What can you do that is most afraid of Mao Dun? Who is Mao Dun?

Hello, many things are more afraid of contradictions, for example, when you make a decision, you are very conflicted, you will consider, think about what to do.

I am most afraid of contradictions in what I can do, and I am afraid of contradictions in everything, because contradictions will lead to misunderstandings.

If there is a misunderstanding, it will be difficult to solve things, and it will be difficult to solve things.

Personally, I think that he is afraid of contradictions in everything he does, because you can see the positive and negative sides of the contradiction, and then you can read it, and you need to consider many factors when you choose which of the two, so the contradiction arises.

What to do is most afraid of contradictions. For example, there are many contradictions in the short things of daily life, but if you are calm, you can resolve them.

Maybe I am most afraid of contradictions in terms of feelings, emotional things must be decisive, and when choosing a person, we must choose the right person.

If it's a contradictory thing, don't do it, and only do what you think is good, because if you have a contradictory thing to do, you feel more uncomfortable, so choose the right thing.

If you do something, you are most afraid of contradictions, for example, if you want to do it, but you can't do it because of other things, which leads to conflicts in your heart.

Received, what is the most afraid of contradictions? I think. Anything. There are certain contradictions. This is also an undeniable question.

I think that sometimes when I do something in my life, I am most afraid of contradictions, because if there is a contradiction, there will be some entanglements, which will make it difficult for me to make a decision.

When is the most contradictory, I feel that in the collective, some people are willing, and some people are not willing to do this, and then there will be some contradictions, which is very difficult to deal with.

Whatever you do, you can't contradict each other? We must have our goals in mind and move forward bravely.

I think no matter what, he has a particularly contradictory side, but you have to have the ability to solve the contradiction so that you don't let yourself fall into the contradiction.

Love is a feeling, not love is also a feeling, and it is often difficult to decide whether the feeling in the heart is love or not. What you hold in your hands is not necessarily what you really have; What you have is not necessarily what you really inscribe in your heart.

You can't contradict what you say and what you do, and if you do, then you can't do it, so that no one trusts you.

If you don't know what to do, try not to do anything, and in this case, it may be the same. Ways to reduce contradictions.

What can be done, the most feared contradiction should be self-contradiction, this kind of thing is the most terrible.

I feel like it should be.

It's really contradictory to him.

I'm afraid of contradictions in everything.

When making a college entrance examination choice, I am most afraid of contradictions.

What can be done? Fear of contradiction the most, no matter what you do, don't be too contradictory? If you understand, you can't do anything.

Mao Dun (1896-1981), whose real name is Shen Dehong, is a famous modern writer, literary critic, cultural activist and social activist, one of the pioneers of the May Fourth New Culture Movement, and one of the founders of China's revolutionary literature and art. He was born on July 4, 1896 in Wuzhen, Tongxiang County, Zhejiang. It is adjacent to modern Shanghai, and it is a place where humanities gather, which has created Mao Dun's open cultural mentality to the world, as well as the delicate and nuanced pen style.

Works: [Long Story**]:

Midnight", "Eclipse" trilogy, "Corrosion", "Rainbow", "Exercise", "Frost Leaves Red Like February Late Flowers", "Frost Leaves Red Like February Flowers" sequel, "Polyamorous Relationship".

Short **]:

Retribution", "Creation", "Spring Silkworm".

The Story of the Big Nose", "The Lin Family Shop", "Color Blindness", "Poetry and Prose", "Shijie", "The Story of the Hand", "Algae Walk", "Little Witch", "Smoke Cloud", "Aspirant", "Suicide".

Prose]: Poplar Praise", "The Whistle of Selling Tofu", "Renkai Stool Silk", "Impression of the National Games", "A Glimpse in the Car", "In the Sound of Firecrackers".

Talking about the Moon", "Occasional Notes in the Mist", "Earth, Mountains and Rivers".

First, the ambition is to be a bird.

At the age of 8, Mao Dun entered Wuzhen Lizhi Primary School, and later transferred to Zhicai Senior Primary School and became the first class of students in the school. In school, Mao Dun was among the best in all his subjects, especially his composition. Influenced by his parents, Mao Dun had the world in mind at a very young age.

At the age of twelve, Mao Dun wrote his life's pursuit and belief in the composition of the entrance examination: "The husband should take the world as his own responsibility." With the encouragement of his parents, thirteen-year-old Mao Dun stepped on the train to Huzhou and began his middle school life.

Once, the assignment assigned by Mr. was self-proposed, and many students were at a loss. Mao Dun borrowed the meaning of Zhuangzi's "Wandering Zen Qi" and wrote an article of five or six hundred words "Ambition in Honghu". The text writes about a big bird flying high in the air, laughing at the hunter who looks up but is helpless.

Mao Dun used the description of the image of the big bird to show his youthful ambition. Moreover, the title of the article coincides with Mao Dun's name Dehong, and the image is vivid, so he uses this to express his mind. The gentleman was very appreciative and praised him for "being a writer in the future".

Second, the handwriting is sloppy.

In the summer of 1913, Mao Dun graduated from middle school and applied for the first class of the preparatory department of Peking University. He felt that he had done well in the exam, so he went home to Hezuoling with peace of mind and waited for news. Unexpectedly, there was no name of Shen Dehong when the list was released, and Mao Dun was very disappointed.

But soon, he unexpectedly received an admission notice from Peking University, and the letter was written with the word Shen Deming. Mao Dun hurriedly ran to the registration office to check the registration form, and found that when he was filling in the list, he wrote sloppily and wrote the word "Hong" like a nonsense.

This incident touched him a lot, and since then, he has written stroke by stroke, upright, never hasty, until he was in his 80s to write memoirs, and also wrote in block letters with a brush, the handwriting is clear and handsome.

3. Angry reprimands of the editor.

Mao Dun has always been gentle, but there are times when people get angry. In 1978, the new edition of the national general textbook was revised, which included Mao Dun's essay "Scenery Talk", and the writing team sent the revised textbook to Mao Dun for reference, and Mao Dun found that his article of only more than 3,500 words had been revised in more than 100 places.

In this regard, Mao Dun was extremely angry, and immediately replied to the writing team: "You have changed words and sentences, added words and sentences, as many as 100 or dozens of places, I don't understand why it is necessary." Probably you think there is a set of rules for how the article should be written, and if it doesn't meet your standards, you have to change it.

So, why choose a writer's article as a teaching material? Each writer has their own style. Your approach (casually deleting and altering without saying anything) is too overbearing and does not respect the author's style.

Mao Dun said in the letter for example, if the same bell hanging around the camel's neck is added with "size", Mao Dun sarcastically asked: "In fact, there is only one kind of bell hanging on a camel, why do you change it to 'big and small bells'?" After receiving Mao Dun's letter, the writing team had to make a step back so that most of "Scenery Talk" remained in its original state.