What are the walls that have a high historical significance or value?

This "wall" does not seem to be an entity, as seen in the Analects, but this should be the "wall" that is mentioned most by the Chinese people.

You can also read the encyclopedia of the Berlin Wall, I say it's not complete.

The Wailing Wall. It seems to be located in Jerusalem, so you can find the specific situation yourself.

Great Wall. I can't remember if I don't look at the upstairs, the Great Wall is called the greatest wall or Chinese wall, but there is a "wall", I don't know if this "wall" the owner recognizes it.

There are also red apricots out of the wall or something (many red apricots that are also famous in history!) A wall apart. This is also a "wall" as famous as "woe Xiao Wall", and the appearance rate is also higher, I think I've seen a lot of toilets, men and women are "separated by a wall"!

The Great Wall is a general term for the large-scale military projects built by ancient China at different times to resist the invasion of the alliance of nomadic tribes in northern China. The Great Wall stretches for tens of thousands of miles from east to west, so it is also called the Great Wall. The existing remains of the Great Wall are mainly the Great Wall of the Ming Dynasty, which was built in the 14th century, from Jiayuguan in the west to Hushan in Liaodong in the east, with a total length of kilometers and an average height of 6 to 7 meters and a width of 4 to 5 meters.

The Great Wall is a great miracle created by the ancient working people of China and a witness of China's long history. Together with Tiananmen Square and the Terracotta Warriors, it is regarded as a symbol of China by the world.

The Berlin Wall you can look it up.

The birth of the wall culture was the first attempt of primitive people to defend against harmful nature. Because the progress of human beings from the trees to the cave dwelling cannot be protected without the protection of the wall. The wall culture developed to the glory of the earth after the repeated ruins of the Great Wall, and ushered in a new century of its own.

This is a testament to the practical beauty of wall culture.

Wall culture is another leap from practical beauty to artistic beauty. The flower wall in the palace, the human wall in the country, the wind wall in the garden, the wall Xiao wall, the courtyard wall, and even the fence of the farmhouse courtyard can enter the ranks of wall culture and art, which can be described as dazzling. At such a time, man is no longer a captive of nature, and there is no need to defend against anything with walls.

As a result, the wall became a door, window and advertising painting for the owner to show off his wealth. Glazed brick edging, glazed tile roofing, marble doors, colorful paint decoration, majestic, showing the strength of the wall. Artistic beauty replaces practical beauty.

When the usefulness of wall culture begins to return, the theme of restoration is to resist the harmful self-society. But it is still a gentleman and a villain.

Wall culture forms a part of traditional Chinese culture. Now that traditional culture is being re-examined, this branch of wall culture also has shortcomings, that is, it imprisons the vision and thinking of the people inside the wall.

The research object and task of modern wall culture is to find out all the types, forms, specifications and creators of Chinese walls, and to carefully analyze the origin and development trend of modern wall culture. But looking around the many walls on the land of China, we may get a glimpse of a national mentality.

The role of garden walls in ancient Chinese architecture.

The garden wall plays the role of dividing the inner and outer areas, separating the internal space and blocking the bad scenery in the garden. The intricate garden walls can also be used to decorate the landscape.

Walls and settings.

According to the material and structure, the walls of traditional Chinese gardens can be divided into plate walls, stone walls, brick walls, and whitepowder walls. The space dividing the courtyard is mostly made of white powder walls, and the walls are equipped with green tiles. The white powder wall is used to set off the mountain stones, flowers and trees, as if painting landscapes and flowers on white paper, and the artistic conception is particularly good.

The garden wall and the rockery can be separated, each with its own wonders. There should be roads, stone pinnacles, flowers and trees between the garden wall and the water surface, and the scenery should be reflected in the wall and water, which can increase the interest. Bamboo-producing areas often take local materials, with bamboo garden walls, both economical and rich in local color, but not strong enough and durable, not suitable for permanent garden walls.

The setting of the garden wall is mostly combined with the terrain, the flat terrain is mostly built into a flat wall, and the slope or mountain is built into a stepped shape on the situation, in order to avoid monotony, some are built into wavy cloud walls. The inner side of the garden wall that divides the inner and outer areas is often concealed by earth mountains, flower platforms, mountain stones, groves, verandahs, etc., so that the limited space produces the effect of infinite landscape.

From a wooden bridge to a sturdy bridge.

Originated from the Zhou Dynasty. The wall is the name of the place to which the Zhou Dynasty belongs, and the inhabitants take the land as their surname and call the wall clan.

Originated from the end of the Yuan Dynasty. According to legend, the marshal of the Red Turban Army at the end of the Yuan Dynasty, Ming Yuzhen, the king of Longshu, was rescued because he had avoided chaos by the city wall, and his descendants had a surname changed to the wall, and Qi was defeated and called the wall. Ancestor comm: Ming Yuzhen.

The cultural wall is to advocate civilization, publicize public welfare, health sports, green environmental protection, promote new city culture, promote the brand building of the city and help the city enhance its brand image.

The beautification of the wallscape should be regarded as an effective carrier to support the creation of urban spiritual civilization, and should be combined with the improvement and beautification of the city's streetscape. The image and brand of the city are effectively integrated with the light. It depicts a harmonious, civilized, humanistic and artistic urban landscape.