Characteristics of Tang yellow glazed porcelain, characteristics of yellow glazed porcelain and iden

Features: It is a kind of low-temperature glazed porcelain fired in an oxidizing flame atmosphere with an appropriate amount of iron as the coloring agent and lead as the co-solvent.

Yellow glazed porcelain is a kind of ceramics, which first appeared in the Tang Dynasty in Huainan Shouzhou kiln in Anhui, Qionglai kiln in Sichuan, and Mi County in Henan.

Xiguan kiln, suburban county kiln, Shaanxi Huangbao kiln, Shanxi Hunyuan kiln, Hebei Quyang kiln, among which Shouzhou kiln yellow glazed porcelain is the most famous.

Before the Ming Dynasty, most of the low-temperature yellow barley was yellow-brown or dark yellow, not true yellow. The yellow glazed porcelain handed down from generation to generation is the earliest in Xuande products, most of the heirlooms are plates, the inside and outside of the utensils are applied with yellow straw, the glaze is delicate, the glaze is fat, and the whole body has no lines.

Koji. During the Zhengde period, the yellow barley reached the highest level in history, the tone of the utensils was uniform, the glaze was smooth and traceless, the color was moist and delicate, and the glossiness was high.

Better, just like chanterelle, is a real yellow color. Because it is poured directly on the white glazed porcelain or plain tire when the glaze is applied, the glaze layer is not easy to peel off, so it is called "pouring yellow". Because of its light hue, it appears delicate, also known as "delicate yellow".

In the late Ming Dynasty, yellow glazed porcelain was stopped for a time until the Shunzhi of the Qing Dynasty.

The period was resumed firing, Kangxi, Yongzheng, Qianlong three dynasties of the Huangqi porcelain is mainly on the basis of following the Ming Dynasty Huangqi, to imitate Xuande and Hongzhi yellow glazed porcelain, the dark carving.

Scratching, printing, carving and other decorative techniques and glaze painting are jointly applied to Huangqi porcelain, which not only enriches the varieties of Huangqi porcelain, but also reflects the innovative color, changing the appearance of the previous monochrome yellow glazed porcelain "plain face to the sky", forming another peak in the history of the development of yellow glazed porcelain.

The yellow glazed porcelain has a variety of types and unique glaze colors, sometimes showing a tranquil and delicate beauty, and sometimes changing the charm of warmth and elegance. "General Dictionary" notes the cloud: "The yellow one, neutralizing the beauty, Huang Chengtiande, the most prosperous and beautiful, so the color is overflowing."

For a long time, yellow glaze was the strict glaze color of the royal family in the Ming and Qing dynasties, and yellow glazed porcelain became the exclusive porcelain of the Ming and Qing dynasties. In recent years, in the art collection market, in the eyes of collectors, yellow glazed porcelain has become more and more delicate and moist, bright and lovely. Perhaps, under the continuous exploration of the market, its ** will eventually match its level.

Yellow glaze is generally divided into two types: "pouring yellow" and "lemon yellow". During the Ming and Qing dynasties, most of the yellow glaze ware was "pouring yellow", and the so-called "pouring yellow" refers to the use of "pouring glaze" to apply glaze, and then it is made by low temperature roasting. "Lemon yellow" was not created until the Yongzheng period of the Qing Dynasty.

In the collection of yellow glazed porcelain, you should choose famous kiln products. For example, Hongzhi yellow glaze and Yongzheng lemon yellow are famous in the history of Chinese ceramics. From the perspective of age, the Yongle model of the Ming Dynasty, the Xuande model or the Chenghua model, and the Shunzhi model of the Qing Dynasty are all unavoidable.

From the point of view of craftsmanship, works with exquisite carving or some kind of meaning are more valuable. In addition, there are official models, ** clear royal yellow glaze porcelain is also a choice.

The yellow glaze of the Han Dynasty has many impurities, and it is not a pure yellow glaze, it should be said that it may only be the occasional product of the kiln change due to the fire and formula when the kiln workers burn the kiln. It is because of this accidental kiln change that the yellow glazed pottery of the Han Dynasty has considerable historical craftsmanship value. Tang Sancai and Liao Sancai also have different shades of yellow-brown glaze, which also belong to the products of kiln change.

Yellow glaze is also divided into low-temperature yellow glaze and high-temperature yellow glaze. The high-temperature yellow glaze on porcelain is mostly ordinary folk kiln products; The low-temperature yellow glaze on porcelain is mostly official kiln products, which is very precious. The pure low-temperature yellow glaze on the porcelain, as a decorative glaze fired twice in the kiln on the fired porcelain blank, appeared in the Xuande period of the Ming Dynasty.

The yellow glaze of Ming Chenghua and Hongzhi reached the highest level in history, and the yellow glaze of the official kilns of the three dynasties of the Qing Dynasty was exquisite, while the yellow glaze of the late Qianlong period entered a period of decline.

Ming Hongzhi yellow glaze color is lighter, called "delicate yellow", its wall is thinner, the bottom of the vessel is white glaze, the white glaze is thick and slightly green; The type of vessel is mostly seen in the straight mouth plate, the curvature of the plate is not large, it is the official kiln, and there are blue and white six-character two-row double-circle block characters at the bottom of the vessel.

Ming Zhengde and Jiajing yellow glaze became deeper, and it was "goose yellow" and "malt yellow". Those that are deeper than "malt yellow" are also known as "beeswax yellow". In addition to the monochrome yellow glaze, there is also a yellow glaze as the ground, and green glaze is added to the pattern.

Most of the green color patterns are engraved on the tire as the outline of the pattern, and then the green color is applied, and there are also blue and white, alum red side by side with a device of products, such as yellow yellow yellow flower and alum red rehmannia color glaze painting and other products, the style is also blue and white six-character two-row double-circle regular book.

The glaze of Kangxi yellow glaze in the Qing Dynasty is fine and crystalline, like chicken fat, so it is also called "chanterelle yellow". Kangxi yellow glaze ware appeared on the yellow glaze fetus carved with various patterns and patterns. The pattern is hidden in the yellow glaze after firing.

At the same time, there is also a pile of plastic ornamentation. For example, the yellow glazed dragon ear cups and stacked cups and saucers in the official kiln are quite fine.

In addition to inheriting the monochrome glaze of "chanterelle yellow" and green color products on yellow ground in the previous dynasty, the Yongzheng yellow glaze of the Qing Dynasty also appeared in the pattern of pastel applied to the yellow glaze. The typical ware of the official kiln is the sixteen child bowls with pastel on the yellow ground and the plates and bowls with pastel clouds and cranes. Qing Yongzheng also appeared "pink yellow", the yellow glaze contains heavy powder, light color and transparency.

Some pink yellow is slightly cyan in light yellow, like "egg yolk", so it is also called "egg yolk".

The imitation of the yellow glaze of the Ming and Qing dynasties imitates the glaze of the Ming Dynasty without fertilizer and thin, and there is no yellow-brown iron oxide in the exposed place, and some are yellow-brown and reddish; Imitation of the Qing Dynasty Kangxi chanteryl yellow glaze is uneven, the glaze color is dark, some are slightly cyan, the imitation of the Qing Dynasty Yongzheng pink yellow glaze is too thick, and more fired into orange peel, the glaze appears small dots concave.

The overall characteristics of the new imitation before and after the new century: the yellow glaze tire of the three generations of imitation Qing Dynasty is too fine like white powder, and the glaze color is relatively tender. Imitation Ming Hongzhi yellow glaze fetal bone is heavy, and yellow glaze ware uses blue and white as industrial cobalt oxide raw material.

Penetrating into the fetal bone, imitating the folk kiln, shoddy, imitating the official kiln, fine, but lacking a hard luster.

What is the pottery that was prevalent in the Tang Dynasty with yellow, white, and green as the basic glaze colors?

Correct answer: Tang Sancai.

Tang Sancai (full name: Tang Dynasty Sancai glazed pottery, English name: Tang Tri-color glazed ceramics), the treasure of ancient Chinese ceramic firing technology, is a kind of low-temperature glazed pottery that prevailed in the Tang Dynasty, the glaze has yellow, green, white, brown, blue, touch cherry source black and other colors, and yellow, green, white three colors, so people are used to calling it "Tang Sancai".

Because Tang Sancai was the earliest and most unearthed in Luoyang, it is also known as "Luoyang Tang Sancai". In 1905, during the construction of the Luoyang section of the Longhai Railway, a number of Tang Dynasty tombs were found in the north of the ancient capital Luoyang.

Features: smooth and clean as jade, elegant and elegant.

The Tang Dynasty was mainly famous for its celadon and white porcelain, which was as smooth as jade, and Hui was described as "ice-like and snow-like" in that era. Compared with white porcelain, celadon in the Tang period is undoubtedly more well-known in terms of characteristics and artistry.

Yellow glazed porcelain first appeared in the Tang Dynasty Anhui Huainan Shouzhou kiln, Sichuan Qionglai kiln, Henan Mi County Xiguan kiln, suburban potato with spring county kiln, Shaanxi number of Nai West Huangbao kiln, Shanxi Hunyuan kiln, Hebei Quyang kiln, among which Shouzhou kiln yellow glazed porcelain is the most famous. It is a kind of low-temperature glazed porcelain fired in an oxidation flame atmosphere with an appropriate amount of iron as the coloring agent and lead as the auxiliary solvent.

The yellow glaze has Kangxi "pink yellow", and it is fired twice. The ingredients are different, including "delicate yellow", "old yellow", "wax yellow", and "eel yellow". There is Yongzheng "tea powder"; Yellow-green translucent Pan Venus, simple and delicate, is a crystalline glaze of iron and magnesium compound.

Iron embroidery glaze", ochre yellow contains crystals. There are Qianlong "light yellow", "beige", "moon white", "old monk's clothes" and so on.

The purple glaze has Kangxi "blowing purple". Qianlong's "eggplant skin purple" is colored by the manganese glaze introduced by Ganzhou cobalt soil "called pearl". There are also "grape purple", "rose purple".

The shape of white porcelain is similar to that of celadon, such as spouted injections, jars, etc. Some of the utensils are very exquisite, such as fancy mouth plates, bowls and plates, and diamond-shaped boxes, all of which are very dignified and generous, and have a unique style. The white porcelain of the Tang Dynasty is generally undecorated, and is known for its simplicity, heaviness and simplicity.

Typical works such as "white glazed rosette candlestick".