Why do you have to use falsetto to sing superstars?

Indeed, because this is sung by another person, you and him can't be 100% compatible in terms of timbre, pitch, and pitch, which explains why people are unique, and superstar songs are based on that singer as a standard to determine whether you are a match for him, and since we have differences, then if you want to get a high score, you have to imitate him, but he and I are two people, and the laws of biological evolution determine that I and those singers are not the same, even if they are the same, but that's just imitation, imitation requires lip-syncing, and I used to be superstard But I deleted it, and this game doesn't stand out at all. A little bit of personality advantage, I'm myself, I have my own voice, I have my own style, why should I imitate them, even if I'm the same as them, but that's not me, hurt my voice, there's going to be a little bit of this, but it's not going to be pathological, but that's tiring, what's the point of being in a game where you can't experience a trace of your own personality?

Yes, that game is for playing tricks.

It's not people who play tricks on him

After all, it's just a bunch of **

Didn't find this problem

It's very accurate to sing normally

If you can't sing the high notes, you can only use falsetto

Mariah Carey, Maria. Kelly, she's the only person in the world who can sing 7 8's so far. Able to sing to the seventh octave on the piano without going out of tune, she was able to produce high notes that only a dolphin can make, and broke the Guinness World Record.

If ordinary people can falsetto, they can reach two octaves or a little more, and if they sing with a real voice, they will be about an octave plus six degrees.

Vocal practice is a comprehensive basic skill training of singing and vocalization, and learning to sing must start with the most basic vocal practice.

1. Do the practice of obtaining the fulcrum of the breath, experience the cooperation between inhalation and sound, and use scientific humming methods to experience and adjust your own singing resonance.

2. Learn to open your mouth and sing, loosen your upper and lower teeth, and have a loose "feeling of falling off" with your jaw loosely touching the tip of your tongue against your lower teeth.

3. When singing the octaves, from low to high, the vowels are not broken and sung together, and the oropharyngeal cavity is open from small to large at the same time.

4. The smooth coordination of the breath makes a mellow and unobstructed sound.

Extended Material: Pitch Rise Buried Field Exercises.

Physiological differences. People with thinner vocal cords are born with a higher vocal range. Otherwise, it is lower. The advantages of innate are obvious, but you can also practice them the day after tomorrow, mainly by getting up early to practice sound or humming, and after mastering the basic essentials, deliberately practice pitch

For example, you can listen to **c first, and then hum c-e-g-e-c....d-f-a-f-d...e-g-b-g-e...

f-a-c-a-f, pull it up little by little, pull it up until it is critical, insist on practicing every day, and after a few days, you will obviously feel the vocal range getting higher.

In order to broaden the vocal range, we must become familiar with the use of falsetto.

We will use the head tone (head voice) to sing the high note, it feels a bit like a ghost scream, but to be full, you will feel the bridge of the nose and the top of the head**, it is best to take time to practice every day (recommended when taking a bath), sing simple sentences such as 1 2 3 4 5 , 5 4 3 2 1, etc., and keep rising the key until you can't sing. But don't force it, or it will hurt your voice.

Up and down extended vocal range.

Upward expansion refers to the practice of one note higher from the tone that you are most comfortable with, that is, from about 1 to 2 of the short notation. It should start with a weaker voice. Carefully maintain the correct breathing state, pay attention to the control of the waist, the control of the dantian, the control of the mouth, and then gradually increase to the normal volume.

With a certain amount of experience, expand one more tone upwards.

Expanding down is also a practice of moving from the tone that you are most comfortable with to the next note, starting with a weaker sound. When expanding downward, be especially careful not to exert force on the neck, not to hold your throat, and not to smile as if to depress the root of the tongue. Try to maintain the right state of control.

How high can you sing falsetto: If you can sing falsetto, you can reach two octaves or a little more.

Many people think that using falsetto to sing high notes is a manifestation of lack of strength, and think that only Cong Feng's real voice can reflect the strength and ability of a singer. However, this perception is not entirely true. In certain situations, the use of falsetto skills can help singers better express their strength and skills.

What is Falsetto?

Falsetto is a high-pitched, high-pitched, child-like high-pitched voice that is often used in the performance of high-pitched parts. Falsetto needs to be achieved by controlling the larynx and airflow, and it takes a certain amount of skill and practice to master. The use of falsetto requires more skill and practice than "true voice".

Advantages of falsetto.

Falsetto can expand a singer's vocal range to a certain extent. For some singers who want to challenge the high notes, falsetto skills can help them better climb the peak. By mastering falsetto techniques, singers can make clearer, more stable, high-pitched, and more wonderful **.

Disadvantages of falsetto.

However, if falsetto techniques are not used properly, they can cause damage to the singer's vocal cords, resulting in a decrease in the quality of the voice. Therefore, singers also need to pay attention to the protection of breathing and larynx while mastering falsetto skills to avoid injuries caused by overuse.

The impact on the strength of the singer.

The measure of strength is not only limited to the level and authenticity of the voice, but more importantly, whether you can use your skills and experience to create a beautiful **. Even if you use a muffled Zheng Chun falsetto, as long as the singer can master it properly, the performance strength on the ** can still be reflected.

Conclusion. Therefore, the use of falsetto in the high notes does not mean a lack of strength, it is just a means that the singer needs to use his skills. It takes more effort and practice to master falsetto skills, so it can be said that high-pitched falsetto is a manifestation of a singer's strength.

The main reason is that these singers sing with real voices, showing average level, and using falsetto skills can cover up the shortcomings of their singing skills and voices.

What is the relationship between your friend and this guitar-playing friend? Acquaintance? Like it?

In fact, it's understandable to bring your boyfriend to listen to people's talks. But when I heard the word "male girlfriend", I was ignorant. If your boyfriend accepts your boyfriend.

Doesn't matter. If he doesn't accept male girlfriends, then he has to say something else.

Voice is a prerequisite for singing, and you can't sing without a voice, but having a voice doesn't mean you have the quality of your singing voice.

The quality of the singing voice includes: volume, volume, resonance, articulation, coherence between resonance and resonance, etc.

Most people take it for granted that they use their strength to sing a certain interval, which is a false assumption of the use of voice, and the result is that the more they sing, the more they lose their voice, and by the time they reach this field, they have already broken their voices.

The whole vocal training process; To achieve the balance and coordination of the voice, in addition to using scientific methods to practice the voice, it is also necessary to use related exercises to strengthen the physique.

That is to say: to practice a good singing voice, it is necessary to start from the voice and health and scientific vocal methods.

The so-called scientific vocal method is to practice the voice according to the structure of the human body, and in the process of vocal training, we must pay attention to eliminating vocal disorders, correcting bad forms, and vocal disturbances caused by habits.

The use of falsetto is very simple, but it is difficult to use true falsetto interchange, adjust the position where it occurs, and use the nasal cavity more when singing falsetto!

Generally, there are more true voice components of bass, and a good voice must be scientifically trained and practiced diligently to obtain a beautiful sound.

Secondly, the posture of singing: to be naturally relaxed and positive.

Breathing in singing: Breathing is the basis of singing, plays a decisive role, breathing smoothly, pay attention to the speed when ventilating, too fast or too slow will affect the accurate and normal progress of the song.

Again, see more, listen more, read more, think more, learn more, practice more... Don't let singing become a purely mechanical muscular activity.

Falsetto is a part of the vocal cords that vibrate, as the saying goes"Small voice"You can try singing, but don't overdo it. Resonance has nothing to do with the voice, it refers to opening the nasal and thoracic cavity to allow them to participate in the resonance when making a sound, making the sound rich. The sound that has no resonance is"White sound"It's thin.