Difference Between Romantic Opera and Classical Opera more than a thousand words , thank you 10

During the Romantic period, French opera was divided into grand opera, lyrical opera, and light song and dismantling opera.

1. The grand opera is famous for its grand face, luxurious scenery and magnificent style.

In terms of content, it mostly expresses the pride of historical heroes and the almost exaggerated sense of emotion.

**, there are also obvious features, the recitative is accompanied by an orchestra, needless to say, the ballet, chorus and mass scenes in the play pursue the beauty of grandeur and grandeur.

For example: Verdi's Sicilian Vespers, Wagner's Tannhauser

2. Lyrical opera is a lyrical art that enriches and develops the pattern in the interaction between comic opera and grand opera.

Most of them are based on literary masterpieces, and in terms of style, composers focus on the description of the lives and feelings of the characters.

For example: Gounod's Faust

3. The content of operetta mostly comes from daily life, and the structure is short.

It was a one-act play in the early days, and later developed into a multi-act play.

The form includes solo singing, duet singing, and dancing, which is easy to understand and witty and vivid.

For example: Johann Strauss's "The Bat".

Summary. Hello, dear, during the classicist period, opera has formed two major schools centered on Italy and France, but the opera has gradually deviated from the artistic ideals of the Florence Camerata Society in the gradual development, and the Italian comic opera, German-Austrian opera, and English folk drama have a strong impact on the traditional Italian opera. As a result, the reform of opera, and the rise and gradual prosperity of comic opera, were the focus of the development of opera in the early classical period, and Mozart's opera creation represented the development of opera in mature classicism.

Discuss the development of opera in the classical period.

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Good. Hello, dear, during the classicist period, opera has formed two major schools centered on Italy and France, but the opera has gradually deviated from the artistic ideals of the Florence Camerata Society in the gradual development, and the Italian comic opera, German-Austrian opera, and English folk drama have a strong impact on the traditional Italian opera. As a result, the reform of opera, and the rise and gradual prosperity of comic opera, were the focus of the development of opera in the early classical period, and Mozart's opera creation represented the development of opera in mature classicism.

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Turandot, Carmen and the like, ......Recently, the ** class has just started

French opera of the 17th century:

Just as Italian opera was in full swing, France became the second country after Italy to develop and form an opera with strong national characteristics. Undoubtedly, it was Italian opera that first knocked on the door of France. In 1660 and 1662, Cavalli staged two Italian operas, Sells and Hercules Lover, at the Louvre and Tuileries, respectively.

Although these operas were the most outstanding in Italy, they did not create a "sensation" in France. The French, who have always been proud of their own art, only received the "visit" of Italian opera with a polite smile and applause like a diplomat, but they showed in their bones that they were out of place with foreign operas and composers. For quite a long time, the French were almost so indifferent to opera that they resisted, and they neither recognized Italian opera nor composed their own.

The Formation of French Opera:

However, this impasse was finally broken in the 70s under Louis XIV. After several twists and turns, French opera took to the stage with its own unique characteristics and amazed Europe.

The formation of French opera mainly originated from an excellent tradition in national culture: ballet. France is the home of ballet.

Long before Italian opera was introduced to France, ballets, masquerade, royal ceremonial guards and other scenes related to words such as splendor, magnificence, and elegance won the heartfelt preference and applause of the French. At the end of the 16th century, ballet became popular at the court, and kings and nobles were not only active and enthusiastic planners, but also highly skilled performers. Whether it is a festival, a ceremony, a banquet, a welcome to a foreign mission, or an artistic event, the grand and luxurious ballet is always the most favored "princess".

The influence of ballet radiated from the court to the town and town, and it became the most beloved art genre of the French. Ballet became an important part of French festivals and even in French society.

French ballet has long included a theatrical element. The "Queen's Comedy Ballet", performed in 1581 for the wedding of the Lord of Walmont and the Duke of Zhivaille, was not only a dance to express a certain mood, but also to show certain plots through dance, and more importantly, there was a drama-like theme in the whole dance, which became a kind of comedy-ballet. Later, in the ballet, a vocal part was added, which included arias, recitatives, choruses, and an overture.

The themes of ballet are mostly from myths and allegories, and they are full of rhythm. At that time, the classical French tragedy, represented by Pierre Gournay (1606-1684) and Jean Racine (1639-1699), had entered a mature period, and its aesthetic theory and recitation style also injected the necessary theatrical elements into the upcoming French opera.

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