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Shoot the animals around you in pairs.
My own clothes are out of place for others.
Curled up alone in a corner.
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Don't shoot people, the scenery with contrasting tones and contrasts in tone.
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Lonely and defeated. If it's all that kind of low-key **, then it won't reflect anything.
In a certain field, the top people, think for yourself.
Or is it the traditional loneliness, that kind of look, longing but not seeking.
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The ancients have not been seen before.
I didn't see the comer afterward.
Thinking of heaven and earth.
Alone and weeping.
Loneliness can also be understood in this way.
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Long shots. Black and white film. Smoke.. Man..
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Clap an old hand (close-up).
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It's OK to smoke alone, and it's late at night.
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Just shoot its shadow in a row!
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In the darkness, a confused look.
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A fool who everyone avoids.
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Personally, I think that first of all, choose a good head. In terms of performance, it mainly depends on whether you choose characters or landscapes to express loneliness and tell the underlying story. In terms of composition, let me briefly say what I think.
1. Portrait. I think it's a long boulevard with a gray or black background (preferably in autumn when the leaves are falling) and a person strolling with his back to the camera, looking down.
2. Scenery. I think it's better to choose winter, or summer, find a dead tree, and it's best to have lush shrubs around it. Medium Shot Target Dead Tree Focus (**Story, I waited alone until the end of my life...)
The above are all your own thoughts, hehe In fact, there are many ways to express it, and it is more convenient to see what you take. I feel lonely when it comes to instant noodles. Loneliness is all about having a reference. It is reflected in tones or contrasts.
Hope it helps.
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Starting from the composition, you can abandon the traditional expression techniques, use the noise to set off the loneliness, and let the loneliness present a three-dimensional effect.
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Buy the most expensive lens for Lycra, and then you'll be alone.
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