Does fine art Chinese painting belong to color, and what are the main colors of Chinese painting

In terms of color, traditional Chinese painting can be roughly divided into two categories: ink freehand and fine brushwork. i.e. color paintings and black and white paintings. If the ink is freehand, the ink is different and colorful. It is always appropriate to set the color of the pen, light makeup, and heavy makeup. Therefore, I personally think that the range of colors in Chinese painting is greater than the range of pure colors.

You must have a foundation of color, so that you can understand it more deeply.

Several colors commonly used in Chinese painting include: cyan, garcinia cambogia, ochre, vermilion, rouge, stone blue, stone green, white powder, etc. According to the nature of raw materials, Chinese painting pigments are mainly divided into plant pigments, mineral pigments, animal pigments, chemical pigments, etc.

Chinese painting pays more attention to the effect of ink painting, and the color is generally relatively small, and there is a requirement that "color does not hinder the ink, and the ink does not hinder the color".

Traditional Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color. Tools and materials include brushes, ink, Chinese painting paints, rice paper, silk, etc., and the subject matter can be divided into figures, landscapes, flowers and birds, etc., and the techniques can be divided into figurative and freehand.

Chinese painting can be divided into gongbi painting and freehand painting in terms of expression techniques, and can be divided into landscape painting, flower and bird painting and figure painting in terms of expression content. Chinese painting is a traditional form of Chinese painting, which is painted on silk or paper with a brush dipped in water, ink and color, and the tools and materials include brush, ink, Chinese painting paint, rice paper, silk, etc.

To learn Chinese painting, you need five colors, ochre, garcinia, cyan, rouge, and dark green.

The pigments of Chinese painting have two properties, which will produce different effects when used, one of which is plant-based, such as cyan, teng yellow, rouge, peony red, etc., which is transparent and fine, but will fade over time; The other is mineral, such as cinnabar, vermilion, head green to three green, head green to three green, ochre, stone yellow, white powder, etc., the performance is opaque, has coverage, and does not fade over time.

Chinese painting pigments are divided into natural pigments and chemical pigments, and the more common pigments in Chinese painting pigments are mainly mineral pigments, and China's ones are cinnabar and realgar.

Stone blue, stone green, ochre.

mud gold, mud sound, too white, etc.; In plant pigments, it is cyanine, rouge, etc.; Chemical pigments are red, sky blue, dark red and other pigments.

1. Mineral pigments.

In the beginning, the main pigments of Chinese painting pigments were mineral pigments developed by processing, and the more common pigments were cinnabar, realgar, limestone, stone green, ochre, mud gold, mud sound, Taibai, etc., among which stone blue was mainly developed from azurite, and stone green was malachite.

Wait. 2. Plant pigments.

Later, it was discovered that plants can also be used as pigments, such as the pigment rouge and garcinia cambogia made from safflower.

As the name suggests, it is also made with garcinia cambogia, and the cyan is horse blue.

The leaf stems are developed into pigments, in addition to which there is magenta, although magenta is derived from cochineal.

developed, but belongs to plant pigments.

3. Chemical pigments.

The first two are traditional Chinese painting pigments, while chemical pigments are Chinese painting pigments synthesized using modern processing technology, and the colors are mainly red, sky blue, crimson, Ming yellow, eosin and other colors.

The common colors of Chinese painting include ochre, cyan, dark green, rouge, and garcinia cambogia, which are basically essential for Chinese painting, and they are also the most used.

Several common colors are: cyan, garcinia cambogia, rouge, limestone, stone green, white powder, vermilion, etc., these colors are more common, and they are also the most used species.

The three primary colors are red, yellow, and blue, and with these three colors, you can bring out anything except white.

Color is a visual effect on light produced by the eyes, brain, and our life experiences. A person's perception of color is not only determined by the physical properties of light, for example, the human perception of color is often affected by the colors around it. Sometimes people also refer to the physical properties of matter producing different colors directly as colors.

British scientist Brewster found that the use of red, yellow, green pigments, can be mixed orange, green, blue, purple four pigments, can also be mixed out of other more pigments, Brewster pointed out that red, yellow, blue is the three primary colors of pigments, that is, other pigments can not be mixed pigments.

At the beginning of the 19th century, the British physiologist Yang He established his own theory of three basic colors and light when he was studying the physiological theory of human color vision. Later, by the German physicist or elimination scientist Hermholtz developed this doctrine or knowledge, known as the Yang He theory, or"The Triptych Doctrine"and has been continuously confirmed and improved by today's new scientific research results.

To learn Chinese painting, you need five colors, ochre, garcinia, cyan, rouge, and dark green.

The pigments of Chinese painting have two properties, which will produce different effects when used, one of which is plant-based, such as cyan, teng yellow, rouge, peony red, etc., which is transparent and fine, but will fade over time; The other is mineral, such as cinnabar, vermilion, head green to three green, head green to three green, ochre, stone yellow, white powder, etc., the performance is opaque, has coverage, and does not fade over time.

The pigments of Chinese painting are simpler than those of Western paintings. But it gives people a different feeling, they give the colors of Chinese painting their own independent style.

How to match the color you need.

It seems to be a child.

Learning Chinese painting should be applied from the initial brush and ink, that is, ink painting, ink painting is a basic painting, if you learn to have color after painting, the method of using color is similar to using ink in Chinese painting, you will understand if you practice ink painting first. As for the color, choose the Chinese painting paint of the Marley brand. More than a dozen monochromes can be adjusted to more colors, and there are not too many colors needed in Chinese painting, and ink color accounts for a large proportion.

It depends on what you want to draw, only ink can be drawn.

1. Watercolor color can be used to paint Chinese paintings, and many people have used rice paper watercolor to paint successful works, and have been recognized by domestic and foreign artist associations.

2. Expand your knowledge.

a. Traditional Chinese painting pigments.

Mineral pigments. 1. Cinnabar.

2. Zhu fat (the top layer of cinnabar extraction).

3. Silver Zhu. 4. Stone yellow.

5. Realgar (also known as male essence).

6. Shi Qing (split, two, three, four green).

7. Stone green (split, two, three, four green).

8. Ochre (deep ochre, shallow ochre).

9. Clam powder (shell grinding, although it is not mineral, but it is classified in this category).

10. Lead powder (easy to turn black, often replaced by titanium dioxide).

11. Illumination.

12. Mudsilver.

13. Taibai (zinc titanium dioxide, which is a mixed abrasive of zinc and titanium dioxide) plant pigment.

1. Cyanine. 2. Garcinia cambogia (poisonous).

3. Rouge. 4. Magenta (imported, extracted from cochineal, although it is not a plant but belongs to this category) b. Watercolor pigments are made of pigment powder and peach gum, and there are more transparent plant dyes in watercolor pigments, such as indigo, violet, and akane red, so watercolor pigments are also relatively transparent on paper, and there are some mineral pigments in addition to plant dyes.

If there is no Chinese painting paint, there is no way.

However, there are many pigments in Chinese painting.

Watercolor does not.

Moreover, relatively speaking, the pigments of Chinese painting are a little grayish.

The watercolor color is a transparent color, and the coverage is weak, so you can use watercolor for freehand painting.

But this is not necessarily the case with gongbi painting. It is best to understand the properties of pigments, watercolor and Chinese painting pigments, and use them together.

Absolutely, you can paint on rice paper with acrylic, there is no fixed way to paint, don't stick to the simple Chinese painting paint, including the pen, you can also draw a good Chinese painting without a brush.

No, especially can't paint fine brushstrokes, the nature of watercolor pigments is different from Chinese painting, which will make the cooked Xuan retreat

Not suitable, green in Chinese painting is divided into stone green, three green, two green and other warm colors and vermilion, cinnabar, red, ochre and other several kinds of watercolor pigments can not be replaced, and Chinese painting pigments for rice paper and silk have a unique effect, the harmony effect of water is also watercolor pigments can not be replaced, if you really want to paint works must not be replaced at will, waste rice paper.

No, because the transparency of the colors is not the same, in other words, the nature of the colors is different, and the watercolor colors are thinner.

Yes, I work with watercolors a lot of the time. However, it should be noted that watercolor pigments cannot replace Chinese painting pigments, but only auxiliary.

There's no problem at all, I paint like this every day, who says can't? There are many colors in Chinese painting, and they are all water colors, they melt very well, believe me, I have been painting for ten years and am now studying Chinese painting as a graduate student, I hope I can help you hope to adopt.

Absolutely.

When some colors cannot be realized, they can be replaced by watercolor colors.

The effect is similar.

Painting is material-free, as long as the properties of the paint are suitable for what you are painting, it is right.

It's best not to use it, after all, one is a Western painting, the other is a Chinese painting, and the brushes are different.

OK. It is mainly based on Chinese painting colors, which can be supplemented by watercolor colors.

No, not of a nature, Chinese painting dyes are mineral.

Painting with watercolor paint is not a Chinese painting.

Part of it can, and it's often used in Gongbi.

Not so good, it's better to use specialized pigments.

Ink in five colors: In Chinese painting, "ink" is not seen as just a form of black. In an ink painting, even if only a single ink color is used, the color of the picture can be changed, and the image can be perfectly expressed.

Ink is divided into five colors", and the ink color has five kinds of "dry, wet, thick, light, and burnt", and if you add "white", it is "six colors". Among them, "dry" and "wet" are the comparison of how much water there is; "Thick" vs. "light" is a comparison of shades of chroma; "Coke", which is darker than "thick" in chromaticity; "White" refers to the blank space on the paper, and the two are contrasted. The characteristics and uses of various ink colors are as follows:

The ink has little moisture, and is often used for rubbing the rocks, which can produce vigorous and ethereal interest.

Wet" ink adds more water, and is used evenly with water, mostly used for rendering, or in the rain scene, the point leaves, moss, so that the picture has a sense of wetness, or used in the splash ink method, to express the charm of the ink dripping.

Light" ink color is light but not dark, whether dry or wet, it should be light and spiritual, mostly used to paint distant objects or bright sides of objects.

"Thick" is a thick black color, which is mostly used to paint a close image or the dark side of an object.

"Coke" is darker than thick ink, and is used to dip the pen in extremely black ink for scorched ink, which is often used to highlight the thickest black part of the picture, or to tick or mark.

On this basis, Mr. Huang Binhong proposed the "Seven Inks": Thick Ink Method, Light Ink Method, Broken Ink Method, Splash Ink Method, Accumulation (sometimes "Stain") Ink Method, Burnt Ink Method, and Staying Ink Method. It is also used in the creation of landscape paintings.

In terms of color expression, Chinese painting pays attention to the light and the strong.

The color used in Chinese painting is different from that of Western painting, and it is not so complicated. It uses the traditional brush of Chinese painting itself, Hu Xi cracked ink, as the main modeling means to shape its shape and structure. color, as a way to make up for the lack of pen and ink, plays an auxiliary role.

In landscape painting, after thousands of years of development, it has formed a fine national tradition of color rules and the characteristics of showing pants closed.

In the process of coloring, whether we can identify the inherent colors of various different objects in nature is the fundamental problem of whether we can grasp the particularity of the contradiction of things. Therefore, in the practice of use, we make full use of the rich expressive power of Chinese painting pigments, and achieve mutual contrast and contrast through the mutual cooperation of ink and color, so as to make it more colorful, more expressive and appealing. This is a distinctive feature of the color used in Chinese painting.

In the creation of Chinese painting, sometimes according to the needs to be expressed, the characteristics of the colors used in Western painting are borrowed, and the traditional colors of Chinese painting are integrated into the traditional colors of Chinese painting, so as to enrich and enhance the expressiveness of the picture. At this time, the relationship between the changes in the environment and the reflection of light should be properly considered. This is the result of the painters' long-term creative practice and their clear understanding that color has a strong appeal to people's feelings.

Taking landscape painting as an example, there are two types of landscape painting: ink painting and coloring. The color is divided into light red, green and boneless, and the green landscape is divided into three kinds: golden, big green and small green. There are various methods of coloring landscape painting, which reflects the richness and diversity of landscape painting.

Moreover, "painting is made of color, and we must pay attention to the color that does not interfere with the ink, and the ink does not interfere with the color."