Ancient Chinese Poetry Between the Flowers 5

Flower Collection", a total of ten volumes, edited by Zhao Chongzuo of Later Shu. The book contains 500 poems from the first year of Tang Kaicheng (836 AD) to the fifth year of Jin Tianfu (940 AD). Most of the works of eighteen people, including Wen Tingyun, an early nounist in China, have been preserved.

It is an important source material for the study of the history of Chinese lexicology, and a precious heritage in the treasure house of Chinese literature and art.

The Collection of Flowers is compiled by Zhao Chongzuo of the Western Shu Dynasty of the Five Dynasties, which contains a total of 500 works by 18 lyricists from the late Tang Dynasty to the Five Dynasties, including Wen Tingyun, Wei Zhuang, Huangfu Song, Niu Qiao, and Sun Guangxian. Its content is mostly the romance between men and women, and they like to express their feelings in a woman's tone, and this type of lyrics accounts for about two-thirds, so in general, the style tends to be soft and beautiful. In the eyes of most commentators in later generations, "Between the Flowers" is not high in style, narrow in theme, and not deep in emotion, and has a profound but unfavorable impact on the creation of later words.

"Between the Flowers".It includes the works of 18 lyricists from the late Tang Dynasty to the Five Dynasties. "The Collection of Selling Chain Flowers" is a collection of words compiled during the Five Dynasties and Ten Kingdoms period of China, and it is also the first anthology of literati words in the history of literature.

People Zhao Chongzuo. The book includes Wen Tingyun.

The classic works of 18 Huajian poets, including Wei Zhuang, reflect the subjective orientation, aesthetic taste, physical style and artistic achievements of the literati of La Xun in the early history of words.

Between the Flowers" has a total of 10 volumes, and 500 songs of five pronouns in the late Tang Dynasty are selected. Editor: Zhao Chongzuo, the word Hongji. The biography is unknown.

According to Ouyang Jiong's "Preface to the Collection of Flowers". This collection was written in the third year of the Later Shu Guangzheng period (940), when Zhao Chongzuo was the commander of the guard. In 1900, the Dunhuang stone chamber collected the "Cloud Ballad Collection".

Before discovery. The Flower Collection is considered to be the earliest anthology of words.

"Between the Flowers" is named after the collection of works, the content of which mostly writes about the daily life of the upper-class ladies and beauties, and the decoration of appearances, women are known as flowers, and the collection of words that write women's charm is called "between flowers". These lyrics were written by literati and aristocrats for the needs of a hedonistic life. The prince of the feast, the embroidered beauty eyebrows and eyes, when the feast sings, the rhetoric is extremely soft and fragrant. Lose grandson.

The collection of flowers includes the works of 18 lyricists. "Flower Return to the Wheel of Chaos".

It includes Wen Tingyun.

and Wei Zhuang as the representative of 18 lyricists of 500 lyrics. Among them, except for Wen Tingyun, Huangfu Song, Brother Gu and Ning, who have nothing to do with Shu, the remaining 15 people are from Shu.

"Between the Flowers" is named after the collection of works, the content of which mostly writes about the daily life of the upper-class ladies and beauties, and the decoration of appearances, women are known as flowers, and the collection of words that write women's charm is called "between flowers". These lyrics were written by literati and aristocrats for the needs of a hedonistic life.

A brief introduction to the rest of the "Flower Collection".

The Collection of Flowers concentrates and typically reflects the main orientation, aesthetic taste, physical style and artistic achievements of literati in the early history of Chinese words, and truly reflects the whole picture of the transformation and development process of early words from the folk state to the literati creation. The canonical specification of "words" omits the literary genre of "words".

and aesthetic characteristics, which finally established the literary status of "words" and had a profound impact on the creation of lyricists in the Song, Yuan, Ming and Qing dynasties.

The "Collection of Flowers" does not include the poems of the Southern Tang Dynasty.

Between the Flowers" by Zhao Chongzuo, a native of Hou Shu. The book includes the classic works of 18 poets of the Huajian School of Words, such as Wen Tingyun and Wei Zhuang, from the first year of Tang Wenzong's Kaicheng (836 AD) to the fifth year of Gaozu Tianfu of the Later Jin Dynasty (940 AD), with a total of 500 poems.

Except for Wen Tingyun, Huangfu Song, and He Ning, who have nothing to do with Shu, the remaining 15 are all active in the Later Shu of the Five Dynasties and Ten Kingdoms. or born in Shuzhong, or eunuchs in Shu, they are Wei Zhuang, Xue Zhaoyun, Niu Qiao, Zhang Mi, Mao Wenxi, Gu Yi, Niu Xiji, Ouyang Jiong, Sun Guangxian, Wei Chengban, Lu Qianyan, Yan Xuan, Yin Yi, Mao Xizhen, Li Xun.

The Zongbai poetry style of the Southern Tang Dynasty poetry circle embodies the overview of the Zongbai poetry circle during the Five Dynasties and Ten Kingdoms period. Entertainment, sub-rhyme and harmony became the main theme of the poem.

The theme of "Between the Flowers" is to describe the love affair between men and women, and this kind of work accounts for the vast majority, showing the main stylistic characteristics of graceful and lingering, charming and fragrant. The themes expressed by the two are different, so the poems of the Southern Tang Dynasty are not included.

No, the words of the Southern Tang carry the author's political feelings.

No, the words of the Southern Tang Dynasty have transitioned from simply writing about beautiful women to having the author's political feelings.

Wang Guowei said in "Words in the World" that the poems of the Southern Tang Dynasty were not included in the "Flower Collection" because the style was different, but this view is not accurate enough, the book of "The Flower Collection" was written around 940, when Li Houzhu was only three or four years old, and according to Mr. Long Yusheng's "Selected Words of Tang and Song Dynasty Famous Writers": "The Flower Collection is more than the West Shu words, and the two main and middle words are not taken. Unless it is due to the different genres, Wang (Wang Guowei) said that it is not true.

There is no trace of Hunan Tang.

Wen Tingyun is more leaky and has six songs.

The willow silk is long, the spring rain is thin, and the flowers leak out.

Frightened geese, the city is black, and the golden partridge is painted.

The incense mist is thin, through the curtain, and the melancholy Xie family pool pavilion.

The back of the red candle, the embroidered curtain hangs, and the dream is long.

The two stars are scarce, the bells and drums are resting, and the warbler is waning outside the curtain.

The blue dew is heavy, the willow wind is slanting, and the courtyard is full of falling flowers.

On the virtual pavilion, leaning on the railing and looking at it, it seems to be melancholy last year.

Spring is twilight, thoughts are endless, and old joys are like dreams.

The third gorse hairpin, red pink face, and the flowers meet temporarily.

If I want, I feel your mercy, and this situation must be asked to heaven.

The incense is spikes, and the wax is tears, which seems to be the hearts of the two.

The mountain pillow is greasy, the brocade is cold, and the feeling is more leaky.

The four phases are scarce, the memories are long, and the eyebrows are light and light like willows.

Hanging green curtain, knot concentric, waiting for Lang Xun embroidery.

The moon in the city is as white as snow, and the cicadas and sideburns are sad.

The palace tree is dark, the magpie bridge is horizontal, and the jade sign is first reported.

Its five back river towers, the sea moon, the horn of the city whimpered.

The embankment willow moves, the island smoke is dusk, and the two lines are divided into geese.

Jingkou Road, returning to the sail, is exactly Fangfei's desire.

The silver candle is exhausted, the jade rope is low, and the village chicken sounds.

Its six jade furnace incense, red wax tears, partial to the painting hall autumn thoughts.

The eyebrows are thin, the temples are cloudy, and the night is long and cold.

Sycamore trees, three more rains, not to leave the love is bitter.

A leaf, a sound, the empty steps drip to the light.

Bodhisattva barbarian 5 songs.

Five generations] Wei Zhuang.

Everyone says that Jiangnan is good, and tourists only meet Jiangnan Lao. The spring water is blue in the sky, and the boat is painted to listen to the rain.

The people on the edge are like the moon, and the frost and snow are condensed on the wrists. If you are not old, you must return to your hometown, and you must break your intestines when you return to your hometown.

Don't be melancholy at night in the Red Mansion, and the incense lamp is half a tassel tent. When the waning moon goes out, the beauty and tears are gone.

The pipa is golden and cuiyu, and the yellow warbler is spoken on the string. persuade me to go home early, the green window is like a flower.

Now I remember Jiang Nanle, when I was young and thin. Riding a horse leaning on the bridge, full of red sleeves.

Cuiping gold bends, drunk into the flowers. This time I saw the flower branches, and I swore that I would not return.

Persuade the monarch to be drunk tonight, and don't talk about the affairs of the Ming Dynasty in front of the bottle. Cherish the owner's heart, and the wine is affectionate.

You must worry about the short spring leakage, and don't complain that the gold cup is full. When you meet wine and hehe, how can life be?

The spring in Luoyang City is good, and Luoyang is an old man. Liu Dark Wei Wang Di, at this time the heart turned confused.

Peach blossoms are green in spring, and mandarin ducks are bathing on the water. Condensation hatred to the remnant of the sun, Yi Junjun does not know.