Is there anything special about filling in the lyrics of the song?

I don't know if you're referring to the modern **, or the archaic. If you are filling in ancient words, you must pay attention to the level and rhyme, and the requirements are very strict. Modern lyrics have no rules to speak of, and you are completely free to create.

The ** corresponding to the ancient word has died out, and the descendants have summarized the word spectrum according to the old creative rules, and the words need to be filled in according to the word spectrum. To give you a link, Long Yusheng's "Tang and Song Dynasty Words, Rhythms, and Rhymes of Various Common Word Cards are in it.

I'm afraid it's not appropriate for your question to be placed under the "**" section, but it will be more suitable if it is placed in the "Chinese Literature" or "Poetry and Songs" section.

It's going to rhyme.

I myself wrote a poem not long ago that is not well written, at least you can refer to it, hehe.

Across the street" Across the street is a picture I really want to remember In a blink of an eye, another year, we don't know if we can see each other, the second time, the sadness and parting, just say goodbye, see you three times, never see you again, reluctant to show in my heart, reluctant to show in my heart.

Six years are like a day How can you bear to abandon me on the edge Go forward and don't look back You said you want to break into the sky Under the starry sky There are us Countless promises have been made Under the white clouds Leaving behind our old jokes The old laughs across the street Say goodbye goodbye.

Replenish for you! The end of the rhyme has to be interesting!

The rhyme is just the simplest, and you have to pay attention to it!!

The introduction can be without rhyme, and the chorus can be cold!

The main part is that the final end part must be rhymed!

That's got to rhyme

And it depends on what kind of song you are like、Follow that style、

Both exist, and there are both.

There are words first, and then there are songs: for example, Liang Zhu, and later someone filled in the lyrics and turned over the game to sing.

There are songs first, and then there are words: for example, songs based on *** poems.

At the same time: for example, like "Always Go Home to See".

At present, there may be more practice of filling in the lyrics after the song in the creation of popular **. Kiriduanhe songs must first be good, and most songs are rarely popular because of the lyrics, because the first form of expression of the song is the melody. There are only 7 notes, and the production of beautiful melodies requires the inspiration of the creator.

It is relatively easier to fill in the words after having a good melody, and people are more capable of using language after all. It is too difficult to customize the melody according to the lyrics, to be good, and to be able to express the artistic conception of the lyrics.

The above comments do not include rap music and songs with no melody, nor does it mean to belittle the ability of the lyricist, good lyrics and songs with Ran Wanghe must be very classic, such as "East Wind Breaking", "Blue and White Porcelain", Fang Wenshan is too good.

First of all, if you want to write a song, you must indicate the theme and what it is about, which is one of the necessary conditions.

Second, it's about rhyming.

For this problem, I didn't know how modern lyrics rhyme in ** before, until I taught myself the knowledge of "Poetry Rhythm" and understood their rhyme tricks.

Generally speaking, whether it is writing poems and lyrics, or composing music, rhyme must be used. They will all have a common use of rhyme, like today's lyrics and prose, all of which have rhyming places. The so-called rhyme is mainly the vowel that rhymes with the same or similar syllables.

Third, learn to record some tunes.

Sometimes when I am walking, or when I am going to the toilet, or reading a book, I suddenly and inadvertently hum a few nice tunes, but I often forget them quickly. So you have to learn to record, and when you find that you are humming a good tune, you can quickly write it down with a simple notation.

Fourth, learn to imitate.

The songs written are all pirated, including many Hong Kong and Taiwan stars covering songs that are already very popular abroad or at home, this is the process of imitation. The easiest way is to take a song written by someone else, fill in the lyrics yourself, and cover it yourself. Now in Douyin**, there are many people who are for fire.

The main thing to pay attention to is what kind of emotion the protagonist wants to express Thank you for adopting.

I guess there's also sadness, so it's good.

Try to sing it when you write it, and see if it goes well or not.

The Chinese language can have words first and then compose music.

But Cantonese is not good, it is called lyrics, which means to fill in the lyrics on the composed music.

How to write a song.

1) The difference between professional and amateur people Many friends who are interested in new popular music composition like to open their mouths and close their mouths to tell me"My pop ** feels stronger than yours in this major! "

2) What kind of foundation is needed to learn pop ** composition? In fact, whether it is popular, or other, composition itself is actually taught by no one, the teacher teaches you, or the book teaches you, it is just a correct way to compose, and the quality of writing still depends on the individual's ability to understand and perceive **, composition is a thing, the emotional component accounts for more, and the rational component is relatively less, as for what kind of foundation is needed, what kind of teacher? In fact, hobbies are your best teachers!

3) What do you need to learn to create a pop song normally Well, when you can occasionally slip out a sentence or two that you don't know what the tune is, but at least you are sure that it is your own original tune, you will be very excited, right?

Final word: everything comes from speculation.

First of all, every sentence of a song is focused. The accent falls on **, the sentence is cut on**, and the treble is in**, the lyricist must have a judgment before putting down the pen, and when writing lyrics, the most important syllable must be filled in with the most important syllable. Examples:

I once saw a lyric that wrote a lyric in which the lyrics of the potato burned were "Maybe the moonlight is like frost", and the highest note of this sentence is on the three words "on that", these three words are three imaginary words, so the whole sentence is very awkward to sing. The best way to do this is to put a pronoun or verb on the most accent of each sentence. Secondly, the division of sentence structure.

In addition to the broken sentences, each sentence of the song also has a sense of paragraph inside. If you cut the phrases carefully, you can probably cut out three or four components of the medium and long phrases. So, try to make sure that the words are not cut off by the phrases.

The most important thing: rhyme. No matter what kind of poem, as long as it can rhyme, it has the potential to circulate - if it circulates more, it will become a popular song.

Su Dongpo wrote, "Ten years of life and death are boundless, without thinking, and unforgettable." Thousands of miles of lonely graves, nowhere to talk about desolation", - blank, measured, forgetful, cool, all are "ang" sound endings. Lin Xi wrote "At Least There's You", "I'm afraid it's too late, I want to hold you; Until you feel that your hairline has traces of time", and, you, traces; It's catchy, easy to remember and easy to sing.

Prince Ma Boyong, a famous writer in my country, once taught us: If you don't want to hail, you have to believe the nonsense of those lyricists, and they can do anything in order to rhyme! The most time-consuming town business:

Experience. Once you've learned to rhyme, it's time to fill in the content. General lyrics fall into two categories:

Narrative Freehand, the former tells a story in 300 words, and the latter tells a state, or a truth. <>

There are a lot of words that give people the first impression of poetry, and the number of words and paragraphs are too free, so it must not be suitable for singing. If you force it into the rhythm, you will reduce the independence of the melody and the lyrics themselves.

Popular for general purposes**, the paragraphs are relatively simple, the main song and chorus may have a middle or end paragraph, and when writing the lyrics, there should be an overall concept of paragraphs, repeated paragraphs and time.

If you write a song specifically for a singer, you must consider the singer's temperament, age, and what she wants to express. When writing, you should also have an idea of what style the song will be, and even, when you write it, you have a rhythm beating in your heart, and every word has its place.

There is also about rhyme, the problem of rhyme is not very particular now, the popular ** highlights the personality, and too deliberately pays attention to the rhyme may affect the strength and accuracy of expressing emotions, but if there is too no rhyme, it may look messy when sung, and the memory points are very scattered. On this issue, we should grasp a suitable one, the song is the biggest concept, and everything else should follow the meaning of the song and use the most suitable one.

It's good to be able to move people......In short, it sounds smooth, and it also has to be accompanied by a good song......

Yes, a successful song is one in which the lyrics move people and resonate with them.