Let s talk about the road of new martial arts and how new martial arts novels go to classics

I don't think the new martial arts will work, at least not according to the current path. Even if it is a new school of fast food works, it still cannot be compared with the works of Jin Yong's generation.

Indeed, although there are many new martial arts writers now, especially the new martial arts representative writers led by Xiao Linden, Cangyue, and Bu Feiyan are surprising the rivers and lakes, but they are still young, and their pen strokes are not old and spicy, and they do not have the profound knowledge of Jin Lianggu, but youth is also their capital, and there is still a lot of room for them to grow, and China's martial arts will not be cut off and will only get better and better!

To put it bluntly, today's writers are thin and thick, and their own connotation is not enough.

I've tried to write before, and although it looks okay, I can't write it anymore, so I put it down. What about the others? I'm afraid that when I can't do it, I insist on writing it......

I feel the same way......Now there are some fantasy ** on the market, and good martial arts** are only written by those few people, and I haven't found any outstanding martial arts rookies, and the future of new martial arts is worrying......

The content of each work is also distinctive. Xiao Lin's "Luoyang Daughter's Journey", Shi Weihan's "Arrow for the Sun" tells about the grievances of the rivers and lakes, Cangyue's "Mirror Twin Cities", Youke Li Ling's "The Four Famous Catches of the Red Face", Bu Feiyan's "Mandala", Shen Yingying's "Passing Snow" writes about the heroines of the rivers and lakes, Blue Lotus's "Thousand Tent Lanterns" and "Wind and Smoke Introduction", and Xiao Ruse's "Like a Dream Order", which writes about the love of children in the martial arts, Xiao Fei's "Ranger Show", He Yuanwai's "Why Not For", and Han Han's "Chang'an Chaos" try to rebuild their own rivers and lakes. Han Han claimed that his advantage was that he had not seen Jin Yong and Gu Long's **.

This group of people put their exuberant creativity into creation, because they have no scruples in their hearts, but they have a different taste.

The subject matter of the works is also rich and diverse. "Kunlun" takes the end of the Song Dynasty and the beginning of the Yuan Dynasty as the historical background, and through the legendary experience of the protagonist Liang Xiao, it gives readers a majestic picture of the rivers and lakes. The reason why Xiao Ding's "Zhu Xian" is so popular is actually more due to the wave after wave of offensives of fantasy ** that has swept the Internet in recent years.

It can stand out among many fantasy ** because of its solid texture as a "martial arts **". Xiao Linden's works well inherit the chivalrous spirit of traditional Chinese martial arts**, and behind its plot lurks the big theme of human nature and human struggle under social norms. Bu Feiyan's cultural background is taken from Buddhism and Hinduism, and has a typical pan-oriental cultural color, which makes it refreshing for readers who are accustomed to watching traditional Chinese martial arts and Chinese Taoism.

Yang rebelled with an article "Death Incense" established his status as a representative writer of new martial arts. This work with a strong suspense color allows readers to once again appreciate the charm of martial arts suspense created by Gu Long back then. But his style is more aggressive, and it is more prominent than Gu Long's works in terms of strength.

Xiao Fei's "Ranger Show" in a sense subverts the concept of traditional Chinese martial arts, funny, humorous, in Xiao Fei's pen, the rivers and lakes are no longer full of blood and killing, but instead the rivers and lakes are a world full of humor.