Saxophone Practice Questions! Hope to help!

Don't practice faster than anyone else There is no point in rushing the progression The saxophone listens to the timbre The timbre depends on the breath to ensure your problem.

1.I can't keep an eye on the score, because on the one hand, you have to practice less, and when you practice, you have to practice slowly first, and at the same time, you have to practice your ability to read music, and you have only practiced for more than a year, and you have less time to practice, and you will not be very sensitive to reaction, and long tones and scales are things that must be practiced, and if you don't have good basic skills, it will become a bottleneck to develop upwards;

2.When you say tremolo, do you mean trembling with your fingers? This is actually easy to practice, or first slow down the speed of practice, slow speed practice evenly, and then gradually accelerate The premise is that you must ensure that you can play very evenly;

3.**How to express feelings On the one hand, it has to do with your personal understanding and the other has a lot to do with whether you can show the contrast between the strength and weakness of the song If it's p you can't blow it into MF or F When you transition from one dynamic mark to another dynamic mark, you should be natural Don't be too abrupt Unless some tunes ask for this, but this feeling still depends on the accumulation of long-term practice The sense of musicality will be slowly cultivated;

4.If there are a lot of sharps and sharps, you still need to solve it from the scale, and you have to practice the major and minor scales every day, and you have to be familiar enough to say the name of the key, and you can immediately react to how many sharps and sharps there are, for example, if I say a major, you immediately know that there is fc g, and after you are familiar with the scale of each key, you will not make this kind of mistake.

It's good not to be afraid of hardship, but you have to take a lot of time to practice Pay attention to the long tone When the foreign teacher gave us a class, he specially reminded us that the long tone is a lifelong thing, and you can't practice if you want to practice I wish you progress!

The basic skills are too poor. Changyin insisted on contacting for more than 40 minutes every day, and spit out for half an hour, blowing up to 108. In particular, the running of scale arpeggios should be practiced slowly and slowly with a metronome!

These basic skills must be practiced every day! It's every day!! It's okay not to play tunes, but be sure to practice!!

Then there is the running of the chromatic scale, which is also a slow practice...

The above problems show one thing, your basic skills are not solid. You'll have to start with the basics. It is best to use the keys from the lowest note to the highest note. Walk for two hours a day. Semitone goes.

In the past, I practiced less, and I should have scored more than 40 points every day.

Don't be in a hurry, don't be in a hurry to compare with others, practice more long tones every day, take your time! The fundamentals are the most important and there are no shortcuts.

1. Practice reached a "bottleneck period": I once encountered this situation, I was very distressed during that time, and finally solved it The reason is that I have actually played a lot of tunes, but from the day I started to learn, I just blindly pursued difficult techniques, and did not pay attention to the tension and expressiveness of the tunes! This means that many people say that Chinese technology is great, but there is no ** no ** soul of **!

Although, not all teachers in China can ask Chu to clearly explain the background of the music. However, "remember" must be attentive to the connotation of the music! Experience with your heart, don't blindly talk about the so-called technology, because, in China, I dare to say that your technology is good, and there are thousands of people who are stronger than your technology!

This is what I really realize, the saxophone is an infinitely technical instrument! Different ways of expressing it! Whether it's classical, modern, or jazz!

Actually, they all play the same way, but some of them are called differently! So what I'm trying to say is, remember to understand what's inside the song! (Of course, you don't need to know the composers of the eight generations of ancestors, but at least you have to feel the spirit of the work with your heart).

Second, we should practice more scales, scales are the most important to improve skills, some technical etudes: practicing the saxophone is just practicing long notes, scales, thirds, chromatic scales, fourths progressions are far from enough! I think the best way to really practice the basic skills of the saxophone and improve your technique is to practice the etude seriously.

Etude yourself professionally with a variety of different etudes.

Example: The articulation is not good enough: Some friends say that it is okay to play a slower articulation etude, but when they encounter a fast one, they find that the articulation is not clean.

Then let's do a series of targeted exercises for pronunciation! Find out the articulation etudes of different levels of difficulty to practice! The most basic thing is to practice the scales in all keys, and finally reach a tempo of 132 to try!

If you can be faster, of course, it is better! It's all a single spit!

Fingering Questions: It's about the speed and change of the fingers when practicing the saxophone. Perhaps it is because the etudes chosen when practicing the basic etudes are relatively simple, and there are no comprehensive etudes that are unpredictable.

It is best to find some comprehensive etudes to practice, and it is best to practice with some temporary sharps in the middle of the interval span with a large interval span and strong tuning to practice.

It's best to choose more slow etudes to practice: slow etudes to train **sex and breath stability... A very fast etude trains finger dexterity and agility and is a great way to improve your technique.

Guessing that you already have a saxophone and are practicing, I personally think that the saxophone mainly tests the player's breath and finger dexterity, and finally the grasp of ** emotion (reaching the last one requires a lot of practice and personal talent, but don't consider it for now).

Breath. There are many people who fall in love with the saxophone because of the unique pathos and sadness of the saxophone, and the slightly magnetic bass, but many saxophone practitioners are in a hurry to achieve results, and they are too eager to pursue the dexterity of the fingers and ignore the breath practice of the saxophone, resulting in the breath and timbre cannot keep up with the playing skills.

It is easy to blow a note out, but it is difficult to blow a note smoothly and continuously, what should I do?

Play long notes, from bass to treble, practice each note n times a day, be persistent, don't despise long note practice because it's simple, the most important thing is perseverance! It's not good to practice halfway!

Finger dexterity, it is recommended to practice scales. If you only have 10 minutes a day to practice the saxophone, many people may practice the tune in front of you, but I think the scale is the most important thing. Scales not only practice finger dexterity, but also familiarize yourself with staves, which we don't know as well as piano practitioners.

One of the biggest benefits of practicing scales is to lay the foundation for playing songs that are not in the same key as the saxophone (i.e., transposing).

Saxophone, first of all, you have to get a musical instrument that can be used, this must have: understand: the teacher will help you make sure that the instrument can be used normally, otherwise you will be very hard, the teaching material is essential, even if it is self-study, first of all, you must learn the fingering of this tune, it is very simple, familiar with a simple tune, it is simple, there is no good timbre even if you can play the song like a trumpet, it is unbearable, the timbre is mostly controlled by people, of course, there must be good equipment, so there is no three or five years to play very beautifully, Oh this tuning scale is easy, you may have to learn a long time to change the tune, the fingering chart book is available on the Internet.

The exam is not important, it is just a verification of one's own level, and now, the exam does not even have this effect.

There are only two days a week, and it is really difficult to practice well, so it is recommended that you practice for at least 2-3 hours each time.

As a saxophone professional, I was assigned this way, I practiced 3-4 hours a day, and I started to practice long notes for about 15 minutes, mainly to keep polishing my timbre, even if you learn it for 10-20 years, we still maintain this habit every day.

Then there would be hours of practicing various etudes, I was a couple of books of classical, jazz, etc., and then I would randomly select a part of each book to practice every day.

Finally, spend an hour practicing not reading the score, just listening to the music, that is, practicing your listening and improvisational solo level. You can randomly find all kinds of songs that you haven't heard on the Internet, and then blow the melody of the song along by listening, and then gradually find the chord direction of the song, and try to add some improvised melody to it...

Keep practicing like this, hehe, or 10 years, or 5 years, the road to a professional saxophonist is not far from you, I believe that if you practice according to what I say, in a few years, you can teach you that teacher.

At the beginning of each exercise, there are often two things to practice, one is a long tone, and the other is a color exercise on performance (an interval exercise within an octave). I hope to start with these two things every time I practice.

Exercise: Part I: Long tone practice (about 5 minutes).

Set your metronome to 100 beats per minute, with quarter notes in one beat, starting with the midrange, using the SAX as an example, which is **c. Play a falling note every 8 beats, taking as few breaths as possible, but inhaling as much as possible each time. When you reach the lowest note, follow the same path from the starting midrange up to your higher playing range.

Part 2: Colorful exercises (one octave interval exercise, about 25 minutes) There are many ways to practice this part, but here is just one example. Set your metronome to between 100-140 beats per minute, with quarter notes in one beat.

Repeat each strip twice, inhaling as few times as possible, and inhaling as much as possible each time. The purpose of this exercise is to improve control and grasp the relationship between intervals.

Part III: Scales (about 30 minutes).

Each major is played in C major, rising first and then descending. In quarter note beats, 160 beats per minute. Each scale is repeated 4 times, each played in a different way.

Don't listen to the upstairs.

Blow a long note every day.

From weak to strong, if the mouth shape is good, you can add vibrato.

Blowing from bass 1b to treble 4

Then blow the vowel tone, which can be combined with a long note.

It's just that when you blow a long note, you keep spitting lightly.

It is also possible to blow the C scale and spit out each note.

From slow to fast. Then blow the 3rd degree layer, 4th degree.

That's 13 24 35 46 57

Then practice finger speed, 1234 2345 3456 4567 5671 so that there is a single tone of finger tremor, which is 2323232323232323 454545454545454545

This one has to be fast.

I practiced every day when I was learning saxophone.

Keep working hard every day, and believe that you will be as successful as Kelly King.

Beginners can practice minuet, serenade (anyone can do it).

After that, you can gradually go to the Turkish March, the saber dance, the Spanish bullfighter, the wild bee flying, and the ** will be etude.

The most correct way is to find a teacher to teach ...... face-to-face

Because the performance of wind instruments involves a variety of key factors such as mouth shape, breath, hand shape, posture, etc., the safest and most effective thing is to find a teacher to take a few lessons, and learn the basic things first.

The saxophone is almost the simplest wind instrument (recorder, harmonica, etc.), and there are 10 lessons that can be used to learn all the basic skills and play simple repertoire. Musical instruments are the most important to practice, as long as kung fu is used, it is completely okay to take a beginner class to produce an intermediate effect.

It depends on what you want to practice, generally the important thing is the scale, the arpeggio, this is the foundation, you have to practice well, and you have to practice the long tone, you can practice the qi to adjust the breath, but you must practice the basic practice steadily, I don't know what kind of practice you want Specifically, so I answered one-sidedly, forgive me.