-
Horses step on swifts. It is an outstanding work of the integration of sculpture art and bronze casting technology in the Eastern Han Dynasty, and represents the highest artistic achievement of the Eastern Han Dynasty in the history of Chinese sculpture. The bronze horse has its head high, its hooves are churning, its tail is high, its mouth is open and hissing, and it gallops forward with a rare "opposite side brisk" pace.
Its three-legged air, the right hoof of the back on a swallow that is fluttering its wings and flying, the swallow Gu head is shocked, echoing with it, the head of the galloping horse slightly left look, it vividly reflects the speed of the galloping horse. And it all happened in an instant. Because of the lightness of the horse's hooves and the fluttering of the horse's mane and tail, it is just like a wild imagination, so that Feiyan does not feel its weight and is surprised, which increases the momentum of the copper horse galloping in the air.
This vessel can be called a magical and rare treasure in the history of ancient sculpture art in China. Now it is a symbol of China's tourism, meaning a thousand miles a day, a horse to success.
-
With its outstanding artistic achievements and its vigorous majesty, it has injected strong vitality into every modern person who has watched it. With his skillful and profound skills, the carver fuses the strength and speed of the galloping horse into a full flowing charm, and focuses on the high-spirited head of the horse.
-
"Horse Riding on Feiyan" is an artistic achievement of which dynasty? Do you know? Big Dream Classroom.
-
The Eastern Han Dynasty copper galloping horse is centimeters tall, 45 centimeters long, 13 centimeters wide, and weighs kilograms. The horse neighs with its head held high, its torso is strong and its limbs are slender, its legs and hooves are light, and its three legs are soaring and galloping forward, and one foot is a flying swallow. A large horse stepped on the back of a galloping dragon sparrow, and the little dragon sparrow looked back in surprise, showing the majestic posture of the horse soaring in the air and galloping.
Eastern Han Dynasty bronze galloping horse, also known as Ma Chao dragon sparrow, horse stepping Feiyan, copper galloping horse, horse attacking crow, eagle sweeping horse, horse stepping flying falcon, Lingyun galloping horse, etc., is the Eastern Han Dynasty bronze, unearthed in October 1969 in Gansu Province Wuwei City Lei Taihan Tomb, now in the Gansu Provincial Museum.
-
Horses step on swifts. It is a classic work of Eastern Han Dynasty artists, a rare treasure of sculpture art in the ancient cave of China, and represents the highest artistic achievement of the Eastern Han Dynasty in the history of Chinese sculpture. Regardless of its glorious performance, or the casting process.
Needless to say, what is even more impressive is the brilliance of his creative ideas. As we all know, it is not too difficult to create the image of a well-toned horse, but it is not easy to express the movement of a still life, especially a good horse that travels thousands of miles every day. However, China's unsung artists have been able to use their ingenuity and bold and exaggerated ideas to make the horse's right hind hoof step on a swallow flying in the air.
In this way, with the swallow lining the horse, the speed of the flying swallow and the galloping horse is obvious to all, so that the momentum of the galloping horse is solidified in a static space of a circle, and a stationary copper horse is molded, alive, and absolutely molded! Ma Ta Feiyan's bold ideas and romantic techniques give people a thrilling feeling, which is amazing. The artist skillfully uses a lightning-like moment to express a galloping and vigorous Pegasus vividly.
-
Ma Ta Feiyan is also known as "Ma Chao Dragon Sparrow", "Copper Galloping Horse", bronze, high cm, 45 cm long, 10 cm wide, made in the Eastern Han Dynasty, unearthed in Gansu Wuwei Leitai Tomb, now collected in Gansu Provincial Museum.
"Horse Stepping on Feiyan" is the crystallization of the high wisdom, rich imagination, romantic spirit and superb artistic skills of the artists of the Han Dynasty, and is a rare treasure of ancient Chinese sculpture art, and represents the highest artistic achievement of the Eastern Han Dynasty in the history of Chinese sculpture.
Every part of the horse's body shape is exceptionally perfect and well-proportioned, with a dynamic stance that is also precisely balanced.
The center of gravity of the sculpture has obviously been extremely carefully calculated, and it rests firmly on one of the feet of the stepping bird.
As a round sculpture with three-dimensional space, it can achieve such an extraordinary artistic effect, and the artist's imagination is excellent, the novelty of the conception and the ingenuity of the use of copper casting technology are all amazing.
-
"Horse Riding on Feiyan" is an artistic achievement of which dynasty? Do you know? Big Dream Classroom.
-
dongdong80088 is so detailed, admire.
-
In October 1969, in a tomb of the late Eastern Han Dynasty that had been stolen and excavated twice in Leitai, Wuwei, Gansu Province, more than 220 pieces of cultural relics such as bronze figures, copper cars, copper oxen, pottery and so on were unearthed, including 39 bronze horses with different expressions and vivid appearances.
In August 1970, the cultural relics were transported to the Gansu Provincial Museum for restoration, treatment and protection.
One of the copper galloping horses, weighing kilograms, touching centimeters high, 45 centimeters long, 13 centimeters wide, the horse's head is slightly raised, the head is raised and the tail is raised, the tail is tied with a floating knot, the three-legged is in the air, the right hind foot hoof steps on a flying swallow, the flying swallow spreads its wings, and looks back in astonishment.
It is today's "Horse Riding Swallow".
In mid-September 1971, Guo Moruo, vice chairman of the Standing Committee of the Chinese National Congress, accompanied a delegation led by Prime Minister Binnu of the Kingdom of Cambodia on a visit to Gansu.
In Lanzhou, Guo Lao visited the exhibition of historical relics of Lujiao Town in the Gansu Provincial Museum.
Seeing a group of bronze chariots and horses unearthed in Wuwei Leitai, I made a high evaluation of the "horse stepping on Feiyan".
After Guo Lao returned to Beijing, he recommended to the State Administration of Cultural Heritage to enrich this group of cultural relics into the "Exhibition of Unearthed Cultural Relics" being held at the Palace Museum in Beijing.
Not long after, Guo Lao introduced the matter of the copper galloping horse and the tomb of Lei Taihan to the prime minister.
Later, the exhibition of bronze galloping horses, chariots and horses, as well as other cultural relics, aroused strong repercussions at home and abroad, and many foreign dignitaries who came to China visited the exhibition.
In 1972, Nixon's visit to China also witnessed the style of the copper galloping horse.
In 1973, Ma Ta Feiyan participated in the exhibition of ancient historical relics abroad, which was exhibited in the United Kingdom and France.
In 1984, the National Tourism Administration officially designated the copper galloping horse as a Chinese tourism symbol.
Since then, all cultural relics with copper galloping horses have been exhibited with it as the main pattern of posters and posters.
Since then, the copper galloping horse has become famous and has become a sensational cultural relic.
In 1986, Wuwei City, a famous historical and cultural city in China, set the copper galloping horse as the city's city mark.
In September 1999, the 30th anniversary of the excavation of the copper galloping horse international symposium was held in Lanzhou.
It's the horse stepping on the swallow, not the flying horse. >>>More
You should be on the path.
Press the F1 key to switch to the selection state. >>>More
In the early days, he participated in many exhibitions organized by the National Artists Association of China, and his main works include "Soul" and "Shadow", "Bathing in the Sunshine in the Village" and so on. In 2004, he participated in the biennial international tour of the Shanghai Art Museum in China, and entered the biennale of the top event of contemporary artists, and his two oil paintings "Soul" and "Shadow" were selected for the exhibition by the international jury. He is currently the vice president of the China Ancient Street Art Academy, a member of the Oil Painting Committee of the ** Painting Institute of the Chinese National Revolution, a painter of the China Oil Painting Academy, and a painter of the China National Art Academy.
Ma Lianliang is obsessed with Jia Honglin, and at the beginning of his career, setting up an idol for himself is also a goal, but when he became popular, he unconsciously surpassed his original goal, and he was still not arrogant or impatient, constantly surpassing himself and continuing to improve, which is really valuable. It is precisely because of Ma Lianliang's pursuit of a higher realm of Peking Opera art from beginning to end that he was able to establish the art of the Ma School.
I hope it will help you: This horse was originally owned by Liu Biao's general Zhang Wu, and later Zhang Wu rebelled, and the desperate Liu Bei happened to recognize Liu Biao's relatives and take refuge in Liu Biao as a fellow royal clansman. When the short soldiers met, Liu Bei saw that Zhang Wu's mount was "extremely majestic", and he greatly appreciated and praised >>>More