As a photographer, what are some of the techniques you don t easily teach?

Pi Du said that it is not easy to teach, you think I will say

I may not understand it, how can I teach others the skills, since there are skills, you can see the shooting skills by looking at the **, and the real skills are things that can't be sorted out in the series, and the sudden inspiration of the moment in the shooting, this kind of thing can't be learned.

Filming skills, there is nothing to be conservative. It's nothing more than the processing of the composition and tone of the ** group, I think that the scene in front of the photographic lens is one time for everyone, and it will never be reproduced! You can remake people's works, but you can't take other people's works, and there will never be a scene in front of the camera again!

Deliberately shot a little ugly.

Grasp the points of light and shadow, near and near, virtual and real.

No matter how big or small people are, at least people must appear.

Techniques are always at the service of the subject, always tools. The use of light and shadow to express profound connotations is the key to the success of the work.

First of all, you have to have money to be able to afford the equipment, there are a lot of theories, there are books, the key is to look at the post-production P picture skills and shooting equipment.

Since it is not easy to teach, how can it be possible to tell others in such a place.

If you don't teach it easily, don't say it's okay.

Composition, post-production, although they are all critical, but basically you feel very atmospheric, amazing, and beautiful at a glance, which are basically taken by full-frame cameras. So if you have a hobby of photography, you might as well grit your teeth and start with a high-end camera with a red circle lens.

Speaking from experience, it is good to say and benefit a lot.

Light and shadow can shape the three-dimensional sense and texture of the picture, if there is no change in light and shadow, it will be very flat. Without light, the texture cannot be accentuated. ‍‍

Appropriate blurring can be done. Blurring brings something special to the visual experience. As an expression technique, blur can convey information such as panic, confusion, dizziness, speed, and excitement, but not every ** has to show these.

The shutter determines whether a ** is fixed or flowing, and we use a faster shutter speed when shooting high-speed moving objects, and a slower shutter speed when shooting slower objects such as fogged water. ‍‍

Shooting from a different angle, this picture is very critical, you just have to look sideways to know what's going on. The person who is standing is actually lying on the stone, and the person who falls is actually jumping. ‍‍

In photography, the subject should be solid, and the accompanying or secondary object should be virtual. Virtuality is dependent on the specific content of the picture, and the reality of the subject is highlighted by the virtuality. For example, if you shoot with the following method, you can shoot the subject in the foreground and the audience in the background to create a dynamic state on the screen.

When I usually shoot, I usually make appropriate adjustments to the light and shade, color, contrast, and composition in post.

When shooting landscape photos of large scenes, placing a foreground in the frame can greatly improve the sense of depth of the picture.

Use lens focal lengths flexibly. Whether it is wide-angle, telephoto, or standard focal length also has its characteristics, when shooting portraits, you can think more about what focal length of the lens can shoot different effects, even if the model is the same person, the composition changes, the effect is also very different! ‍‍

High-angle face shooting, universal small face nirvana - overhead shooting! Don't look at the lens with glasses, look forward and downward, and instantly feel cold and noble! ‍‍

Photography techniques fall into two broad categories: composition and lighting.

The so-called composition, is the judgment of the elements sold in this ** selection and placement, ready to be placed in what position, how to place, the method of composition is more miscellaneous, the rule of thirds, the center spiral, symmetry, oblique, etc., the logic of composition may be contradictory to each other, such as the rule of thirds and symmetry, for example, the same portrait photography, generally advocated is placed in the third position of the first, this is the so-called rule of thirds, but sometimes it is better to put it in the middle of the picture, such as people walking under the dim street lamp, Or because the background is a symmetrical road, the choice of composition is a bit similar to the dispute between Confucianism and Taoism in metaphysics, there is nothing better, it's just that, in this painting, you prefer that kind of expression.

As for the use of light, it is the intensity of the expression of each element in **. Derived bokeh (achieved by large aperture or telephoto), in essence, is the brightness trade-off and shadow selection of each part of the **. In general, backlit portraits are an unconventional use of light.

Regular**Inside is to convex the subject,The brightness of the subject and Beijing is balanced in the case of smooth light,But this**is more modest,Rock punch backlight is through manual focus and spot metering (or diffuser),Forcibly brighten the brightness of the subject,In this case, the general hair will be brighter,There is a feeling of gold plating,Relatively distinctive。

In fact, after you have more shutter times, you will generally form your own experience and habits, the purpose of photography is just to make a photo, the basic routine is composition and light, but in the process of accumulating shutter times, more comparisons and confirmations, what you are used to and feel smooth technology is suitable for you.

Photography is a metaphysics and there is no standard answer. Once you've mastered the basics, you can shoot in a way that you like and are comfortable with.

1. Still life photography.

Still life photography is the opposite of portrait photography and still life photography, which is inanimate (this inanimate is a relative concept, such as fish and shrimp caught from the sea, melons and fruits that have been picked, etc.), and artificial objects that can be freely moved or combined as the object of expression.

Most of the subjects are industrial or handmade products, inanimate objects that exist in nature, etc. On the basis of truly reflecting the inherent characteristics of the subject, through creative conception, combined with composition, light, tone, color and other photographic means to create art, the subject is expressed as a subtle and infiltrating image with artistic beauty.

2. Portrait photography.

Portrait photography takes the portrayal and depiction of the subject's appearance and demeanor as its expressive task, and the person's appearance should be distinct. It is divided into three categories: studio portraits, indoor environment-specific portraits, and outdoor portraits. The requirement for portrait photography is to "have both form and spirit".

Portrait photography takes the depiction and expression of the specific appearance and demeanor of the subject as its primary creative task, although some portrait photography works also contain a certain plot, but it is still mainly to show the appearance of the photographed, and a considerable number of portrait photography works only explain the image of the subject, and there is no specific plot.