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The chain of interests behind this is very dark, and it is the investors and competitors of the copyright owner who are operating in the dark, leaking film and television dramas to the outside world and disseminating them privately, thus playing a role in cracking down on genuine copyrights. Nowadays, the phenomenon of piracy of film and television works is endless, and according to our ordinary life, we can find that before a movie comes out, we can find the preemptive version through a small way on the Internet, which we call the "gun version". This kind of film is not licensed, and the picture quality is very bad, but the content is the same as the original, and some people will rush to watch the "gun version" in order to understand the content of the movie early, such as "Avengers IV".
With the continuous development of network technology and the enhancement of information technology, it is not so difficult for hackers to hack into the formula and steal the source of the movie. Behind these pirated ** are all **,They want to get a piece of cake from the shadows,When "Pirates of the Caribbean 5" was not launched,A hacker stole the film,And asked Disney to give a large sum of bitcoin,Otherwise, he will send this original** to the network。 This kind of theft is very bad, a good film and television work is like the core of the producer and director, the data that took a huge amount of manpower and material resources to complete in the early stage was stolen by a thief, as long as it is published on the market, then all the efforts made in the early stage are wasted.
Therefore, this kind of behavior is not only as serious as violating the law, but also hinders the development of China's film and television industry to a large extent. <>
The fact that film and television works are often stolen has made us deeply aware of the hardships of enterprises on the road to protecting their rights, because they will also face the difficulties of Internet technology, piracy transmission channels, and diversification of some channels when they defend their rights, so if we want to truly stop these piracy behaviors, it is not enough to rely on enterprises and countries alone, we must also take action. <>
Although China has now introduced a series of laws and regulations, if we want to really curb the crimes of these hackers, we have to rely on ourselves, and if we find this kind of leakage, we must actively report it.
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There must be a chain of interests, but the specific interest relationship is unknown, and things that harm others and benefit themselves often occur, and it is not surprising that the film and television industry appears.
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It is the insiders who sell the gun version of the film and television drama to the dealers, and the dealers make a profit by charging **.
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There should be a very long chain of interests behind it, and if it leaks out, it will be very disadvantageous to the party who filmed.
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In recent years, infringement incidents in the film and television industry have been common. Some book fans are the original creators' team, and some drama fans speak out for plagiarized works. Some plagiarism is a certainty, and some infringement is suspected of gaining popularity.
However, behind the infringement of true and false, netizens' cognition has fallen into an endless reversal, from "Nezha", "Young You" to "Parasite", it seems that the more popular TV series and movies, the easier it is to fall into infringement and plagiarism. Personally, I believe that there are the following reasons behind these frequent infringement incidents:
First, there is no single standard for determining infringement. In many infringement cases, the standards of the courts in different places are slightly different. For example, if you determine whether a book has copied another book, whether it depends on the similarity of the characters, the overlap of the plot, or the similarity of the structure and context of the article.
The previously popular TV series "In the Name of the People" was also sued by Li Xia, the author of another book, arguing that the show plagiarized her work "Life and Death Defense", but the court rejected all claims in the first instance. However, the author is not satisfied with the judgment of the first instance and has now appealed to the Beijing Intellectual Property Court, awaiting the outcome of the trial.
Second, the time cost of rights protection is large. For the original author, when he finds that his work has been plagiarized, often the infringing work has entered the stage of broadcasting, and at this time, the author must collect his own evidence to prove that the other party's work has plagiarized his own work. This process is long, and perhaps it will not be until the infringing works have been broadcast before the road to protecting one's rights begins.
It's a long, long way to get to the real court verdict.
Third, the cost of infringement is low. For the infringer, even if the defendant infringes on the original work of others, the amount of compensation required is much lower than the income of the film and television work. For example, the screenwriter of the TV series "Splendid Future" plagiarized the original author's work.
After two years of litigation and rights protection cases, the original author received a total of more than 600,000 yuan in compensation, but his infringement profits far exceeded the 600,000 yuan.
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Because the cost of such a violation is too low, compared with tens of millions of benefits, tens of thousands of fines are a drop in the bucket.
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Because the film and television industry itself is a place of competing interests, and many people will get to the top in this way if they want to succeed.
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