Sauvignon Blanc Lin Kui s word meaning, Lin Kui s Sauvignon Blanc .

The verdant Wu Mountain in the north of the Qiantang River, and the beautiful Yue Mountain in the south of the Qiantang River, look down at the sail and return to the boat all day long, as if they are welcoming them diligently, and they are so affectionate. But at this time, a pair of lovers are clinging to the riverbank, inseparable and inseparable, but the mountain is still beckoning pedestrians to return, regardless of their parting, it is really ruthless. The Qiantang River also seems to be ruthless, this pair of lovers, the concentric knot has not yet been formed, and the date of love has not yet been decided, but it has risen the tide, urging the boat to start early.

However, when the tears welled up in their eyes, it also quietly raised the tide to the level of the shore, as if it was just waiting for the tears to come out of its eyes, and it also wanted to let the tide spread to the four fields.

Lin Kui's "Sauvignon Blanc" Appreciation of "Sauvignon Blanc" Lin Kui.

Wu Shanqing, Yue Shanqing. The green mountains on both sides of the strait greet each other. Who knows the parting?

Jun is in tears, concubines are in tears, and Luo Tie is not concentric. The tide of the river has subsided.

About author:Lin Kui (967-1028), the character Junfu, a native of Qiantang (Hangzhou, Zhejiang), a young lonely mechanics, tranquil and ancient, not tending to glory and profit, never marrying for life, planting plums and raising cranes for self-entertainment, known as "plum wife and crane".

Appreciation: "Wu Shanqing, Yue Shanqing", repeating the word "green", dotting out the scenery of Wuyue on both sides of the Qiantang River. But this is just a stir, and the words are meant to be nostalgic.

Next, the author writes in personification: "The green mountains on both sides of the strait greet each other. Who knows the parting?

The green mountains on both sides of the Qiantang River have welcomed many lovers with joys and sorrows, but can they truly understand the pain of couples parting? No! Qingshan is ignorant, but there is hatred when he leaves people.

Through this technique of empathy and resentment, the author concludes with interrogation, and more deeply expresses the great pain that the lyrical protagonist endures alone. The word "pain" points out the theme of the word and naturally introduces it into the next film.

Jun tears, concubine tears", this is Fu's technique, which falls on specific characters. The two will not be separated, and they will be inseparable, so they can only hold hands and look at each other with tears in their eyes. Is it just because of a temporary separation that they are so grieving?

Naturally not, that's because "Luo belt concentric knot has not been completed", the author put the pen into a deeper layer, with a figurative statement to explain the original situation, it turns out that the ancient folk men and women are in love, often used to tie the heart knot with the Luo belt, and give it to each other as a "token", indicating that the two sides are concentric and will always love each other. But this pair of men and women "did not get married" when they parted, which is a metaphor for their unfulfilled love, how can this not be their greatest pain? And even more painful is this:

The tide of the river has subsided. The tide of the river has been full, the boat should also set sail, the lover has to swing away, and the heroine is also chasing her soul. The concluding sentence seems to be a scene language, but it is also a love language, and it contains an inexhaustible meaning.

Artistically, the word is deep and condensed, and the words are elegant. However, due to the use of overlapping words and rhymes, sentences rhyme, it has a soft folk song flavor.

Lin Kui (967-1024 AD), a native of Qiantang (now Hangzhou), Zhejiang, was born into a Confucian family and was a poet in the Northern Song Dynasty. In his early years, he traveled in Jianghuai and other places, and then lived in seclusion under the lonely mountain of West Lake in Hangzhou, because he stayed at home all the year round, he took pleasure in planting plums and raising cranes, and because of the legend that he never married, so there was a good story of "plum wife and crane". To this day, many people know the story of "Plum Wife Crane", and even our current dictionary - "Cihai" about "Plum Wife Crane" entry is also recorded like this:

In the Song Dynasty, Lin Kui lived in seclusion in the lonely mountain of West Lake in Hangzhou, without a wife and no children, planting plums and raising cranes to entertain himself, and was called "plum wife and crane". ”

In fact, Lin Kui is famous for his outstanding Yongmei poems. The parting is always sad, the belt is not knotted, the person is gone, and I can only watch the boat disappear from view, the tide is pressing, and there is nothing. The scenes of the ancients sending off are all similar, the slim future, I don't know if I can see each other again in my lifetime, and parting is a big gamble.

This lyric adopts the common form of repetition in folk songs, with the rhythm of whirlwind, singing and sighing, and fresh and beautiful language, supporting a woman's voice to express her sadness that her love life was destroyed and she was forced to say goodbye to her sweetheart by the river.