What values do you think Embroidered Spring Knife conveys?

Personally, I have always believed that a series of movies, as an independent single film, no matter which one of the series is taken out alone, must have the characteristics of being able to become a complete movie on its own. You can't make the audience unable to understand just because they haven't watched the prequel or haven't watched the first part. If the audience can't understand this movie because they haven't seen any of the previous related movies, it is already a failure for this movie.

In this regard, "Embroidered Spring Knife 2: Shura Battlefield" is undoubtedly a success. The theme and age of the film tell the story of Jinyiwei in the Ming Dynasty.

Regarding Jin Yiwei, Li Rengang also made a movie called "Jin Yiwei", but the focus was on love, so it was popular. Since it is Jinyiwei, it is naturally not a Jianghu or a martial arts, but an officialdom. The success of "Embroidered Spring Knife" lies in the fact that Lu Yang grasped this layer of core and made a fuss on this layer, and we saw these two works today.

Everything was still, no sound could be heard, but it seemed to feel the cold weather, a slightly wet wind, and heavy snow. When the camera avoids the characters and turns here, you vaguely know that a city is a martial arts, inside and outside the city, the water flows, the rain rains, the wind blows, and everyone lives their own life. Sweeping the streets, selling and doing farm work, there are so many people who don't have to go to the ** duel, and they don't have a sense of responsibility and self-mission.

At this time, there were people fighting on the shore, the knife was fierce, and the moves were broken. This is the charm and characteristics of martial arts in my eyes, and "Embroidered Spring Knife" does it.

The whole film is shrouded in the director's unique martial arts concept, exuding a unique martial arts idea, that is, paying attention to fast, accurate, and realistic shots and action design. In order to express fast and accurate, the director often does not shoot the movement of the characters, but uses a few extremely short shots of about one second to shoot the movement of ** at close range, and then takes a shot that shows the effect of the hand, such as the knife that is held on the neck, the knife that has just come out of the sheath, etc., and highlights the sharpness of the move with the change of rhythm. The design of the movie martial arts does not define the distinction between high and low in a complete sense, but cares more about the mastery of timing and wisdom, and its fundamental point lies in the instantaneous perception of vision and touch, in the process of fighting, seize the most important moment and strike a fatal blow to the enemy.

The film's attention to detail shows an attitude, which can be said to be serious, but more than that, sincerity. I can't help but give a thumbs up to the costumes in "Embroidered Spring Knife" like a nymphomaniac, and if you've seen the relevant stills from this movie, you'll know that I don't really give a blind nymphomaniac. From Zhang Zhenfu's appearance to Wang Qianyuan wearing the official uniform of a hundred households, you have to praise the meticulousness of this movie's costumes.

There have been many versions of the image of Jin Yiwei before, but none of them are as intriguing as in "Embroidered Spring Knife", and people have the urge to try it out.

The makeup of this movie is elegant, unlike many movies with heavy makeup, Zhou Miaotong's recent shooting except for the faint painting of eyebrows and lips, the curvature of the eyelashes is natural. Meng Hui said that in ancient Chinese aesthetics, the most important thing is not the eyes, but the moth eyebrows, in many costume movies and TV series, it is rare to see this kind of makeup loyal to the classics (the makeup of "Crouching Tiger, Hidden Dragon" was very good). I don't understand the clothes of Jinyiwei and the Ming Dynasty, so I don't dare to say, but Zhang Yan is wearing a one-piece pleated skirt, a collar and a garbi, a peripheral apron, a typical Ming Dynasty attire.

Zhou Miaotong's placket stand-up collar kaftan plus Ming cloak also conforms to the shape. Of course, Zhou Miaotong's two clothes in the Qinglou are very exaggerated, perhaps to highlight the identity of a famous prostitute. Zhao Jingzhong's last Manchurian attire, and his hair is also in line with historical records.

"Embroidered Spring Knife" is so wonderful, in addition to the fullness of the characters, the strong conflict, the wonderful interpretation of each role, and the use of editing techniques. **In the process of "Embroidered Spring Knife", the movies that have always made me think of are "Spy Shadows" and even "Raid". It's all through quick editing to achieve the excitement of each action scene, and I think that in this part of the action scene, even those who have studied martial arts, they must be able to gain something, let alone ordinary audiences.

So when it comes to "Spy Shadows", in addition to the editing techniques, the setting of the plot line, in fact, there are some similarities between the two.

The two "Embroidered Spring Knife" literary and martial arts dramas complement each other, and there is no separation. Textually, this is also a success. If there is a gap in the perception, it is the performance of female characters.

The female roles in the first part are played by Liu Shishi, and the second part is replaced by Yang Mi, although they are all functional roles and average performances, but between the two, Yang Mi's performance is obviously better than Liu Shishi. Of course, if you compare it with Jin Shijie, who is also a functional role, the performances of these two have nothing to be remarkable. From this, I guess that Lu Yang should be better at filming men's scenes, and the emotional conflict between men and women is probably his weakness.

As a historical theme, "Embroidered Spring Knife" is naturally indispensable to borrow the meaning of the past and the present. Whenever history is filmed, it is not the present, not to mention that the era chosen by the director is the Ming Dynasty. Films related to the Ming Dynasty, such as "The Great Ming Tribulation", such as "Liu Rushi", and even "The Trace of the Wako", all have modern meaning in the text.

At this point, "Embroidered Spring Knife" is no exception, not to mention that Lu Yang is a filmmaker with the director's appeal in my opinion.

The era of "Embroidered Spring Knife" is located in the early years of Chongzhen in the Ming Dynasty, when Emperor Zhu Youzhen overthrew Wei Zhongxian, a political tsunami; And several small characters in the film are inevitably involved in the tide of the big era. In the case of the collapse of the system at the end of the Ming Dynasty and the country's internal and external troubles, as "middle- and lower-level civil servants" such as the Jinyi Flag Guard, they naturally assumed the role of "chivalry".

Tens of thousands of lives, like mowing grass, are gone, if you want not to die like this, you have to change your way of living.

Men's long march, young and quiet swallows.

Bet on winning under the horse's hooves, the origin is seven feet lighter.

Don't dare to kill people, you must be like a hedgehog.

Huang Yun Longdi is white and snowy, and he can't return without repaying his kindness.

The little woman in Liaodong is fifteen years old, and she is used to playing the pipa and singing and dancing.

Today, the sound of the Qiang flute has made our three armies cry like rain.

I really don't have a choice to be born in this world, but if I live just to live, I can't bear it.

On the importance of changing the way of living.

I paid attention to this movie because of Liu Shishi, but in the end, this movie surpassed a movie in which an idol participated, and became a movie that I really loved. Just learned about the Golden Horse Award nominees**, I would like to add some data about this film.

1 box office: The box office of the embroidered spring knife on the first day was 8.4 million, and the final box office was 10,000, which can be regarded as relying on the quality of the movie and word of mouth to get out of a beautiful long line. Among them, several small records were broken - on August 16, 2014, Xiuchun Dao won 1.23 million online votes with a film arrangement, which is the second film to win millions of online votes with less than 5% of the film, and it is the first Chinese film to achieve such a good result, and this miracle appeared on the third day.

At the same time, Xiuchun Dao also refreshed the record of the highest online ticket (1.23 million) when the film was scheduled below 5% (1.23 million, the previous record was 1.1 million online tickets for "Life of Pi" on December 22, 2012).

2. Word-of-mouth: t f value.

Final Box Office First Day Box Office=

Such data is very good. The t-f-score is generally used to measure word-of-mouth from the perspective of box office, and movies above 10 are considered to have a very good reputation among ordinary audiences. For comparison, the T f value of Small Era 2, the T F value of Small Era 2, the T f value of the indefinite future, and the T f value of the Four Famous Catches 3.

At the same time, the Douban score climbed all the way from 0:00 on the first day of release to the next screening, and then the genuine online version flowed out, and then declined, and now it is stable in people's evaluation). The rest of the major online word-of-mouth lists are countless, and they are not listed one by one. Such a word-of-mouth, for a Chinese costume film, I think it's quite handy!

3 Awards: The list of nominees for the Golden Horse Awards just announced, "Embroidered Spring Knife" was shortlisted for 6 items, among which the best actor was shocked.

Best Supporting Actor Jin Shijie, Best Original Film** Wang Zongxian, Best Action Design Sang Lin, Best Styling Design Liang Tingting, Best Editing Zhu Liyun and Tu Yishou.

As a pure mainland team, China Film has a small investment in commercial films (30 million investment), and I am really pleased to be able to achieve such results, as a fan. is not just because of the nominations for Best Actor and Supporting Actor, after all, both are senior Taiwanese actors; is due to the fact that these technical awards are all mainland filmmakers, especially those in action design and editing, who are newcomers to the film industry.

I hope they can win the award, and I hope that this group of young people who are really talented and pay for the film will no longer lack opportunities because of their qualifications and connections.

Hopefully this movie won't be buried.

I hope to see a sequel, and I hope to see a new director.

I think Embroidered Spring Knife 2 is a prequel to Embroidered Spring Knife.

The plot arrangement, the first part must be a foreshadowing for the second part.

The second part is a supplement to the first part, and it belongs to the follow-up.

The first part is like a prequel to the second part.

The plot is connected and continued.

There must be a connection, otherwise how could there be a second part.

The first part is a prequel to the second part.

It's the emperor again, when he came out, he did give people a heroic feeling, but a sentence of "no one is available" has exhausted his sadness, even though he has great ambitions, but in a terminally ill situation, he is more powerless, giving people a sad sigh of the end times.

In such a context, the wicked are rampant, acting for the tiger, the good people retreating, twisting and turning, sad, happy in life, and sad in death, always creating and making people.

talked about two things, one is obsession, everyone has everyone's obsession; One is to seize the opportunity when it comes, at all costs.

"Embroidered Spring Knife" mainly tells the suspenseful story of the three brothers of Jinyiwei who were ordered to hunt down Wei Zhongxian during the Chongzhen period of the late Ming Dynasty, but finally got involved in a palace conspiracy.

The whole movie tells the story of the three brothers of Jinyiwei who hunted down and killed Wei Zhongxian in order to realize their personal ideals and revenge, but they were confused by the immediate interests and fell into a complex conspiracy and court power struggle.

It tells a court story, the story of three Jinyi guards chasing and killing Wei Zhongxian, which is full of suspense.

I watched it a few times and didn't read it all, and I didn't understand what I said, I only remembered that Yang Mi had a role in it.

One of his favorite movies in 2014, whether it is literary drama or martial arts, the young director Lu Yang has a good control of it。Use martial arts to promote literary drama, literary drama does enough articles, there is nothing new in fighting, and the deepest impression after watching it is the character modeling. It is not surprising that the film won the Best Styling Design at the 51st Taiwan Film Golden Horse Awards.

The casts of the movie are enough, but the box office is not high. Zhang Zhen and Liu Shishi are the biggest characters in this play, the most famous, and the most important roles. But the effect of watching the movie is that except for Liu Shishi's red dress who was initially surprised, I had almost no big impression of her.

It stands to reason that Liu Shishi's role is extremely important, she decides whether the movie has or not, but she just can't feel its importance during the movie. Zhang Zhen is the same.

The reason is from **? It's definitely not a script, then it can only be acting。Liu Shishi's acting skills are speechless, they are as bad as ever, especially in the movie.

Zhang Zhen's performance is not good, it is just a normal level, and it is difficult to reach the height in Wong Kar-wai's movies.

Ding Xiu is a character who is both evil and righteous in the movie, he is a Jianghu person rather than a system person, and he is the only one who can be happy in the whole play.

The last time I watched "Heroes of Heaven and Earth", I recognized Nakai Guiichi as Wang Qianyuan, and almost made a joke. Wang Qianyuan's acting skills have nothing to say, which can be seen from "Rescue Mr. Wu". In this play, Wang Qianyuan is more of an eye play, sitting around that scene, you can see his inner activities from those eyes.

The most amazing thing about the movie is the plot, which is not so much a martial arts movie as a political movie. In another timeline, Jin Yiwei is the secret police. The director's officialdom of the Ming Dynasty uses the past to satirize the present, satirizing the officialdom and colluding with people's hearts.

is about the rights and wrongs of officialdom rather than grievances in the rivers and lakes, and you have to admire the director's Spring and Autumn brushwork.

The only one who is not in the system in the whole play is Ding XiuTake a long Miao knife, which is a weapon used in the fight against the Japanese invaders, and those who don't know it will find it strange. This is precisely the character's character.

Zhang Zhen's weapons are embroidered spring knives and crossbows, which can be far and near, and among the three brothers, he is resourceful.

As the youngest and sickly third brother, his weapons are two short knives with light blades, and he pays attention to the skill of striking, which is consistent with his identity and personality traits.

Everyone in the film has their own desires. Some seek fame, some seek profit, some only seek to stay with their beloved, and some seek brotherhood. Living in this world, we constantly challenge our humanity and bottom line for what we want. And in the end, they all belong differently.