, that is, form, music theory, history, harmony, etc. Hehe, of course, maybe I'm talking about being a little more professional, I just hope that if you want to do it, you have to do it well. Don't waste your talents.