Where is Xu Zhimo s Mistake a poem or what? Where can I read the full text?

The mistake was written by Zheng Chouyu and Xu Zhimo by accident.

Error Zheng Chouyu.

I hit Jiangnan and walked through.

The face in the season is like the blossoming of a lotus flower.

The east wind does not come, and the catkins in March do not open.

Your heart is like a little lonely city.

Just like the bluestone street is late.

The sound of trampling is not loud, and the spring curtain in March is not revealed.

Your heart is a small window, and the door is tight.

My Dada's horse's hooves are a beautiful mistake.

I'm not a returnee, I'm a passerby......

By chance. Xu Zhimo.

I am a cloud in the sky, occasionally reflected in the heart of your waves

You don't need to be surprised, and you don't need to rejoice

In an instant, all traces were wiped out.

You and I meet on the sea of night, you have yours, I have mine, direction;

It's good for you to remember, it's better for you to forget, the light that shines on each other at this rendezvous.

Mistake. Wen Xi Murong.

If love could be explained.

The oath can be modified.

Suppose you and I meet.

Can be rescheduled.

Then, life will be easier.

Suppose one day.

I can finally forget you.

However, this is not a casual tale.

It's not a play that will be played tomorrow, either.

I can't find the original and erase you in one fell swoop.

"Broken Chapter".

Bian Zhilin, you stand on the bridge and look at the scenery, and the people watching the scenery are watching you from upstairs.

The bright moon decorates your windows, and you decorate other people's dreams.

Xi Murong A flowering tree.

The full text is as follows:"Accidental" Xu Zhimo.

I am a cloud in the sky, occasionally projected in the heart of your waves

You don't need to be surprised, and you don't need to rejoice

In an instant, all traces were wiped out.

You and I meet on the sea of night, you have yours, I have mine, direction;

It's good for you to remember, it's better for you to forget, the light that shines on each other at this rendezvous.

About the Author:Xu Zhimo (January 15, 1897 – November 19, 1931), a native of Kipshi, Haining, Zhejiang, was a modern poet and essayist. Formerly known as Zhang Yu, the word 槱森, changed his name to Shima when he studied in the United Kingdom.

The pen names he used are: Nanhu, Shizhe, Haigu, Gu, Dabing, Crane in the Clouds, Crane, Delete Me, Xinshou, Yellow Dog, Ge Ge, etc. Xu Zhimo is a representative poet of the Crescent School and a member of the Crescent Poetry Society.

Appreciation

It can visualize such an extremely abstract adverb of time as "accidental", put it into a symbolic structure, full of fun and philosophy, not only pearly and round, catchy and endless, and the meaning is beyond words. Xu Zhimo's "Accidental" poem, for me, it is not an exaggeration to use the phrase "soft spot".

In the history of poetry, a long poem sprinkled with thousands of lines can be buried in the ruthless historical sediment like a passing year, while some exquisite short poems can shine through the long history of time. This two-paragraph poem of ten lines should be called a unique work in the modern poetry gallery.

I don't know the wind.

I don't know the wind.

It is blown in that direction.

- I am in a dream, and I am snuggling in the light waves of dreams.

I don't know the wind.

It is blown in that direction.

- I am in a dream, her warmth, my intoxication.

I don't know the wind.

It is blown in that direction.

- I am in a dream, and sweetness is the brilliance in a dream.

I don't know the wind.

It is blown in that direction.

I was in a dream, her negativity, my sorrow.

I don't know the wind.

It is blown in that direction.

- I'm in a dream, and my heart is broken in the sorrow of a dream!

I don't know the wind.

It is blown in that direction.

- I'm in a dream, and the dimness is the brilliance in a dream!

Let me spend a whole of my youth looking for you.

Xu Zhimo "Hide".

When you are awake, how can you fall asleep again, how can you be ignorant when you are aware, when the beautiful leaves fall, the veins of life will be visible.

Xu Zhimo "The Most Beautiful April Day in the World".

I only wish that the sky would not produce clouds, I can see the sky, the unchanging star in the sky, that is you. I hope that you will shine more light for me, across the night, across the sky, through the spirit of love.

Xu Zhimo "I only wish the sky would not have clouds".

If I were a snowflake, fluttering in the air, I would know where I was going.

Fly, fly, fly, there is my direction on this ground.

Xu Zhimo "If I Were a Snowflake".

I will visit my only soul mate in the vast sea of people; I'm lucky; No, my life.

Xu Zhimo "To Liang Qichao".

The most is the gentleness of the bowed head, like a water lotus, the shyness of the cool breeze - Xu Zhimo's "Shayanara".

The full poem is as follows:

Gently I go, as softly I came;

I beckoned softly, and made a cloud of the western sky.

The golden willow on the bank of the river is the bride in the sunset;

The beautiful shadow in the waves ripples in my heart.

The green wattles on the soft mud are swaggering at the bottom of the water;

In the soft waves of the Cam River, be willing to be a water weed!

The pool under the shade of the elm is not a clear spring, but a rainbow in the sky;

Crumpled among the floating algae, precipitating a rainbow-like dream.

Looking for a dream? Hold a penny and wander towards the greener grass;

Loaded with a boatload of starlight, singing in the starlight.

But I can't play songs, quietly it's a parting sheng flute;

Xia Worm is also silent for me, silence is Kangqiao tonight!

Quietly I went, as quietly I came;

I waved my sleeves and didn't take a cloud with me.

Farewell to Kangqiao is a popular poem by the modern poet Xu Zhimo, and it is a representative work of Crescent poetry. The whole poem takes the emotional ups and downs of parting from Kangqiao as a clue, and expresses the deep affection for Kangqiao. The language is light and soft, the form is delicate and mature, the poet uses the technique of virtual and real to depict a flowing picture, constituting a wonderful artistic conception everywhere, meticulously showing the poet's love for Kangqiao, the longing for the past life, and the helpless sorrow in front of him, which is the swan song in Xu Zhimo's poems.

This poem was written on Xu Zhimo's return home from his third trip to Europe. The date was November 6, 1928, and the location was Shanghai, China. One summer at the end of July, after a night at the home of the English philosopher Russell, he quietly came to Cambridge alone to find his English friend without notice.

It's a pity that none of his British friends are there, only Cambridge, which he is familiar with, is silently waiting for him, and scenes of his past life are showing ...... before his eyes againBecause he was in a hurry to meet another British friend, he did not record this emotional activity. It wasn't until he sailed out of Marseille on his way home, facing the rough sea and the vast sky, that he took a pen and paper to record his personal feelings about returning to Cambridge.

Xu Zhimo (January 15, 1897 – November 19, 1931), a native of Kipshi, Haining, Zhejiang, was a modern poet and essayist. Formerly known as Zhang Yu, the word 槱森, changed his name to Shima when he studied in the United Kingdom. Pen names used to be used:

Nanhu, Shizhe, Haigu, Valley, Dabing, Crane in the Clouds, Crane, Delete Me, Xinshou, Yellow Dog, Ge Ge, etc. Xu Zhimo is a representative poet of the Crescent School and a member of the Crescent Poetry Society.

1.Walking and walking, they scattered, and the memories faded;

Xu Zhimo's "Farewell to Kangqiao".

"Homesickness" in the afterglow

Guo Moruo's "Heavenly Market".

I think these poems are quite similar to "Rain Alley" and "Error", and I personally like Guo Moruo's poetry collection.

It's all good and worth reading.

Well, I personally think that Taiwan's poetry is more avant-garde, and it can be seen that your modern poetry is one of the ways for poets to express themselves, so learn excellent poetry first. Personally, I think there are many excellent poets' poems that can be learned, you can brainstorm, don't be swayed by the poetry style on the Internet, and the works of famous artists are the most direct. There are many famous foreign artists, and you will learn a lot from them, and Taiwanese poetry pays more attention to symbolism.

And it's very jumpy and not easy to understand. We can read the poetry collection in Yu Guangzhong, his poetry collection Tang style, prose, lyricism, romance, and realm in one, very good. In addition, Zheng Chouyu's poetry is also good, and then there is the poetry of Ji Xian, the founder of modern poetry.

There are a lot of works, Gu Cheng's poems, you have to experience and read them with your heart. No matter what the surface of a poem is, a good poem is a true portrayal of the poet's heart, and don't be blinded by the superficial fancy. For example, the Tang poem "Bright Moonlight in Front of the Bed" is a good example.

Strengthen your own self-cultivation. The poet is a learning process, it is never simple, and the thoughts and concepts he has are different. There are too many, reading is a kind of enjoyment, love him.

It's a big world.

Gu Cheng's generation.

Xu Zhimo said goodbye to Kangqiao.

And to the oak tree.

Personally, I think.

First of all, it is necessary to identify the concept of "modern poetry".

Refer to "Modern Literature".

1) Generally refers to all literature that exists now.

2) Refers specifically to the literature of the thirty years from 1919 to 1949 (as opposed to contemporary literature after liberation).

3) Probably modernist literature in Europe and the United States, including stream of consciousness, black humor, absurdism, Dadaism, existentialism, etc. Representative figures include Kafka, Joyce, Proust, and Sartre.

It should be up to the writer.

Although modern poetry is seen less.

But I recommend you to follow the table of contents of relevant modern poets, if you read poetry, it is best to read through the works of a writer, if you take the essence like a Chinese textbook, you may only understand a time, a place, a scene, and a scene. Objectively speaking, it is a one-sided understanding of poetry, good poetry should be seen, but unfamous poems written by famous writers can be seen occasionally. Anyway, poetry is rarely long, and it should be read in the way of an expo.

What are some modern poems that you will never forget? Lao Liang will take you to review those beautiful modern poems!