Trying to describe the literary thought of Zhuangzi, Zhuangzi s literature embodies the classical Ch

Zhuangzi is the culmination of Confucianism after Confucius and Zisi. However, due to the changes of the times, the expression of Zhuangzi's thought has become obscure, no longer straightforward, and mainly based on story insinuation. The stories of Zhuangzi are extremely exaggerated and exaggerated, but in fact they are not true records, and Zhuangzi's Confucianism is actually implicit in the "unreasonableness" of these stories.

Getaway is a way of thinking and observing the contrast between distance and distance, high and low, and depth and shade; "The Theory of Things" is an absolute objective way of observation and thinking; "Thief" is an extreme hypothetical way of observing and thinking; "Autumn Water" is a ...... of observation and thinking that puts an end to narrow-mindedness

Zhuangzi attaches equal importance to literature and ideology, and is an ancient document worth studying.

Zhuangzi's main ideas are "Heavenly Dao Wu Wei", a relative epistemology.

unconditional spiritual freedom, etc. His ideas belong to the system of idealism. He exaggerated the relativity of all things one-sidedly, denied the differences between objective things, denied objective truth, and moved towards relativism in epistemology.

Starting from this epistemology, his attitude towards life is: everything is in accordance with nature, and everything is in order, knowing that it is helpless and peaceful. Politically, he advocated the rule of inaction, opposed all social systems, and rejected all cultural knowledge.

Zhuangzi's thought was developed from Laozi's thought, and he developed Laozi's Tao into subjective idealism.

Put the dialectic of simplicity.

developed into relativism. His interpretation of "Dao" is more mysterious, believing that "Dao" is a "non-material" that is "born from nature", and is a spiritual thing, and he leads Lao Tzu's view of the transformation of opposites to the extreme, believing that no matter the size, length, high or low, beauty and ugliness, success and destruction, all differences do not exist, based on this view, he believes that "the world is nothing greater than the end of the autumn, and Taishan is small; Mo Shou Yu Die (a young child who died young), and Peng Zu.

Legend has it that the longest-lived person) is dead. This confuses the distinction between size and longevity, denies the qualitative prescriptiveness of things, and moves towards the relativism of "no differences" and "all things are the same". So he proposed, "Fang is born and dies, and Fang is dead and is born......Yes and there, he is also; He is also wrong, and this is also wrong".

That is to say, you don't have to ask about right and wrong, life and death are the same, and you can show pessimism and misanthropy. He not only believes that "Qi is right and wrong", "Qi all things", and even "Qi things and me", as he said: "Heaven and earth are born together with me, and all things are one with me", and entered into mysticism.

Realm, everything is unknowable. As a representative of the declining class, he tried his best to escape from reality and pursue absolute spiritual freedom to reach the realm of "real people". In order to become a "real person", one must be able to "sit and forget", that is, to completely forget oneself, eliminate the self in the spiritual illusion, be one with heaven and earth in spirit, be one with all things, completely free from the interests and harms, gains and losses, reputation, right and wrong in the world, and obtain absolute freedom spiritually and enter a leisurely journey.

of the realm. The negative and decadent side of Lao Zhuang's thought later became the first in the spiritual world of all declining and frustrated classes or groups.

Zhuangzi literature embodies classical Chinese romanticism.

Zhuangzi, also known as the Nanhua Sutra, is a collection of Taoist doctrines written by Zhuangzi and his followers in the middle and late Warring States period. The Zhuangzi also offers a profound critique of instrumental rationality. The Zhuangzi further puts forward the idea of "getting carried away".

After the Han Dynasty, Zhuangzi was respected as a real person in Nanhua, so "Zhuangzi" is also known as "Nanhua Jing". His books, together with "Lao Tzu" and "Zhou Yi", are collectively known as "Three Xuan".

The book "Zhuangzi" mainly reflects Zhuangzi's critical philosophy, art, aesthetics, aesthetics, etc. It is rich in content, broad and profound, covering many aspects such as philosophy, life, politics, society, art, and cosmogenesis.

Zhuangzi's essays, imaginary fantasy, ingenious conception, colorful ideological world and literary artistic conception, the writing is unbridled, with a romantic artistic style, magnificent and treacherous, and the meaning is out of the dust, which is a model work of the articles of the pre-Qin Zhuzi.

Zhuangzi's words seem to be boastful and boundless, but they all have a foundation and are more important than historical data. Mr. Lu Xun said: "Its text is full of oceans, demeanor, and the works of the sons of the late Zhou Dynasty can not be the first." "Doujixian" is known as "the nine streams of pincers, including the hundreds".

Zhuangzi is not only a philosophical masterpiece, but also a model of literary and aesthetic allegorical masterpieces. It also has a profound impact on the development of Chinese literature and aesthetics. The publication and research of Zhuangzi's fables have enabled the inheritance and development of the excellent traditions of Chinese culture and the development of the spirit of the Chinese nation.

Correct answer: 1) "Latent text" is a literary work that exists in relation to the "represented object" or "imaginary object" and "aesthetic object" that is generated, completed, created, and realized in the reader's reading process; It is not the same as the facts of the text in a literary work that are composed of objective factors and can be directly grasped by feeling or thinking reason, but the subjective objects deduced by the knower from his own reading experience.

2) in the sense that it appeals to be understood, which Isser calls a "summoning structure"; In the sense that it is a "deployment" made to induce a special reading effect, it is called an "implicit reader"; In terms of what it sees from a pragmatic or functionalist perspective, it refers to "the reality of fiction"; In terms of the "aesthetic pole" that it belongs to the literary work, it is the "artistic pole" of the literary work as opposed to the "realization of the text completed by the reader".

3) Starting from the pragmatics of literature, Isserl pointed out that the composition of the "latent text" of literature involves four aspects: the "expression" of language, the construction of situation, the arrangement of "repertoire", and the use of "strategy".