How do you train a trill at the end of singing?

Vocal music pays attention to "air singing" that is, to achieve the resonance of the abdominal cavity, thoracic cavity, laryngeal cavity, and cranial cavity, from the perspective of singing method, when singing, the soft palate is lifted, the Adam's apple is lifted backward and upward, the facial muscles are slightly raised, the mouth shape is guaranteed to be 2 fingers wide, and a part of the abdominal cavity is left, and then the vocalization is made, which is theoretically said to be singing.

In Chinese vocal music, it is roughly divided into three types of singing: bel canto, ethnic, and popular, bel canto singing, the position of the Adam's apple is the top, and the abdominal resonance is extremely critical; The Adam's apple is slightly lower than the position of bel canto, and the chest resonance is extremely critical, and the popular singing method has the lowest position of the Adam's apple, but the chest resonance is still the most critical.

The trills of singing are made through the breath. If it is just the so-called vibrato formed by the tremor of the throat, it will be very difficult to hear, and the vibrato of the breath is a kind of vibrato formed based on the impact of the dantian qi on the vocal cords with different strengths and weaknesses.

Therefore, the vibrato of singing is formed by the breath, and the breath problem when singing is the basic problem in vocal music, and it is also the most difficult problem to solve.

1. To practice vibrato, you can practice long A sound or other monophony, and then this A should be practiced lightly and heavily, and the qi should also be light and heavy"Press"(i.e., the sound is pulled back), the speed can be slowly increased, and it can be added until it sounds good.

2. Deep inhale and slow exhale breath control and prolongation exercises: the essentials are: first learn to "store air", first press the air, discharge the exhaust gas, and then use the gap between the nose and the tip of the tongue like "smelling the flowers", naturally and gently inhale, inhale to be full, and then breathe down the dantian, slowly relax the chest ribs, so that the qi is slowly exhaled like a long stream of water, exhale evenly, the longer the control time, the better, and repeat the practice 4-6 times.

4. Exercise lung capacity: 1Regularly do some freehand exercises such as chest expansion and arm vibrating.

2.Endurance running exercises, pay attention to adhere to the regular, running and breathing coordination, appropriate distance, and should not be too intense. 3.

Practice diving or swimming. The mechanism of these exercises is to increase the strength of the respiratory muscles, improve the elasticity of the lungs, increase and deepen the depth of breathing, and improve and improve the efficiency and function of lung breathing.

How to master vibrato.

Section 1: How to master vibrato.

Vibrato refers to the wavy movement of the singing voice, also known as sound waves. A trill occurs when the breath is sounded through the vocal cords and the singer consciously vibrates it. When a vibrato is made, the laryngeal muscles will beat violently, especially in men, where the Adam's apple is more prominent and more noticeable.

It is not difficult to learn vibrato, as long as the throat muscles are relaxed, it can effectively produce natural vibrations. We can practice with two scales that are half a degree apart, with [a] sounds. For example, in C major, e and f (i.e., m and f) are just one semitone apart, and try to keep pronouncing mfmfmfmf......, and the faster you sing, the more you can produce a trill centered on M.

Section 2: The effect of vibrato.

The vibrato is easy to grasp and the effect is noteworthy, especially in the treatment of prolonged sound, pure elongation will make the sound straight and rigid, and the use of vibrato can make the sound relaxed, lively and vivid, so that the color of the music is richer, and the timbre is more mellow and pleasant; If it can be combined with the resonance of other cavities, it will produce a moving singing voice that lingers and surrounds the beam for three days.

For singers, vibrato adds great depth to the piece and makes the more mundane phrases stiff, which is a very practical singing technique. There are a few things to be aware of, though:

1.The laryngeal vibration is not the vibration of the lips. As a beginner, you can touch your lips with your fingers to avoid false shaking.

2.Don't take the plausible "throat shake" as a vibrato. Shaking is to tighten the throat and use pressure to force the throat muscles to shake, which is very harmful to the vocal cords, so the practice should be relaxed and natural as the main principle, otherwise it will be difficult to correct the mistake as a matter of course.

3.Vocalists will pay more attention to the frequency and amplitude of the vibrato, but they don't need to be small, as long as "the singer is natural and the listener is comfortable". Generally speaking, soloists may wish to use more vibrato to enhance the sound texture; When singing in chorus, they should cooperate with each other, and should not vibrate too frequently or too loudly, so as not to annoy the audience.

How to master the vibrato:

1.Make a long sound and shake your hands actively. Shake your hands gently, loosely, from top to bottom or on both sides. Then shake your hands in a fast and gentle rhythm.

2.Without shaking your hands, continue to vocalize and try to continue the vibrato effect.

3.If the vibrato is lost, shake your hands again to feel it.

The moment you sing the tremolo, hit yourself in the back with your fist, and that's it! This is the easiest way to sing tremolo!