Euphemism and Extravagance Definitions 15

That's pretty much it, and I don't have anything to say.

It's like I'm explaining terms, so specific!

The Wanyue school is one of the Song style schools. Another opposing genre is the Extravagant School.

It is clearly proposed that the words are divided into two schools: graceful and bold, and it is generally believed that it is the Ming man Zhang Wei (the word Shiwen, the author of "Poetry Atlas" and "Nanhu Poetry Collection". Wang Shizhen of the Qing Dynasty said in "Flowers and Plants": "Zhang Nanhu has two schools of words: . .

One is graceful, the other is bold. Wang Youhua's "Theory of Ancient and Modern Words" quoted Zhang said, to the same effect. Xu Shizeng, who was slightly later than Zhang Wei (the word Bolu, a native of Jiajing in the Ming Dynasty), also pointed out in the "Preface to the Distinction of Style":

As far as the words are concerned, there are those who are graceful and those who are bold.

The graceful person wants his words to contain it, and the bold person wants its atmosphere to be magnificent, although the cover is due to its quality, and the words are expensive and touching, it should be graceful and positive. Xu Shizeng's statement is similar to Zhang's. Grace and boldness are not enough to summarize the rich and diverse styles of Song Ci, but they can show that the style of Song Ci has two basic tendencies: "feminine" or "masculine", which is helpful to understand the artistic style of Song Ci.

Graceful is the meaning of Wan Zhuan subtle. This word was first seen in the pre-Qin period, and it has been used by the people of the Wei and Jin dynasties to describe literary dictionaries, such as Chen Lin's "Book for Yuan Shao and Gongsun Zhan": "You have to write with a foot, and the meaning of the words is graceful."

Lu Ji's "Wenfu": "Or be clear and void to be graceful." "In the history of words, it has been a habit for a long time.

The lyrics were originally composed for ensemble singing, and the purpose of singing at first was mostly to entertain guests, and the occasion for singing was nothing more than the palace nobles, Qinlou Chu Pavilion, so the content of the lyrics was nothing more than parting thoughts and sorrows, and the feelings and grievances of the boudoirs, which formed the "fragrant and soft" style represented by the "Flower Collection". The Northern Song Dynasty lyricists inherited the rest of the threads, Yan Shu, Ouyang Xiu, Liu Yong, Qin Guan, Zhou Bangyan, Li Qingzhao and others, although they have developed some in content, the pen is more exquisite, and they can all have their own charm and become a family of their own, but in general they have not departed from the trajectory of turning and being soft. Therefore, the predecessors mostly used words such as "graceful" (the second collection of "Tiaoxi Yuyin Cong Words"), "soft" ("Etymology"), "Silk and Turn" ("Wine Side Word Order"), and "Twists and Turns" ("Yuefu Yu Commentary") to describe the style of their works.

The Ming people's way of summarizing this type of style of words with "graceful school" should be said to have been brewed over a long period of time.

The characteristics of the euphemistic school are mainly that the content focuses on children's customs. The structure is deep and meticulous, attaches importance to the harmony of the rhythm, the language is mellow, fresh and beautiful, and has a kind of soft beauty. The content is relatively narrow.

Due to the fact that for a long time, many words tend to be soft and beautiful, and people have formed the concept of being graceful and authentic. For example, "Yizhou Shanren Word Commentary" takes Li Houzhu, Liu Yong, Zhou Bangyan and other lyricists as "the authenticity of words", which represents this view. The graceful style of words has dominated the world of words for a long time, until a large number of lyricists such as Jiang Kui, Wu Wenying, and Zhang Yan in the Southern Song Dynasty have all suffered its influence from different aspects.

1. The subject matter is different, and the bold words are generally written about some military and state affairs, so its overall momentum is relatively grandiose, and the artistic conception is also relatively grand, while the euphemistic words are mostly written about children's love for children, men and women, and some parting or sadness and other friendship buried feelings.

2. The expressions are different, the bold words are basically straightforward, and the whole poem is more hearty and bold. Euphemisms are more subtle and euphemistic in expression.

3. The artistic conception is different, the bold words are informal, its content is relatively substantial, giving people a sense of grandeur, and the visual judgment of the creation is also relatively broad. Euphemism is more meticulous in structure, paying more attention to the harmony of rhythm and the roundness of language, which reflects the beauty of euphemism.

Summary. I like bold words: The bold faction is patriotic, bold and unrestrained, and has the momentum of not breaking Loulan and never returning it, which is shocking.

Do you prefer euphemisms or bold words, why.

I like bold words: The bold faction is patriotic, bold and unrestrained, and has the momentum of not breaking Loulan and never returning it, which is shocking.

Have you ever been confused about something, and how did you overcome it?

Is there any confusion about kissing?

Li Qingzhao expands and appreciates other poems.

Which one can't you use?

Li Qing's words in the early stage are more realistic, and the stool reflects her boudoir life, thoughts and feelings, and the subject matter focuses on writing about natural scenery and parting lovesickness. For example, the two rotten gods of "Like a Dream Order" are lively and beautiful, and the language is new and meaningful.

Li Qingzhao's early lyrics more truly reflect her boudoir life and ideological feelings, and the theme focuses on writing about natural scenery and parting lovesickness. The wide hail is like "Like a Dream Order", lively Xiu's Qiaohe Li, and the language is new.

Poetry and words, which do you prefer and why?

I prefer Song Ci, the unrestrained Xin abandonment, Su Shi. Li Qingzhao of the gentle school, reason: words and poems look noisy, sentences are early but not scattered, Lu slip seems more casual than poems, unique and charming, and can better express the author's thoughts and feelings.

Good work. It's okay<>