The main content of the small introduction and postscript 15

"Morning Flowers and Sunset" small introduction:It tells the beginning and end of the author's creation of the prose in this collection and the state of mind at that time. also explained that these articles were originally ** in the "Mangyuan" of "Old Things Revisited", and the name was changed when this small quote was written"Morning flowers"。

As a "memoir of memory", this anthology reflects the life of the author Lu Xun in his youth in many aspects, and vividly reflects the formation of his character and interests. The first seven stories reflect his childhood life in Shaoxing's family and private school, while the last three recount his journey from his hometown to Nanjing, then to Japan, and then to China to teach.

It exposes all kinds of ugly and irrational phenomena in semi-feudal and semi-colonial society, and at the same time reflects the difficult process of aspiring young intellectuals who braved hardships and dangers to find light in the vast dark night of old China, and expresses the author's nostalgia for his relatives, friends, and teachers in the past.

1. "Postscript" mainly talks about "Twenty-four Filial Piety Pictures".

Related content and questions about the portrait of "impermanence". If the main text is only an antipathy to the stories of "Lao Lai Yuqin" and "Guo Ju Burying Er", "Afterword" makes amends Yu Yinchong for criticizing how the negative feudal concept in Chinese culture stifles the nature of people in childhood, and how the "imperial literati painters" are loyal and filial to paint tiger cats. The "Afterword" is not only an explanation of the "illustrations", but also a supplementary explanation to the previous text.

2, "Morning Flowers and Sunset".

It is Lu Xun's only collection of reminiscence essays. "Demolition of Ants and Flowers at Sunset" is the name modified by Lu Xun in the later mountain banquet, and the original name was "Old Things Revisited".

"Chao" means early years, and "Xi" means later years. The meaning of the title is to pick up flowers in the morning and in the evening, which refers to Mr. Lu Xun's memories of people and events in his childhood, adolescence and youth.

"Morning Flowers and Sunset" is Lu Xun's only collection of reminiscence essays. "The Court Hall and the Flowers at Sunset" is the name that Lu Xun later modified, and the original name was "Old Things Revisited". "Chao" means early years, and "Xi" means later years.

The meaning of the title is to pick up flowers in the morning and evening, which refers to Mr. Lu Xun's memories of people and events in his childhood, youth, and youth in the evening.

1, "Morning Flowers and Sunset" small introduction.

Main content: It writes about the author's background for the creation of this article, describes the author's childhood life and young people's study experience, recalls those unforgettable things, and expresses his nostalgia for his relatives, friends and teachers in the past.

2. The anthology of "Morning Flowers and Sunset" is mainly based on the notes of potato front fiber, full of strong lyrical atmosphere, often sandwiched with discussions, so that lyricism, narrative and discussion are integrated into one regretful Zen, beautiful and harmonious, simple and touching. The works are poetic, interspersed with humor and irony; The image is vivid, the style is clear, and there is a strong appeal to imitate.

"Xiao Yin" tells the author's recent situation and mixed moods, and recalls the author's days when he wrote this book in Guangzhou; At the same time, the author explained the origin of the title of the book and the background of the writing of each article in the book, and expressed his memories of his hometown.

Introduction to "Little Introduction".

Xiao Yin is the preface to Lu Xun's essay collection Morning Flowers and Evening Picks, which was originally published in the tenth issue of the second volume of the semi-monthly Mangyuan in Beijing on May 25, 1927. In the preface, the author describes the beginning and end of the creation of the prose in this collection and the state of mind at that time.

The original text of the "Small Quotation".

I often want to find a little peace in the midst of chaos, but it is not easy. It's so bizarre at the moment, and my heart is so complicated. When a person only has memories left, his life will probably be boring, but sometimes he will not even have memories.

China's fuss is on track, and the world is still spiraling. When I left Sun Yat-sen University a few days ago, I remembered leaving Xiamen University four months ago; When I heard the plane honking overhead, I remembered the plane that circled around Beijing a year ago. I also wrote a short essay called "One Sleep" at that time.

Now, I don't even have this "sleep".

The weather in Guangzhou is so hot that the sun shines in through the west window, forcing people to barely wear a single dress. There is a pot of "water branches" on my desk, which I have never seen before: it is a section of tree, as long as it is immersed in water, the branches and leaves will be green and lovely.

Look at the green leaves, compiling old manuscripts, and finally doing something. Doing such things is really a day of life and a year of death, and it is very good to drive away the heat.

The day before yesterday, "Weeds" had been compiled; This time, it was the turn of "Revisiting Old Things", which was successively published in "Mangyuan", and I also changed a name for him: "Morning Flowers and Sunset". With dew folded flowers, the color and fragrance are naturally much better, but I can't.

It's the bizarre and miscellaneous in my mind now, and I can't make him instantly transform it into bizarre and miscellaneous articles. Or, when he looks up at the clouds, he will flicker in front of my eyes.

For a while, I repeatedly recalled the fruits and vegetables I ate in my hometown as a child: water chestnut, monk beans, coconut white, and muskmelon. All these are exceedingly delicious and delicious; It was a bewitchment that made me feel homesick.

Later, I tasted it after a long absence, and it was nothing more than that; Only in memory, there is still the meaning of the old. They may want to deceive me all my life and make me look back.

These ten articles were copied from memory, and they may be somewhat different from the actual content, but I only remember that now. The style is probably very messy, because it was written or dropped, and it took as much as nine months. The environment is also different:

The first two were written under the east wall of the Beijing apartment; The third part is written in exile, and the place is the hospital and the carpenter's house; The last five articles are upstairs in the library of Xiamen University, after being squeezed out of the group by scholars.

On May 1, 1927, Lu Xun recorded in Baiyun Tower in Guangzhou.

The main text is only an antipathy to the stories of "Lao Lai Yuqin" and "Guo Ju'er", while the "Postscript" adds a critique of how the negative feudal concept in Chinese culture stifles the nature of people in childhood, and how the "royal literati painters" are loyal and filial to paint tigers and cats. The "Afterword" is not only an explanation of the "illustrations", but also a supplementary explanation to the previous text.

The anthology of "Morning Flowers and Sunset" is mainly memorized, full of strong lyrical atmosphere, often sandwiched with discussions, so that lyricism, narrative and discussion are integrated, beautiful and harmonious, simple and touching. The works are poetic, interspersed with humor and irony; The image is vivid, the style is clear, and it has a strong appeal.

Extended Materials. Although it is written about personal life experience and mental journey, and is the remembrance and remembrance of relatives and teachers, it also goes beyond this to show the appearance of Chinese society in a specific historical era, and provides rich and detailed documents. This is beyond the reach of ordinary reminiscence essays.

Because what is accustomed to these essays is only some purely personal so-called housework, children's love, purely personal ups and downs and emotional waves; The protagonist seems to be in a paradise, and he can't see the surging times and the drifting gunfire smoke outside his body at all.

Unlike some prose works, which help to understand the mentality of some intellectuals in a certain period, it is difficult to show the overall picture of the era in which they lived.

Because the author has lofty ambitions and broad ambitions, this makes the work show the close connection between writing about personal encounters and paying attention to the fate of the nation, showing not only the author's personal footprints but also the deeds of a historical era.

Morning Flowers and Sunset is a collection of essays with a distinct personality. This distinguishes it markedly from the work of many prose writers of the same period. It has an adaptable and uninhibited style, saying what you want to say, scolding when you want to, all kinds of love, hatred, sorrow and joy in your heart, let it flow naturally in the pen.

He closely integrates the expression methods of narrative, scene writing, argumentation, and lyricism, so that the waves at the bottom of the pen show a kaleidoscopic situation. He is constantly innovating the format, so that each piece has a different structure.

He inherited the simplicity and rigor of ancient Chinese prose, and borrowed the agility and wit of Western prose.

All of these embody his characteristics as a pioneer of ideological emancipation and a standard-bearer of artistic innovation, and it is precisely because of this that "Morning Flowers and Sunset" has become a model work of modern Chinese reminiscence prose.

"Morning Flowers and Sunset" is Lu Xun's search for the power of light from the foundation of his own life to resist the long darkness from the outside to the inside; It was Lu Xun who used a special way of "resting" to "think more deeply" about the problems of life during the interval of "fighting"; It is also the combination of words and aspirations and Taoism, which expands the writing of modern Chinese prose to a new realm.