Seeking poetry is the same as Seeing and Not Seeing , a poem with a sense of meaning and popularity

"Broken Chapter" by the poet Bian Zhilin

You look at the view from the bridge, and the people watching the view are watching you from upstairs. The bright moon decorates your windows, and you decorate other people's dreams. ”

Rain Lane - Dai Wangshu Rain Lane.

Holding an oil-paper umbrella, wandering alone in the long, long, lonely rainy alley, I hope to meet a girl like a lilac with a grievance. She has the color of lilacs, the fragrance of lilacs, the sorrow of lilacs, grieving in the rain, complaining and wandering; She wandered in this lonely rainy alley, holding an oil-paper umbrella, like me, silently (chì chù) like me, cold, desolate, and melancholy. She silently approached, approached, and cast a gaze like a breath, and she floated by, like a dream, like a dream, and confused.

Like a lilac field floating in a dream, this girl floated beside me; She silently walked away, far away, to the fence of decadence (pǐ), and walked through this rainy alley. In the lamentation of the rain, her color was dissipated, her fragrance was dissipated, even her breath-like eyes, lilac-like melancholy. Holding an oil-paper umbrella, wandering alone in the long, long, lonely rainy alley, I hope to float past a girl who is like a lilac and has a grievance.

There are also poems by Xi Murong, Shu Ting and others, search for yourself...

Your standard is very difficult to define, if you don't bother to take a look here.

It's a poem I've read in the last few years. I love it anyway.

First, it's best not to see each other, so that you don't fall in love. Second, it's better not to know each other, so that you don't love each other. Thirdly, it is better not to be accompanied, so that you do not owe each other.

Fourth, it is better not to cherish each other, so that you can not remember each other. Fifth, it is better not to love each other, so that you can not abandon each other. Sixth, it is better not to be relative, so that we can not meet.

Seventh, it is better not to be wrong, so that there is no loss. Eighth, it is better not to allow each other, so that there can be no continuity. Ninth, it is better not to depend on each other, so that they can not be together.

Tenth, it is better not to meet, so that we can not meet. But if you have seen each other, you will know each other, and when you have not seen each other. Ande and Jun are absolutely anon, and they are exempt from teaching life and death to be lovesick.

Cangyang Gyatso's Seeing and Not Seeing.

The first of the Ten Commandments is that it is best not to see each other, so that you can not fall in love.

Second, it's better not to know each other, so that you don't love each other.

Thirdly, it is better not to be accompanied, so that you do not owe each other.

Fourth, it is better not to cherish each other, so that you can not remember each other.

Fifth, it is better not to love each other, so that you can not abandon each other.

Sixth, it is better not to be relative, so that we can not meet.

Seventh, it is better not to be wrong, so that there is no loss.

Eighth, it is better not to allow each other, so that there can be no continuity.

Ninth, it is better not to depend on each other, so that they can not be together.

Tenth, it is better not to meet, so that we can not meet.

There's a song called "The Battle of Vietnam," which I really like, which was written by an American woman in the '70s to her husband who went to war, but her husband never came back.

The Battle of Vietnam remembers that time, I borrowed your new car.

And I bumped into it, and I thought you were going to kill me, but you didn't.

Remember that time I dragged you to the beach.

And you said it was going to rain, and it did.

I thought you'd say I, tell you, but you didn't.

I remember the time I spit strawberry pie all over your freshly painted carpet.

I thought you'd hate me, but you didn't.

I remember that time I forgot to tell you that the ball was in a dress.

And you showed up wearing only jeans, I thought you were going to give up on me, but you didn't.

Yes, there are many, many things that you have not done.

For you tolerate me, love me, and protect me.

There are many things I want to give back to you.

Waiting for you to come back from Vietnam.

But you don't.

Some of Sanmao's classic sentences are also good, and they can be searched on it.

The ten precepts of acacia are also Cangyang's. His poems are really good and strongly pushed.

Seeing and Not Seeing" wasn't written by Cangyang Gyatso, right? . .

That Day, You, Year, January, That Life" was not written by him.

This one was written by a Han Chinese.

And this is also a song,--Cangyang Gyatso Love Song", The Believer

The previous one sounds good.

This poem seems very simple, but there is a deep feeling, no matter who reads this poem, will unconsciously slow down the speed of speech. It expresses unchanging love, which can be the love of love, the love of friendship, and the love of family.

I am there, love is there, love is there, my hand is in your hand"; "No sorrow, no joy, no coming, no increase, no retraction, no reluctance". A few simple sentences, but it expresses the kind of love that is persistent and old.

You see me or not, you read me or not, you love me or not, you follow me or not" shows that this kind of love is one-sided, even if you don't get any response, there is no regret.

Come into my arms, or let me dwell in your heart" shows that although love is one-sided, it also longs for recognition; Get loved.

The last four words of the poem, "Silent, in love, silent, rejoicing." "Love doesn't always need to be expressed in words, if true love is deep, even silence is the best expression.

The author of the poem is the contemporary female poet Tashi Ram Duoduo (formerly known as Tan Xiaojing, Han nationality, Cantonese. She was a devout Buddhist). The poem is from his 2007 collection of works, Suspected Wind and Moon, titled "The Silence of Banzaguru Baima".

Original poem: The silence of Banzaguru Baima.

You see, or you don't see me.

I was right there.

Not sad, not happy.

You read me, or you don't read me.

The love is there.

Don't come, don't go.

You love, or don't love me.

The love is there.

No increase, no decrease.

You follow, or you don't.

My hand is in yours.

Don't give up.

Come into my arms.

Or let me live in your heart.

Silently in love.

Silence and joy.

I like but don't get the feelings. I've been waiting for you. I'll be there as long as you can turn back. If you look for me, you will surely be able to shine on me. I will always be there for you.

For love, never give up, willing to wait.

The poem is by Tashi Ram Dodo, and the full text is as follows:

Ban Shu repents of the silence of Zaguru Baima

You see, or you don't see me.

I was right there.

Not sad, not happy.

You read me, or you don't read me.

The love is there.

Don't come, don't go.

You love, or don't love me.

The love is there.

No increase, no decrease.

You follow, or you don't.

My hand is in yours.

Don't give up.

Come into my arms or let me dwell in your heart.

Silently, in love, in silence, in joy.

The poem, which should be titled "The Silence of Banzaguru Baima", was written by Tashi Ram Dodo, and is from his 2007 collection of works, "Suspected Wind and Moon".

It's "The Silence of Banzaguru Pema," written by Tashi Ram Dodo, a low-key poetess, not Cangyang Gyatso's poems, just a myth.

According to the 66 poems translated by Daoquan in 1930, there is no such poem, and it should not have been written by Cangyang Gyatso, but it has not been verified.