How do you understand that what belongs to the nation is what belongs to the world?

Updated on culture 2024-04-23
6 answers
  1. Anonymous users2024-02-08

    What is national is what is global, which means that we must break through narrownessNationalismto share the fruits of the world's civilization, which is consistent with our concept of a harmonious world.

    When foreign friends mention the Chinese nation, they say.

    It is the national characteristics of ancient China, such as the prosperous period of the Tang Dynasty, as well as Peking Opera, porcelain, etc., but foreigners rarely know the development of modern China and the current prosperity of China, so we should publicize the characteristics and status quo of our modern nation, of course, we cannot abandon the civilization of the ancient nation, and should be innovated in the characteristics of the ancient nation, which is more in line with our growing society.

    Take language arts, for example.

    The four masterpieces of Chinese classics.

    One of "Dream of Red Mansions".

    It has spread overseas, and has been translated as "Dreaming in the Red Building", and another classic "Water Margin".

    The translation is even more outrageous, and it is translated as "The Story of Three Women and One Hundred and Five Men". In the same way, the more Western it is, the more global it is, and the art world is not Americanized, nor is it Europeanized.

    The cosmopolitan nature of art is not based on the artistic style of a certain country or a certain region. "The more Western, the more global" represents the crisis of national cultural identity in many countries under the invasion of strong Western culture. The national culture of underdeveloped regions and countries is dominated by developed countries.

    In particular, America's powerful culture has been eaten, devoured, or marginalized.

  2. Anonymous users2024-02-07

    The saying that the nation is the world isLu Xunsaid. Only what is national is what is global. From Lu Xun's "And Jieting Essay Collection Fu Ruler".

    It is the national that summarizes the world

    In the thirties of the last century, Mr. Lu Xun wrote in the "Collected Works of the Pavilion of the Pavilion" that only the national is the world, which means that only things from the national public, after thousands of years of refining and sublimation, have vitality and staying power, and can be recognized by the world. First of all, we must strengthen our support for the Tibetan nation.

    Cultural self-confidence.

    Every ethnic group can produce an excellent culture, and the Tibetan people have been on the Qinghai-Tibet Plateau for generations.

    Life, accompanied by mountains, large lakes, river valleys, grasslands, its physical and mental and natural environment.

    It has formed a relationship of the unity of heaven and man, and the concept of nature worship, totem worship, animism, etc., and respect for nature has been formed, which must be used for reference in the development of other national cultures.

    Add native culture.

    openness. The Tibetan culture must have the courage to integrate into the national and global open pattern, materialize the production, life and culture of the Tibetan nation, produce clothing, food, tourism products, cultural products and so on with national characteristics, and strive to promote these products to all parts of the world.

  3. Anonymous users2024-02-06

    The original sentence is "only the national is the world", this sentence is Lu Xun.

    said. From "The Collected Essays of the Pavilion of the Pavilion". "And Jieting Essay Collection" generally refers to Liangbi and Jieting essays. "Essays on the Pavilion of the Pavilion".

    It is a book published by the People's Literature Publishing House in March 1973, and the author is Lu Xun.

    "And Jieting Essays", "and Jie" is read as "concession", because for a period of time, Mr. Lu Xun lived in Zhabei, Shanghai.

    The area where imperialism crossed the border to build roads, this area is known as the "semi-concession" respect for the elderly. Mr. Lu Xun had a very strong sense of national self-esteem and hated imperialism very much, so he took half of the word "concession" and turned it into "Hejie" to express his hatred. "And Jieting" indicates that these essays were written in the pavilion of the semi-concession of the sea and the sea, and the "he" and "tian" of "rent" and "boundary" were removed, indicating that Mr. Lu Xun was unwilling to give up the "he" and "field" of his country to imperialism.

    The two words vividly satirized the Kuomintang at that time.

    The dark reality of semi-colonial, semi-feudal under domination.

  4. Anonymous users2024-02-05

    This has several implications.

    The development of the nation is vast.

    before it can become the world.

    After the understanding of the national thing.

    The world can also be understood with the help of understanding.

    What is national is itself universal.

    It's all wealth. Both.

    You choose the angle.

    First, Mr. Lu Xun said in the "Collection of Essays of the Pavilion of the Pavilion": "Only the national is the world." It means that only the things of the national public can be timely, recognized by the people, and have vitality in circulation.

    The world culture is one, there is no distinction between superior and inferior, and any national culture is an excellent part of the world's cultural information. "What belongs to the nation is what belongs to the world" embodies the principle of the universality of things in philosophy.

    Second, the concept that only the national belongs to the world has become more and more deeply rooted in the hearts of the people along with the process of world integration. As an integral part of world culture, how can national culture be dazzling and stand out in the brilliant world culture? In the course of developing economic and cultural exchanges, we must not lose the characteristics of our own national culture, but must grasp its particularity and treat it in a concrete way.

    Third, it is related to how our country should inherit and carry forward the national cultural heritage today. That is, how to maintain one's own cultural characteristics and at the same time target the public, without losing the sense of the times and advancedness. Examples of tourism development can be cited...

    Fourth, summarize and deepen the theme. It can be combined with national sustainable development strategies.

  5. Anonymous users2024-02-04

    In the economic development and cultural exchanges, we should protect our own cultural traditions at the same time, and lose our own folk cultural characteristics, which will basically lose the vitality of tourism and can not achieve sustainable development. I believe that in order to develop a national culture with its own characteristics, it is necessary to do the following two things.

  6. Anonymous users2024-02-03

    There are many nations in the world, and the culture of each nation is an organic part of the world's culture. Without a nation, there would be no world. National culture has its own characteristics, and this is the common denominator of all national cultures of mankind.

    Culture has its own characteristics, only then can it have vitality and its independent existence. In the midst of the globalization of the economy, the world's cultures are still diverse. The great philosopher Russell said:

    Variety is beautiful. National characteristics give rise to a variety of beauty.

    There are certain common characteristics in national culture, as long as it is a culture on the earth, it can be called the world, so these cultures have a global character. To put it simply, everyone has something in common, even if it is the world. And there are some differences, so it is national.

    From a global perspective, the more national it is, the more global it is, and from the perspective of human nature, the more national and individualized it is, the more international it can be, and the more it can be recognized by all mankind.

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