Why do the kneeling people in the opera face the audience?

On the opera stage, there is a process of explaining and connecting for kneeling, and this process is freehand. For example, when you kneel down to pay homage to the emperor, you will face the emperor, and you will have to face the audience when you want to explain the storyline.

This kind of stylized processing is not only necessary for the plot, but also takes care of the feelings of the audience.

The use of the style of opera is reasonable, reasonable and legal. For example, when the younger generation visits the elders, they have to bow to the elders, which is a manifestation of respect for the elders in ancient times; However, as a stage art, the most important thing is to consider the feelings of the audienceTherefore, after kneeling, immediately change to the audience to make a statement, otherwise the whole play will not let the audience see the back of the actors, which is the rationality of the opera program performance.

Kneeling facing the audience belongs to a form of "back confession", because when an opera is performed, it is not like a movie or TV series, there is no camera switching, and the audience's seat is fixed, so when the opera actor kneels, if he does not face the audience, there will be many expressions that cannot be made, or the audience will not see it.

In addition, the actor's self-introduction, psychological activities and the narration of the performance all need to be reflected in the form of "back confession", we just need to pay careful attentionIn opera performances, almost every play has the existence of "back-to-back confessions", and this program still occupies a very important position in opera performances.

In this way, the audience can feel the authenticity of their opera, and the audience can experience this feeling, which is the charm of Chinese opera, and it is also the inheritance of so many years.

Not all kneeling in the opera will face the audience, which is divided into kneeling, kneeling sideways, and kneeling back. To kneel is to kneel facing other actors, with your body facing away from the audience; Kneeling means facing other actors on one side and the audience on the other; Kneeling with your back is facing the audience.

Because this is a form of theirs, there are certain rules, not random, and facing the audience is also a kind of respect for the audience, which can make the audience better experience all the emotions they express.

This situation is normal, first of all, I want the audience to be able to see the effect of their performance more clearly, and then if the opera is not facing the audience, then how can the audience watch their performance.

Because they want the audience to know their facial expressions, otherwise it will be difficult to express a lot of details.

I think it's the plot that needs it, or to let the audience see it more clearly.

In traditional Chinese opera performances, there are very strict requirements for the movements of opera actors, but people who do not often pay attention to opera will have doubts and do not understand the meaning of opera actors making an action. In the opera performance, the opera stage actors kneel down and face the audience because they can better express their facial feelings, tell the inner monologue of the characters, and give the audience an excellent viewing experience.

3. Viewing experienceIf in an opera performance, when the opera actor kneels with his back to the audience, the audience will not be able to see the expression of the opera actor, and it will be difficult to understand the content of the opera, which will affect the viewing experience. Kneeling in front of the audience, the audience can understand according to what they see, and Guanyin feels much better.

As a treasure in China's traditional culture, opera performance is difficult for our younger generation to understand, and the actors on the opera stage kneel down to the audience in order to enhance the audience's viewing experience, but also to better shape the characters in the opera.

The opera performance is mainly a process of actors acting and the audience watching, and the actors cannot let the audience look at their backs throughout the opera, which is very disrespectful to the audience, and in the public's impression, kneeling needs to be carried out face-to-face to show respect.

Facing the audience is meant to show respect for the audience. If an opera actor kneels with his back to the audience, it is easy to cause dissatisfaction and even complaining from the audience.

Let the audience be able to see the performance clearly. An actor kneeling is not just an act of kneeling, it is a performance.

In order for the audience to see their own faces and turn their backs to the audience, the audience will not see the expressions of the actors.

In opera, the performance is for the audience, so the face must be facing the audience and not the actors.

A way of performing opera, we don't have to be too entangled.

Because the performance of opera is mainly for the audience to see, not for oneself.

She knelt not in front of Lord Bao, but in front of the audience.

That's because he is performing opera and nothing else, because it is for the good of the audience.

Because the audience is the belief of the performer, the actor should kneel down and face the audience.

The opera is all about the actors' facial expressions and listening to the singing, and they naturally kneel to the audience.

You must kneel in front of the audience, perform for people to see, and watch the play mainly based on facial expressions.

Chinese opera, along with Greek tragedy and comedy, and Indian Sanskrit opera, is known as the world's three oldest theater cultures.

On the opera stage, kneeling has a process of explanation and connectionThe process is freehand. For example: When you see the emperor kneeling, the target is the emperor.

When you're telling a story, you have to face the audience. This stylized processing not only satisfies the needs of the plot, but also takes into account the feelings of the audience.

The stylized use of opera is reasonableReasonable and lawful. For example, when the younger generation pays homage to their elders, they salute their elders, which is a kind of respect for their elders in ancient times; However, as a stage art, the most important thing is to take into account the feelings of the audience, so after kneeling, immediately transfer to the audience to introduce it.

Otherwise, the audience will not be able to see the actors' backs in the whole play, which is the rationality of traditional opera performances.

So, in the process of kneeling,Opera actors should not only consider the actual situation of the stage performance, but only take into account the audience's viewing needs in order to kneel on the stage to achieve the performance effect and solve the needs of the audience. In the drama "The Guillotine Case", when Qin Xianglian stated the case, she did not kneel in front of Lord Bao, but in front of the audience. Bao Qingtian sat in the hall.

If Qin Xianglian faced Bao Qingtian and turned her back to the audience, then the audience could only see Qin Xianglian's back and not Qin Xianglian's expression. In this way, there will be a lack of emotional rendering on the stage, and the audience's sympathy for Qin Xianglian will be greatly reduced, so the overall experience will also be greatly reduced.

There is a program in the opera performance called "Confession of Fighting Back".It is in the course of the performance, in the communication between the two characters, that character A returns to character B and tells the audience his own "subtext", or "inner monologue or narrator", and the person who supports the character is called "remorse". This kind of program is not only used for opera performances, but also for other art forms. For example, when the audience watches the sketch, they will also find that the actors of the sketch mainly face the audience, no matter what they say or how loud the voice is, the person carrying them on their back does not seem to be able to hear it.

Unlike movies and TV series,There will be camera cuts in an opera performance, and the natural development of the characters can be shown at will, but the opera performance cannot, and the audience's point of view is fixed. When an opera singer kneels, if he does not face the audience, there will be many expressions that the audience cannot see.

For example, when the younger generation visits the elders, they have to bow to the elders, which is a manifestation of respect for the elders in ancient times;

Because the opera culture pays more attention to the audience below, it is performed for the audience, hoping to resonate.

Peking Opera is a stylized art, with a smile and a smile, a movement and stillness, all of which are strictly stylized, and during the performance, the stylized performance of kneeling is more to take into account the needs of the audience.

Otherwise, the whole play will not allow the audience to see the actors' backs, which is the rationality of the opera programmatic performance.

This kind of stylized treatment is the rationality of the programmed performance of opera.

There is a program in opera performances called "back-to-back confession", that is, during the performance, during the communication between two characters, character A turns his back to character B, and says the character's own "subtext" to the audience.

Otherwise, the whole play will not allow the audience to see the actors' backs, and say the characters' own "subtext" to the audience.

Because of a kind of respect for the audience, it is also a recognition of the audience's opera.