Zhu Ziqing s Spring fragment of the scene plus 200 words of annotation! 20

"The Qinhuai River in the Sound of Oars and Lights" is to write about the night scene of the Qinhuai River, write about the courtesans, and write about some things about the night cruise of the Qinhuai River with friends, and you can just copy some of them yourself

Zhu Ziqing. Used: Ranking.

Figurative, anthropomorphic figures of speech. The first paragraph, "Hope, hope," uses a repetition technique. Expressing the author's eagerness for spring, anthropomorphism is used.

The fourth paragraph is written in order from high to low, top to bottom, using the rhetorical devices of comparison, metaphor, and personification. The sixth paragraph is from static to moving, from near to far, and also uses figurative and anthropomorphic rhetorical devices. Zhu Ziqing wrote a total of five blessings:

Spring grass. Figure, spring flowers, spring breeze guess socks, spring rain, spring spring.

Zhu Ziqing's "Spring" is the same as Zhu Ziqing's many lyrical prose writings, which seem to be crystal clear and clear at a glance, but it is like a glass of wine, containing a long and clear rhyme, simple and aromatic, and it is not easy to really taste it. In this "hymn to spring", which is "full of poetry", in fact, it is full of the writer's thoughts and emotions in a specific period, the pursuit of life and personality, and expresses the traditional cultural accumulation in the writer's bones and his yearning for freedom.

Moonlight on the lotus pond. Undoubtedly, after a miserable soul struggle, he found a deep and quiet natural environment, which tortuously embodies his personality ethics of "getting out of the mud without staining"; The "Early Spring Wild Scene" brings the world of his dreams to an open and vigorous situation, highlighting his life belief that he will "go forward" under the guidance of spring. The latter is naturally the continuation, transformation, and promotion of the former.

But regardless of these two worlds.

How different they are, they all originate from Zhu Ziqing's pursuit of ideals and even a kind of utopian fantasy. "Spring" does describe and eulogize a vigorous spring, but it is also a realistic portrayal of Zhu Ziqing's spiritual world.

The second natural paragraph of Zhu Ziqing's "Spring": "Everything is like just waking up, and I happily opened my eyes. The mountains were moistened, the waters rose, and the sun's face flushed. ”

Appreciation: "Everything looks like I just woke up, and I happily opened my eyes" uses the word "personified". In the author's pen, the spring breeze is light, the earth is warm, and everything is revived, as if a person who has "just woken up" "happily opened his eyes".

In early spring, there is a faint atmosphere; In early spring, it was a hazy scene. The mountains were moistened, the waters rose, and the sun's face flushed. Among them, "the face of the sun is reddened" uses the word "anthropomorphic" to personify the sun, which not only captures the characteristics of the spring sun, expresses the warmth of the spring sun, but also shows the inner charm of the spring sun.

The whole sentence is composed of a comparison sentence, the application of "anthropomorphism" and "comparison", starting from a large place, the mountains, water, and the sun are described in thick lines, concisely outlining the general outline of early spring. Pave the way for the following in-depth and multi-perspective depiction of spring scenes. In particular, it is worth mentioning that the mountains described by Zhu Ziqing with "Langrun" make the mountains shiny and extraordinarily free.

Appreciation of the sixth paragraph of Zhu Ziqing's "Spring": "Look, like cow hair, like flower needles, like filaments, densely woven diagonally, and there is a thin layer of smoke on the roof of the house" uses "metaphor", "comparison" and "personification" figures of speech. The author compares the continuous spring rain to cow hair, flower needles, and filaments, and these three metaphors are used together to form a comparison.

Then, with the word "weaving", the spring rain is personified, and the spring rain is also depicted as unusually wet. "The leaves of the trees are shining, and the grass is so green that your eyes are strong" is a wide (non-strictly sense) "duality".

Through this rhetorical device, the author deepens the "green" of the leaves and the "green" of the grass in the spring scene, making the whole picture more colorful. The trees, grasses and other plants depicted in the picture are all full of vitality and vitality.

In the countryside, on the path, by the stone bridge, people walking slowly with umbrellas; There were also peasants who worked in the fields, clothed with hats and hats. Among them, "on the path, by the stone bridge" and "wearing a hat and hat" use the figure of "duality" to depict the activities of various people in the countryside.

Holding up an umbrella, walking on the path and by the stone bridge, the mood is relaxed and slowly experiencing the drizzle of early spring "oblique weaving"; And the farmer was busy in the field with a good harvest of the year, taking advantage of the good spring light.

Their houses, sparse and sparse, silent in the rain" use the "overlapping" and "anthropomorphic" figures of speech. The "overlapping" here embodies the beauty of sound and language. The house "silent in the rain" is to personify the house, to depict the house that has been dormant for a winter to be more spiritual, and to decorate the countryside in the early spring.

The ancient wood is in the shade of a short canopy, and the cane quinoa helps me to cross the east of the bridge. The core of the core opens the clothes to wet the apricot blossom rain, and the wind blows the willow wind. "When the spring sun shines on the earth, the willows spit out new green, and the breeze changes to a light breeze, blowing on people's faces, it is so warm and soft, and there is no longer a trace of cold.

The author uses "blowing the face and not chilling the willow wind" to cause the description of the spring breeze, and then extracts a life-like metaphor that makes people feel more affectionate, "like a mother's hand caressing you", writing the charm of the spring breeze. Then, the author writes about the taste of the spring breeze with very delicate brushstrokes: "The wind brings the smell of freshly turned earth, mixed with the smell of grass, and the fragrance of all kinds of flowers, all brewing in the slightly moist air."

Finally, I wrote about the music in the spring breeze - the meandering tune of the birds and the piccolo of the shepherd boy on the back of the cow. "The scene that is difficult to write, such as in the present", the author writes the spring breeze that is difficult to write through delicate feelings and vivid pen and ink. - Think for yourself.